The Museum for Pre- and Early History presents a wide range of archaeological finds, showcasing human culture from the earliest stone tools to the dawn of historic civilizations. Its galleries sit inside the Neues Museum on Berlin’s Museum Island, where original artifacts are displayed with careful context and clear storytelling.
The museum’s displays include objects from the Collection of Classical Antiquities, bringing Greek and Roman pieces into dialogue with prehistoric finds from Europe and beyond. Pottery, metalwork, weapons, jewelry, and everyday items appear alongside burial goods and ritual objects, tracing how technology, trade, and belief systems changed over thousands of years.
Within the Neues Museum’s restored 19th-century halls, the exhibitions move through time: from Paleolithic stone tools and Bronze Age treasures to early urban cultures. Labels and reconstructions help explain how archaeologists interpret fragments—what materials reveal about craftsmanship, where items traveled, and how communities lived, fought, and celebrated.
Visitors encounter iconic artifacts that illuminate turning points in human history. Finely worked bronze ornaments and weapons show advances in metalworking. Ceramic vessels tell stories of trade routes and shared styles across distant regions. Classical sculptures and reliefs from the antiquities collection add artistic and historical depth, linking prehistoric Europe with the Mediterranean world.
The museum functions as both a public gallery and a center for scholarly work. Conservation teams preserve fragile materials, while ongoing research refines timelines and origins. Temporary displays and updated interpretations keep the presentation dynamic, reflecting new discoveries and methods in archaeology.
Source - https://en.wikipedia.org/wiki/Museum_f%C3%BCr_Vor-_und_Fr%C3%BChgeschichte_(Berlin)
Germany's national centre for contemporary non-European art. The house is a leading centre for the contemporary arts and a venue for projects breaking through artistic boundaries. This architectural landmark was an American contribution to the international building exhibition INTERBAU 1957 as an embodiment of the free exchange of ideas. Colloquially called Schwangere Auster (Pregnant Oyster).
The last Mies van der Rohe building (a dwelling house) in Germany before his emigration to the U.S. (1938). Now there are small contemporary/modern art exhibitions.
This imposing building houses the Federal German Parliament or "Bundestag" and was completed in 1894 to meet the need of the newly-unified German Empire of the Kaisers for a larger parliamentary building. The Reichstag was intended to resemble a Renaissance palace, and its architect, Paul Wallot, dedicated the building to the German people. The massive inscription in front still reads: "Dem Deutschen Volke" - 'For the German people'. The Nazi leader Adolf Hitler exploited the fire which gutted the Reichstag building in 1933 by blaming the Communists for the arson and for attempted revolution. There is good evidence to suggest, however, that his followers were actually responsible and that this was a manufactured crisis. The iconic photo symbolizing the Soviet victory over Nazi Germany shows a Soviet soldier planting the Soviet flag on top of the building and there are to this day graffiti left by Soviet soldiers on some walls of the Reichstag which were deliberately preserved by the new Germany as a memento of the war. It's perhaps the only national parliament to have traces left by a foreign army deliberately preserved. When German reunification became a reality, the new republic was proclaimed here at midnight on 2 October 1990. The Reichstag building is well-known in the art world thanks to Paris-based Bulgarian artist Christo's mammoth 'Wrapped Reichstag' project in 1995. The entire building was swathed in silver cloth for two weeks that summer.The Reichstag has undergone considerable restoration and alteration, including the addition of a spectacular glass dome designed by the British architect Norman Foster completed in 1999. You can visit the Reichstag building proper and even listen to a parliamentary debate but you need to book on their website sometimes weeks or even months in advance. Fortunately its much easier to visit the glass dome. You can reserve a visiting time and date on their website or in the small building across Scheidmannstrasse, except during the high season you should be able to arrange a time later the same day or the next day. Photo ID or passport is required to make the booking. A passsport is required during your visit. This is a very popular tourist attraction in Berlin and can get quite crowded however it is worth the effort. The helical path up the inside of the dome is a lot of fun and the 360 degree views at the top are splendid.
This outdoor and indoor history museum documents the terror applied by the Nazi regime. It is on the site of buildings which during the Nazi regime from 1933 to 1945 were the headquarters of the Gestapo and the SS, the principal instruments of repression during the Nazi era.
An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.
150-200 m along the Wiener Straße (bypassing the fire house and the public swimming pool) from U-Bahn Görlitzer Bahnhof, the park is famous for the Turkish families barbecuing on summer weekends, failed contemporary art and relaxed atmosphere of students. It does have a reputation of being full of pickpockets and drug dealers though and the police makes regular visits to this place to check on the situation.
Features many objects and even whole rooms in Wilhelminian style. Only accessible by guided tour (English tours can be arranged).
Closed for renovations; the temporary Bauhaus-Archiv is at Knesebeckstraße 1-2 in Charlottenburg. Building designed by Walter Gropius. Inside a museum, library, cafe and shop.
This museum is perhaps something you wouldn't expect in a major metropolis and truth be told it owes its existence in part to partition (when West Berlin schoolkids couldn't go to the surrounding Brandenburg countryside to experience rural life). Opened in 1975 it is an attempt to recreate as faithfully as feasible a medieval farming village from roughly the era of Berlin's founding (12th or 13th century). The village that existed at this place 800 years ago was not called "Düppel" back then as that name was only applied in the 1860s after the Prussian victory over Denmark at Dybbøl which was rendered into German as "Düppel" and applied to the area to honor a member of the Prussian royal family who owned land there.
Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.
The largest zoo in the world, both in terms of number of species (1500) and animal population (14,000). It is especially famous for its pandas. The Elephant Gate (Budapester Straße), one of the two entrances and next to the Aquarium, is a traditional photo stop for most visitors because of the architecture.
With an impressive, circus-tent-like roof over its courtyard and remains of the pre-war Hotel Esplanade incorporated into the modern structure.
A domed church at Bebelplatz/Unter den Linden, the oldest (mid-18th century) and one of the biggest Catholic churches in Berlin. Interior was redesigned in a modern style in the 1950s, but there are still many treasure chambers in the basement.
The memorial site stretches along the full 1.5-km length of Bernauer Straße. The listing marker points to the visitor centre. Various monuments can be found along the entire length of the street, documenting nearby escape attempts and tunnels; captions are in German and English. The documentation centre across the street on Bernauer Straße/Ackerstraße is excellent (although most of the documentation is in German). The viewing platform next to the documentation centre gives you a tiny hint of the true scale of the Wall and how terrifying the "no man's land" between the two sections of walls must have been. The monument (that you can see from the platform) is a complete section of 4th generation wall - both inside and outside sections, and you can peer through from the east side to see the remains of the electric fence and anti-tank devices in the death strip. It really helps you understand what an incredible feat it was to get from one side to the other -- and why so many died doing it. The memorial site is often missed by tourists but an absolute must for anyone interested in this part of the city's history. It's a memorial to those who died crossing, so you won't, fortunately, get the tackiness of the Checkpoint Charlie area; instead you will be left with a haunting feeling of what life with the wall may have been really like.Bernauer Straße is a street with a great deal of Wall history: it came to tragic prominence on August 13, 1961 when East German authorities closed the border and the street (with houses in the East but the street in the West). Border guards walled the doors and windows shut to keep Easterners from escaping by jumping out the window while Westerners (including police and fire brigades who brought life nets to help catch refugees) looked on in horror. The first recorded Wall-related death - the notorious Peter Fechter case (he bled to death in the "no-man's-land" with both sides unwilling or unable to help him) - was here, as was one of the famous tunnels and the famous photograph of the GDR border guard leaping over the barbed wire.
The former Imperial General Post Office, now Museum for telecommunication and post with many interesting historical objects.
Museum of Contemporary Art located in former Hamburger Bahnhof train station. Big halls filled with artworks made since 1960s. In 2004 Rieckhallen, former Lehrter Bahnhof, was opened and now provides exhibition space for the Friedrich Christian Flick Collection. Free public guided tours (in English): Sa and Su at 12:00.