On the Asian shore of the Bosphorus, where the Göksu Creek meets the waterway, stands a medieval fortress with a long history. Built at the end of the 14th century, this citadel was designed to oversee and control the flow of ships passing through one of the narrowest points of the Bosphorus, where the strait is only 660 meters wide. This strategic position made it an important stronghold in the region for centuries.
The citadel worked closely with another impressive structure, Rumeli Citadel, which was built around 50 years later on the opposite European shore. Together, these two fortresses formed a powerful pair, watching over maritime traffic and helping to secure the waterway for those who held them. Over the years, the fortress suffered from neglect and fell into disrepair, but it received careful restoration in the 1990s, preserving its impressive walls and towers for future generations to admire.
The area surrounding the fortress eventually took on its name, and today the entire village is known as Anadolu Hisarı, meaning "Anatolian Fortress." Walking through the village, visitors can see many charming wooden houses known as yalı, which line the waterfront and reflect the traditional architectural style of the region. While it is not possible to enter the fortress itself, the setting creates a picturesque atmosphere along the Bosphorus.
Anadolu Hisarı remains connected to the lively rhythm of the Bosphorus. Ferries traveling up and down the strait make regular stops here, allowing passengers to take in the views of the ancient fortress and the peaceful village. The combination of historic architecture and scenic waterside life makes Anadolu Hisarı a notable part of Istanbul’s landscape.
Source - https://en.wikipedia.org/wiki/Anadoluhisar%C4%B1
A neo-gothic Anglican cathedral which would not be out of place in northwestern Europe, the Crimean Memorial Church was built for the Protestant community of the city by Britain in the late 19th century. It was named in honour of the soldiers died in the Crimean War of 1856, fought against Russia by the allied Ottoman and British Empires. The congregation of the church today mostly consists of Anglican East Asians and Sri Lankans resident in Istanbul.
Built 1748-55, this launched the style we call Ottoman Baroque, with its grand central dome and pencil-thin minarets. It was copied throughout their empire and is replicated in new mosques even today. The name means "light of the Ottomans," and the interior uses light powdery decor, bathed with much more natural light than its gloomier classical predecessors. The complex also has a madrasa and the imaret (public soup kitchen).
Turkey was slow to protect its antiquities and to display them properly, but in 1867 Sultan Abdülaziz toured the museums of Paris, London and Vienna and saw what was needed. The main collection is in a grand neo-classical building of 1891, with two annexes for ancient art and Islamic art. Exhibits include Sumerian tablets, pieces of the wall of Babylon, Roman statues, and the sarcophagus of Alexander the Great, which he never lay in.
A historic house museum dedicated to the life of Adam Mickiewicz, renowned Polish poet. This is where he lived while in Turkey from September 1855 to 26 November 1855, when he died of illness.
A ritual dancing hall of the mystical Mevlevi order, the followers of the teachings of Mewlānā Rumi. The quiet and peaceful garden is a welcome escape from the hustle and bustle of Beyoğlu. The oldest Mevlevi lodge in Istanbul, the convent was started in 1491, when the surrounding area was, hard to believe today but, pure wilderness beyond the city walls of Galata, although the current building dates back to 1855, as the older versions succumbed to repairs, rebuildings, and fires. However, the lodge was shut down in the early years of the republic (in 1925) along with all other 'reactionary' movements in Turkey, and the building has been serving as a museum dedicated to the Mevlevi order since 2010. Downstairs is a series of rooms dealing with the daily life of an average dervish, with informational signs in Turkish and English about the history of Islam and the Mevlevi order (also notice the original wooden pillars that support the building on this floor). On the upper floor is a dancing hall, a perfect example of 19th century Ottoman Baroque. Pre-Covid, this was where the sema whirling ceremonies were held every weekend evenings (admission by an extra ticket costing around 100 TL); check if they resumed. On the third floor is a display of various traditional Turkish/Islamic arts, including paper marbling (ebru), and calligraphy. After exiting the building, check out the small graveyard (or the "silent house" as the sign at its entrance says) on one side of the building, shaded by a number of hackberry trees, which Ottomans favoured to plant in the yards of mosques and graves to sign holiness. Here, the carved fez, or the basket of flowers in case of women, perched upon the highly detailed marble gravestone indicates the occupant's rank in the dervish hierarchy. At one corner of the necropolis is the grave of İbrahim Müteferrika, a converted Hungarian who was the first to start automated publishing in Ottoman Turkish in the 18th century, and served as the translator of Hungarian revolutionaries who sought asylum in Turkey, such as Kossuth, who stayed for a year in Kütahya, or Ferenc Rakoczi, who lived his last years in Tekirdağ.
This is the main attraction around this part of the city. The holiest Islamic shrine in the city, the complex includes, right next to the mosque, the tomb of Abu Ayyub al-Ansari (Eyüp Ensari Türbesi), the standard bearer of Prophet Mohammad, died and buried here during the first Muslim siege of Constantinople (674-678 AD). The neighbourhood was named after him. Muslims flock here (in such huge numbers that sometimes you have to queue for a few minutes before entering the tomb) also to see a rather uninteresting plaque made of plastic, which is purported to be Mohammad's footprint. The interior of the tomb, covered with fine tiles/faience, is nonetheless well worth a look, however. It is also interesting to see the devout Muslims leaving the place by walking backwards through its exit hallway, as not to turn their backs to al-Ansari's catafalque, though obviously no one expects everyone to quit the place in the same manner.
This is a circular indoor space enclosed by a 3D depiction of the Ottomans breaching the Walls of Constantinople on 29 May 1453, with sound effects. It's over-priced, unhistorical and tourist-trappy.
Built in 1564 by Mimar Sinan for Rüstem Pasha, Grand Vizier of Suleiman the Magnificent, this small mosque has an interior covered by beautiful Iznik pottery, then at its zenith.
Chora means countryside, and when built as a monastery in the 4th century it stood outside the Constantine walls; a century later, it was incorporated into the Theodosian walls. It was rebuilt in the 11th century then wrecked by an earthquake, so the structure and fabulous mosaics you see now are 14th century. When the church was converted to a mosque in 1500 the mosaics were plastered over, and only restored in 1958 when it became a museum. In 2020 it was again proclaimed a mosque but here (unlike Fethiye Mosque) they saw the sense and tourist income of preserving the mosaics. You need to work around prayer times.
Istanbul's former Asia-side railway station nowadays has no trains, but is worth a look. It was built by the Germans in 1908 in a distinctive Teutonic-castle style - to make an impact on travellers from Asia about to step into Europe, and a counterpoint to Sirkeci station (also closed) on the European side which is modelled in Oriental style. It's intended eventually to make this the terminus for the high speed rail network.
A contemporary art museum in a building converted from an old power plant: 1914-built and coal-fired, this was the oldest in Istanbul and the Ottoman Empire. Part of the plant was kept in almost exact original condition and now serves as the "Energy Museum".
Built in the early 5th century as a monastery dedicated to Saint Andrew the Apostle, in 766 it was the burial place of Saint Andrew of Crete and was later re-dedicated to him. It was rebuilt in the late 9th century and again in the 13th, then around 1490 converted into a mosque. From the 16th century it was occupied by the Dervishes, when the legend arose that a chain hung to a cypress tree in the courtyard was a truth diviner. The chain was swung between rival witnesses and the one it hit was telling the truth. The cypress stump is still standing.
This is a 1927 Beaux Arts building named after its patron Süreyya İlmen Pasha, then a deputy of Istanbul who was impressed by theatres in Europe during his visits. It became the first opera house in the Asian side of Istanbul, but due to deficiencies in its interior design, it barely staged any opera and was converted to a cinema soon afterwards. It underwent a significant restoration and reverted to its original purpose in 2007, so now houses performances of ballet, opera, and classical music; good tickets are often extremely cheap.
This attractive neighbourhood was home to a large Christian and Jewish population until some decades ago and still has a number of sights like two synagogues, some churches among which the Armenian Surp Krikor Lusavoriç, dozens of wooden houses and a Jewish and Christian cemetery.
This was built in the 1430s by Grecian Jews ("Romaniotes") from the city of Ohrid, now in North Macedonia. The district of Balat was a Jewish quarter, swelled from 1492 by those expelled from Spain. The synagogue is only open for pre-arranged tours.