The Crimean Memorial Church stands out in Istanbul with its striking neo-Gothic architecture, a style more commonly seen in northwestern Europe. Built by the British in the late 1800s, this Anglican cathedral was created to serve the city’s Protestant community.
The church gets its name from the Crimean War of 1856. This conflict saw the Ottoman and British Empires join forces against Russia. The church was established to honor the memory of the soldiers who lost their lives during this war. Its design and solemn purpose make it a unique landmark in the city, blending European architectural influences with local history.
Today, the Crimean Memorial Church is home to a vibrant congregation. Most of its members are Anglican East Asians and Sri Lankans who live in Istanbul. The church continues to serve as a place of worship and community, reflecting the multicultural fabric of the city.
Source - https://en.wikipedia.org/wiki/Crimea_Memorial_Church
This lavish palace with 285 rooms and 43 halls was the admin centre for the Ottoman Empire in its last 60 years. The palace government block (Selamlık) includes the Imperial Mabeyn (State Apartments) and Muayede Hall (Ceremonial Hall), while the Imperial Harem was the sultan's private quarters. Also here are the Painting Gallery, Music Museum, Clock Museum and Museum of Palace Collections. Free audio guide in several languages available by the ticket office. No photography inside, no backpacks but you can leave them in the cloakroom. Allow 3 hours to see everything.
A charming domed church built in 1880 at the side of Taksim Square, now uneasily contesting with Taksim Mosque for being the main landmark of the southern edge of the square.
Although not at the size of Hagia Sophia, this is the largest active church in Turkey. It’s directly on Istiklal St, but somewhat hidden from view by its yard portal. Catholic Masses in Italian, Turkish, and English (in different days of the week).
A private museum with a large painting collection and archaeological collections of measurement units and tools used in Asia Minor since antiquity and faiences of Kütahya.
This was rediscovered in 2010 when an overlying building was demolished. It was built circa 430 AD to store water brought in by Valens Aqueduct. It's smaller than the better-known Basilica Cistern, but better lit, more atmospheric and less touristy.
This is a circular indoor space enclosed by a 3D depiction of the Ottomans breaching the Walls of Constantinople on 29 May 1453, with sound effects. It's over-priced, unhistorical and tourist-trappy.
Opened in 2012, this museum is unique and a must-see when you are in the Beyoğlu area. It was created by Turkish Nobel laureate Orhan Pamuk alongside a novel of the same name. It tells the love story of the two main characters from the novel, and represents life in Istanbul during the late 1970s to early 1980s, as it exhibits thousands of objects from that era.
Sokollu Mehmet Pasha was the grand vizier and de facto ruler of the Ottoman Empire during its 16th century golden age. He commissioned this mosque, one of three in the city to bear his name, but the sloping site was a challenge. He hired the best, Mimar Sinan, who completed it in 979 AH / 1571 AD, with the slope resolved by a fronting courtyard above shops and a medrese. The interior has outstanding İznik blue tiles, and three fragments of the Black Stone (Hajar al-Aswad) of the Kaaba: above the main entrance, minbar and mihrab.
A small town 40 km west of central Istanbul and 15 km north of Büyükçekmece that had a substantial Greek population until the 1920s transfers. Spared from destruction in the Balkan wars which foreshadowed the Great War, the old quarter has many historic wooden buildings and fountains in leafy squares. A short stretch of the old town walls still stand just north of the centre. In the outer areas, bunkers of the WW2 'Çakmak Line' and remnants of the Byzantine Anastasios Walls could be observed. The town's main sight, housed in a red brick neoclassical building erected as a Greek tavern, this museum commemorates the forced population transfer of 1922–26, whereby Greeks living in Turkey were expelled to Greece, while the Turks of Greece were expelled to Turkey.
This was built in the 1430s by Grecian Jews ("Romaniotes") from the city of Ohrid, now in North Macedonia. The district of Balat was a Jewish quarter, swelled from 1492 by those expelled from Spain. The synagogue is only open for pre-arranged tours.
Named after a 16th-century village, founded by Serbs deported from Belgrade when it fell to the Ottomans. The village was popular as a forest resort, but its inhabitants were resettled in the 19th century and it's now a bosky ruin. The forest is mostly primordial and deciduous, predominantly oak. It's dotted with ancient aqueducts and dams as this area was a water catchment for Constantinople / Istanbul, and has lots of walking jogging and cycling trails and picnic areas. The two main ways in are via Bahçeköy (near the Arboretum entrance) and Kemerburgaz (which has the best aqueducts). There's a small access toll. The forest is supposedly a protected area but is being encroached on by highways and suburbs: this is likely to get worse as the access route to Istanbul's new airport leads right through it.
The "Polish village" was founded in 1842 by Polish settlers in the wake of the failed uprising against Russian Imperial rule, and reinforced by more settlers after every subsequent civil upheaval until Poland's independence in 1918. Most then returned, but several stayed on, adopting Turkish citizenship but maintaining their Polish language and culture. The village has houses in traditional Polish style, a 1914 little Catholic chapel, and the Church of Matka Boska Częstochowska. It's set in woodland (a nature park) and is a popular day-trip from the city. There's four restaurants and half a dozen small hotels, plus more of each in nearby Beykoz.
On top of a hill overlooking the Golden Horn, this is a magnificent mosque built by Sinan in the 1550s. It was centrepiece of a large külliye, a religious complex which included madrasas, a public kitchen and a hospital.. The small cemetery east has the mausoleums of Suleiman the Magnificent and of his wife Hurrem Sultan or Roxelana.
The only active Ashkenazi Synagogue open to visits and prayers.
Feshane began as a factory producing fezzes (fes), the red hats made of felt adopted by the Ottomans in the early 19th century as a part of westernizing efforts in lieu of much more traditional turbans. However, the fez was scrapped in favour of western garments during Atatürk's reforms of the 1920s and 30s as it was thought to symbolize the old, decidedly oriental regime. A restoration in 1998 made it a cultural and exhibition center, and after another in 2023, it was reopened as a culture and art center under the name Artistanbul Feshane.
This attractive neighbourhood was home to a large Christian and Jewish population until some decades ago and still has a number of sights like two synagogues, some churches among which the Armenian Surp Krikor Lusavoriç, dozens of wooden houses and a Jewish and Christian cemetery.
The imperial enclave of the Ottoman emperors for four centuries. Lavishly decorated, with exhibitions of fine craftmanship and four courts of increasing grandeur. The second court has the Harem and the State Treasury, housing a weaponry display. The third court has the Imperial Treasury, with Islamic and Christian relics. The views from the Fourth Court over the Bosphorus are spectacular. Reckon on spending several hours here and bring water as the museum kiosk is overpriced.
Turkey was slow to protect its antiquities and to display them properly, but in 1867 Sultan Abdülaziz toured the museums of Paris, London and Vienna and saw what was needed. The main collection is in a grand neo-classical building of 1891, with two annexes for ancient art and Islamic art. Exhibits include Sumerian tablets, pieces of the wall of Babylon, Roman statues, and the sarcophagus of Alexander the Great, which he never lay in.