Istanbul Archaeology Museums

From Bahçeköy village, follow the road into Belgrad Forest towards Kemerburgaz for 10 mins. The arboretum, surrounded by a natural oak forest, is planted with many non-native tree species (many turning crimson/golden/purple as winter approaches) and has a pond with feisty ducks. It's an almost mystic place during hazy autumn days, but is always very scenic no matter what the season. Watch for migratory birds in autumn. No eating, no picnicking, no video photography and no smoking.

Built as the Church of Saints Sergius and Bacchus around 530 AD, the same time as Hagia Sophia, but their styles differ. Transformed into a mosque in the early 1500s, it's beautifully decorated, with fine marble details, and has a pleasanter atmosphere than the larger busy mosques. The adjoining madrasa houses craft shops.

A historic 3-storey house, easily distinguishable among the modern apartment buildings thanks to its brightly coloured and gracefully decorated exterior. This is where the future founder of the Turkish Republic, Kemal Atatürk rented in 1919 while staying in Istanbul before setting sail to Samsun on the Black Sea coast to start the Turkish War of Independence. Hosts Atatürk-related paraphernalia and photos.

The Church of Theotokos Pammakaristos ("All-Blessed Mother of God") was built between the 11th and 12th centuries. The parekklesion or side-chapel was added maybe 1300, with rich mosaics. The main building became a mosque in 1591, named for Sultan Murad III's conquest (fetih, hence Fethiye) of Georgia and Azerbaijan: the interior was opened up, but the chapel was undisturbed and in modern times became a museum. In 2020 the entire building was proclaimed a mosque, and every scrap of Byzantine artistry was covered up, so now there's nothing worth seeing.

Stretching west from the park is this impressive 16th-century stone bridge with four humps and 28 arches spanning the channel between lagoon and sea. The bridge is pedestrian only and offers some very nice views, so it's worth walking across the entire (breezy!) span via the three islets to the quiet western end, even though beyond is industrial gap site, with the modern highway roaring to the south. In the park, the pillbox menacing the bridge was part of the "Çakmak Line", the World War II fortifications stretching from here to Terkos, which were Istanbul's last line of defence from the west. The pillbox exterior is colourfully decorated but the interior is closed.

Yeşilköy is home to a significant Syriac community. Their church was inaugurated in 2023. It is the first church built since the foundation of the Republic of Turkey. Its architecture is inspired by Syriac churches and monasteries in Mardin Province, the Syriac homeland in southeastern Turkey.

This is the main attraction around this part of the city. The holiest Islamic shrine in the city, the complex includes, right next to the mosque, the tomb of Abu Ayyub al-Ansari (Eyüp Ensari Türbesi), the standard bearer of Prophet Mohammad, died and buried here during the first Muslim siege of Constantinople (674-678 AD). The neighbourhood was named after him. Muslims flock here (in such huge numbers that sometimes you have to queue for a few minutes before entering the tomb) also to see a rather uninteresting plaque made of plastic, which is purported to be Mohammad's footprint. The interior of the tomb, covered with fine tiles/faience, is nonetheless well worth a look, however. It is also interesting to see the devout Muslims leaving the place by walking backwards through its exit hallway, as not to turn their backs to al-Ansari's catafalque, though obviously no one expects everyone to quit the place in the same manner.

A profusion of carpets, rugs, calligraphy, pottery, Qu'rans and other manuscripts. The museum is housed in the Palace of Pargalı Ibrahim Pasha (1495–1536), who was grand vizier to Suleiman the Magnificent, and the best of pals till Suleiman had him murdered.

It was built by the Genoese in the 14th century on the city walls of Galata, marking the highest point of their territory. Ride an elevator and take two flights of stairs to the top, then walk the parapet for a 360°-view of Istanbul, including the entire Sultanahmet peninsula: crowned by Topkapı Palace, the Blue Mosque and Hagia Sophia. A beautiful spot worthy of a lot of pictures.

This is an industry museum showcasing the evolution of machines. Many transport related items including a submarine, classic cars, railway carriages, an out-of-service Bosphorus ferry and a Douglas DC-3 aircraft (possible to board) are on display, among others. Also houses a typical Istanbul streetscape with its shops and all as how it would look in the past.

An attractive stairway mixing the Neo-Baroque and early Art Nouveau styles, climbing up from Bankalar St towards the Galata Tower. It was built in the 1870s by Abraham Salomon Camondo, who belonged to a prominent Ottoman-Venetian Jewish family of financiers and philanthropists.

This is a circular indoor space enclosed by a 3D depiction of the Ottomans breaching the Walls of Constantinople on 29 May 1453, with sound effects. It's over-priced, unhistorical and tourist-trappy.

If you are already in the area, it's worth considering to visit this waterside neo-Baroque manor, built in the 19th century for the countryside and hunting excursions of the Ottoman dynasty. The area, where the Göksu River flows into the Bosphorus, was known as "the Sweet Waters of Asia" by the pioneer European travellers of the epoch (as opposed to "the Sweet Waters of Europe", another contemporary elite recreational area on the other side of the city, where the Kağıthane and Alibeyköy Rivers empty into the Golden Horn).

Feshane began as a factory producing fezzes (fes), the red hats made of felt adopted by the Ottomans in the early 19th century as a part of westernizing efforts in lieu of much more traditional turbans. However, the fez was scrapped in favour of western garments during Atatürk's reforms of the 1920s and 30s as it was thought to symbolize the old, decidedly oriental regime. A restoration in 1998 made it a cultural and exhibition center, and after another in 2023, it was reopened as a culture and art center under the name Artistanbul Feshane.

Started in 1613 by the Ottoman sultan Ahmet I (r. 1603–1617, who also had the Blue Mosque in the Old City built), and extensively renovated by the art-loving Selim III (r. 1789–1807), this sole building, which itself has the distinction of being the only intact structure that dates back to the rule of Ahmet III (r. 1703–1730), set inside a beautiful garden of pools and mature cedar and magnolia trees is the only remaining part of what was once the fourth largest palatial complex in Istanbul, extending all the way to the banks of the Golden Horn (which is now occupied by the derelict buildings of the closed shipyard, which also block part of the view towards the shore). According to the local rumour, its name (which in Turkish means "mirrored poplar") derives from the now absent mirrors gifted by Venice to the palace that were presumably "as tall as the poplars" (aynalar kavak). The highly decorative and colourful interior includes several rooms of original furnitures fit for a sultan, some of which are covered with nacre, and walls embellished with Ottoman poems praising the palace and Selim III. Downstairs is a small museum dedicated to music, which exhibit some of the instruments (violins, ouds, and kamanchehs) and gramophone records owned by Fatma Gevheri Sultana (1904–1980), the granddaughter of Abdülaziz I (r. 1861–1876). While you are outside, also check out the old main entrance (now closed) towards the Golden Horn, topped by a dome. Worth the half hour spent there.

The defining image of Istanbul, dominating the skyline with its great dome and six minarets. Completed in 1617 for Sultan Ahmed I, it's still a working mosque, so dress appropriately and avoid prayer times. Enter via the courtyard on the SW side. You step (shoeless) into the blue-tiled prayer hall beneath the main dome and its semi-domes. The mihrab is of finely carved marble, well-lit, and the minbar (pulpit) next to it is visible from almost all parts.

Built in 1564 by Mimar Sinan for Rüstem Pasha, Grand Vizier of Suleiman the Magnificent, this small mosque has an interior covered by beautiful Iznik pottery, then at its zenith.

This is a completely wooden building rising up to six storeys. It is said to be the second largest wooden construction in the world and the first in Europe. On the second highest summit of Büyükada (İsatepe, "Jesus hill", 164 m asl), it lies abandoned and dilapidated amidst the pine woods, like a picture-perfect haunted manor. It was built in the late 19th century, originally intended as a luxury hotel for the passengers of the Orient Express but never served that purpose and was put in use as an orphanage by the Greek community until it was closed down in 1964, within the context of the deteriorating Turkish-Greek relations due to the Cyprus dispute. It's dangerous, not to say forbidden, to enter the building due to the damages inflicted by decades of neglect. The title holder is the Ecumenical Patriarchate, led by Bartholomew I who wants the building restored and made a global environmental research centre (he's known as the "Green Pope" due to his efforts for environmental protection), but given the long legal disputes on titleship, not to mention the enormous funds required to bring the building to life, don't hold your breath.

This attractive neighbourhood was home to a large Christian and Jewish population until some decades ago and still has a number of sights like two synagogues, some churches among which the Armenian Surp Krikor Lusavoriç, dozens of wooden houses and a Jewish and Christian cemetery.