Palace of the Porphyrogenitus

Tiny house museum on the life of Turkish novelist Orhan Kemal (1914–1970).

Started in 1613 by the Ottoman sultan Ahmet I (r. 1603–1617, who also had the Blue Mosque in the Old City built), and extensively renovated by the art-loving Selim III (r. 1789–1807), this sole building, which itself has the distinction of being the only intact structure that dates back to the rule of Ahmet III (r. 1703–1730), set inside a beautiful garden of pools and mature cedar and magnolia trees is the only remaining part of what was once the fourth largest palatial complex in Istanbul, extending all the way to the banks of the Golden Horn (which is now occupied by the derelict buildings of the closed shipyard, which also block part of the view towards the shore). According to the local rumour, its name (which in Turkish means "mirrored poplar") derives from the now absent mirrors gifted by Venice to the palace that were presumably "as tall as the poplars" (aynalar kavak). The highly decorative and colourful interior includes several rooms of original furnitures fit for a sultan, some of which are covered with nacre, and walls embellished with Ottoman poems praising the palace and Selim III. Downstairs is a small museum dedicated to music, which exhibit some of the instruments (violins, ouds, and kamanchehs) and gramophone records owned by Fatma Gevheri Sultana (1904–1980), the granddaughter of Abdülaziz I (r. 1861–1876). While you are outside, also check out the old main entrance (now closed) towards the Golden Horn, topped by a dome. Worth the half hour spent there.

A resort on the Marmara coast. It's the westernmost part of Istanbul, between Çatalca and the province of Tekirdağ. There are some remnants of the Anastasian wall here, the scrappy ruins of a castle, an ancient cistern, the Piri Paşa Mosque, and Uzunköprü the long aqueduct.

A neo-gothic Anglican cathedral which would not be out of place in northwestern Europe, the Crimean Memorial Church was built for the Protestant community of the city by Britain in the late 19th century. It was named in honour of the soldiers died in the Crimean War of 1856, fought against Russia by the allied Ottoman and British Empires. The congregation of the church today mostly consists of Anglican East Asians and Sri Lankans resident in Istanbul.

Built in first half of the 15th century, this is the large medieval castle under the Second Bosphorus Bridge. Its former name Boğazkesen (Turkish)/Laimokopia (Greek) means both "strait-blocker" and "throat-cutter" in both languages and denotes the reason of its building—to shut the supply routes from the Black Sea in the north into the slowly falling apart Byzantine Empire through the Bosphorus. Rumeli, literally "the Roman land", was the name of the European half of the Ottoman Empire, and as is usual with some other structures and villages along the Bosphorus, used as a prefix to differentiate Rumeli Hisarı from its counterpart in the Asian Side, the much smaller Anadolu Hisarı just across the Bosphorus.

A small town 40 km west of central Istanbul and 15 km north of Büyükçekmece that had a substantial Greek population until the 1920s transfers. Spared from destruction in the Balkan wars which foreshadowed the Great War, the old quarter has many historic wooden buildings and fountains in leafy squares. A short stretch of the old town walls still stand just north of the centre. In the outer areas, bunkers of the WW2 'Çakmak Line' and remnants of the Byzantine Anastasios Walls could be observed. The town's main sight, housed in a red brick neoclassical building erected as a Greek tavern, this museum commemorates the forced population transfer of 1922–26, whereby Greeks living in Turkey were expelled to Greece, while the Turks of Greece were expelled to Turkey.

The third and grandest of the churches on this site, completed in 537 AD. The 30-m diameter dome covers what was for over 1000 years the largest enclosed space in the world, only surpassed in 1520 by Seville cathedral. It used "pendentive" architecture to throw the dome's weight onto four stout pillars, a design that inspired many Eastern Orthodox churches and Ottoman mosques. It became a mosque after the Ottoman conquest in 1453, remaining so until 1931. It was then a museum until 2020 when it was again proclaimed a mosque. That means you must work around prayer times and dress appropriately.

This was rediscovered in 2010 when an overlying building was demolished. It was built circa 430 AD to store water brought in by Valens Aqueduct. It's smaller than the better-known Basilica Cistern, but better lit, more atmospheric and less touristy.

Dedicated to toys, this is a museum which adults can enjoy as much as kids. It's founded by poet Sunay Akın, and is housed in a historical mansion in the Göztepe neighbourhood east of Kadıköy. Among the 2,000 pieces of toys from around the world in exhibition, the oldest are a French-made violin from 1817 and a U.S.-made doll from 1820.

This is a circular indoor space enclosed by a 3D depiction of the Ottomans breaching the Walls of Constantinople on 29 May 1453, with sound effects. It's over-priced, unhistorical and tourist-trappy.

The most interesting of the resorts along this part of the coast. The beach has multi-coloured stones much used as garden mosaics in the city. (Modern quarries nearby still extract these for the Turkish glass industry.) The town has restaurants and accommodation.

A former synagogue, the museum's exhibit details how the cultures mixed with and influenced each other in the past 500+ years since the Spanish expulsion.

Opened in 2012, this museum is unique and a must-see when you are in the Beyoğlu area. It was created by Turkish Nobel laureate Orhan Pamuk alongside a novel of the same name. It tells the love story of the two main characters from the novel, and represents life in Istanbul during the late 1970s to early 1980s, as it exhibits thousands of objects from that era.

The "Polish village" was founded in 1842 by Polish settlers in the wake of the failed uprising against Russian Imperial rule, and reinforced by more settlers after every subsequent civil upheaval until Poland's independence in 1918. Most then returned, but several stayed on, adopting Turkish citizenship but maintaining their Polish language and culture. The village has houses in traditional Polish style, a 1914 little Catholic chapel, and the Church of Matka Boska Częstochowska. It's set in woodland (a nature park) and is a popular day-trip from the city. There's four restaurants and half a dozen small hotels, plus more of each in nearby Beykoz.

Built 1748-55, this launched the style we call Ottoman Baroque, with its grand central dome and pencil-thin minarets. It was copied throughout their empire and is replicated in new mosques even today. The name means "light of the Ottomans," and the interior uses light powdery decor, bathed with much more natural light than its gloomier classical predecessors. The complex also has a madrasa and the imaret (public soup kitchen).

From Bahçeköy village, follow the road into Belgrad Forest towards Kemerburgaz for 10 mins. The arboretum, surrounded by a natural oak forest, is planted with many non-native tree species (many turning crimson/golden/purple as winter approaches) and has a pond with feisty ducks. It's an almost mystic place during hazy autumn days, but is always very scenic no matter what the season. Watch for migratory birds in autumn. No eating, no picnicking, no video photography and no smoking.

The original mosque was built between 1463-1470 by the Greek architect Atik Sinan, by order of Sultan Mehmet II the Conqueror, on the site of the former Church of the Holy Apostles, which had served as Byzantine Imperial burial place for a thousand years. The grand complex with eight medreses, a library, hospital, hospice, caravanserai, market, hamam, primary school and public soup kitchen was smashed again and again by earthquakes, and the present building is from 1771 to a different design. The interior is lavish, and outside is the ornate tomb of Mehmet II and his wife Gülbahar Hatun.

Feshane began as a factory producing fezzes (fes), the red hats made of felt adopted by the Ottomans in the early 19th century as a part of westernizing efforts in lieu of much more traditional turbans. However, the fez was scrapped in favour of western garments during Atatürk's reforms of the 1920s and 30s as it was thought to symbolize the old, decidedly oriental regime. A restoration in 1998 made it a cultural and exhibition center, and after another in 2023, it was reopened as a culture and art center under the name Artistanbul Feshane.

On top of a hill overlooking the Golden Horn, this is a magnificent mosque built by Sinan in the 1550s. It was centrepiece of a large külliye, a religious complex which included madrasas, a public kitchen and a hospital.. The small cemetery east has the mausoleums of Suleiman the Magnificent and of his wife Hurrem Sultan or Roxelana.

About 15 minutes walking north of Beylerbeyi lies the historical fishing village Çengelköy. Its long history is attested by an 800-year-old sycamore tree on one of the two main terraced squares, and the Byzantine Aya Yorgi church. The restaurants and piers of Çengelköy offer some of the best panoramas along the Bosphorus, including a view on the old city under the first bridge. The neighborhood was popular amongst TV directors during the 1970s and it has become a (possibly the most) popular location to have lunch or dinner on the eastern side of Istanbul. Many historic mansions have been restored and multiple boutique chocolatiers were opened. Most restaurants in Çengelköy don't offer alcoholic beverages. Exceptions include the restaurant at the main pier (Iskele), and Tapasuma, the restaurant of hotel 'Sumahan on the Water', located in a former Ottoman Raki distillery. You can get there by taking bus 15 or 15F from Üsküdar, it is just a few stops further than Beylerbeyi. Going to Çengelköy by car is not advised; traffic can be very intense on the narrow road along this side of the Bosphorus.