Arch of Constantine

The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.

The first pedestrian-only bridge was built here in 206 BC and marks the passage of the Roman Via Flaminia over the Tiber. In 115 BC, the original bridge was demolished and rebuilt. It has been restored and remodelled several times since. In 2006, the bridge began attracting couples who, influenced by a movie, used a lamppost on the bridge to hang padlocks as a sign of their love, locking the padlock to the lamppost, then throwing the key behind them into the river. In 2007 the lamppost collapsed under the weight! Feeling sorry for the lovers the mayor ordered construction of steel posts, where padlocks can once again be hung.

It was immortalised in 1960 by the Federico Fellini film La Dolce Vita. It is also the location of the US Embassy, in the massive Palazzo Margherita. Via Veneto went into a period of decline in the 1980s but has returned to popularity and the roadside cafes are the place to be seen if you are into that sort of thing.

Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.

One of the oldest churches in the city. The nave is lined with a mismatched collection of columns taken from ancient Roman buildings. The apse is covered in gold mosaics from the 13th century, arguably the finest mosaics in the city. Impressive mosaics also on the front. According to legend the church was founded in 222, so it would be one of the most ancient churches in the city. Written records mention a church on this place in 337. What is visible today was built in the 12th century, by order of Pope Innocent III. The facade is decorated with mosaics representing the Virgin Mary and ten unidentified figures. Most probably these mosaics are the work of Petro Cavallini who created the mosaics of the lower apse dated 1290 representing scenes from the life of Mary. The mosaics of the upper apse in byzantine style are even older and date from 1140. The columns of the nave originate from the ancient Baths of Caracalla. The facade of Santa Maria in Trastevere is even more impressive at night when it is illuminated.

The villa was erected by order of Cardinal Ricci di Montepulciano in 1544. It was acquired by Cardinal Fernando di Medici in 1576. Since 1803 it is the French Academy in Rome. The academy was created in 1666 by the French King Louis XIV in order to enable painters to study in Rome. Nicolas Poussin was one of the first students, Ingres was director, and Fragonard and Boucher were students of the French Academy, but also musicians like Berlioz and Debussy studied here. Today the villa hosts occasional concerts and exhibitions. Its gardens can be visited.

Houses the tomb of St Lawrence. This basilica dates back to the 3rd century, when the area was already well populated. Surrounding it is Rome's cemetery, the Cimitero del Verano. San Lorenzo was damaged by Allied bombs in 1943 and the facade has been rebuilt.

Between the Pantheon and Via del Corso. A stunning example of Baroque art. The ceiling frescoes are especially fine, including a trompe l'oeil dome by the master Andrea Pozzo.

Pope Sixtus IV della Rovere (1471-1481) gave order to replace the old Roman bridge by a new one. It was Pope Sixtus IV who also ordered the Sistine Chapel and the Opsedale di Santo Spirito to be built. So he ran out of money. He levied a tax on prostitution in order to gain money for the construction of the Ponte Sisto.

Small collection of railway carriages and related stuff. Really just for those with special interest in the topic. Entrance through the station if the main entrance is closed.

A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.

This church was built inside the former baths of Diocletian. Very light and airy inside. Note the unusual art on the outside doors. Around solar noon check out the sun's image on Francesco Bianchini's meridian line inside.

Regular shows plus an excellent astronomical museum.

Unusual ancient Roman theatre with apartments built on top.

A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).

In the very heart of the city center, the building was for centuries ago the seat of the Venice embassy. Today it houses a museum and art galleries.

Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.

Permanent collection features paintings and drawings of Rome between the 18th and 20th centuries together with a fascinating black and white photo exhibition of Rome from 1950-80. Also offers rotating exhibitions, usually of the work of photographers.

Simple and elegant lines make up this building, whose construction began in 1480 for Count Girolamo Riario, nephew of Papa Sisto IV, and was taken up by architect Martino Longhi for the new owner, Cardinal Marco Sittico Altemps. Today it houses one of the branches of the National Museum of Rome, showcasing ancient and Renaissance sculptures, and the results of the 16th/17th-century fashion for 'completing' ancient sculptures missing heads or arms.