Nestled on opposite sides of Rome’s iconic Piazza del Campidoglio, the Capitoline Museums stand as a testament to the city’s enduring legacy and artistic grandeur. Established in the 17th century and crafted according to Michelangelo’s visionary architectural sketches, these museums offer a captivating journey through centuries of art, history, and culture. Advance online booking is highly recommended for visitors eager to explore these treasures without delay.
The Capitoline Museums owe much of their splendor to Michelangelo, whose designs shaped both the grand piazza and the palatial buildings that flank it. Each museum is a masterpiece in itself, harmoniously blending Renaissance elegance with echoes of Rome’s ancient past.
Among the museums’ dazzling highlights is the monumental Colossus of Constantine. While the Colosseum may have taken its name from the now-lost Colossus of Nero statue, it is Constantine’s surviving fragments—an enormous head, hands, foot, and kneecap—that capture visitors’ imaginations in the entrance courtyard. Other iconic pieces include The Dying Gaul, a stunning marble sculpture that replicates a 3rd-century BC Greek bronze, and the Capitoline Venus, celebrated for its timeless beauty.
Classical sculpture enthusiasts will also admire the small but exquisite Lo Spinario, a 1st-century-BC bronze depicting a boy removing a thorn from his foot, and the Lupa Capitolina—the legendary Etruscan bronze statue of the she-wolf nursing Rome’s founders, Romulus and Remus, dating possibly from the 5th century BC. The museums are also home to the original gilt bronze equestrian statue of Emperor Marcus Aurelius, with the version displayed in the Piazza del Campidoglio being a replica.
The museums’ Pinacoteca, or Picture Gallery, boasts an impressive collection of works from the 16th and 17th centuries. Art lovers can admire masterpieces such as Caravaggio’s Fortune-Teller and his enigmatic John the Baptist, along with The Holy Family by Dosso Dossi, Romulus and Remus by Rubens, and Titian’s Baptism of Christ. Each painting reflects the genius and diversity of the artists who shaped the Renaissance and Baroque periods.
Whether captivated by classical sculptures or drawn to the rich colors of Renaissance canvases, visitors to the Capitoline Museums are treated to a world-class cultural experience. These museums not only celebrate Rome’s illustrious past but also offer a welcoming glimpse into the artistry that continues to define the Eternal City today.
Source - https://en.wikipedia.org/wiki/Capitoline_Museums
Ballroom-like church which crowns part of the Capitoline Hill. Don't be fooled by the plain stone exterior.
Inaugurated in 217 AD and used until the 6th Century. The baths were big enough for 1600 bathers at a time. Impressive and well-preserved. Used for operas in summer months (see Opera di Roma for details) and was the location for the famous "three tenors" concert in July 1990, at the time of the World Cup (soccer).
Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.
This well-preserved Roman circus was built at the beginning of the fourth century. It was part of an imperial villa built by Maxentius and the complex also contains the Mausoleum of his son, Romolo.
This is the island located in the middle of the Tiber River (Il Fiume Tevere) that separates Central Rome and Trastevere. It boasts both a major hospital, called Fatebenefratelli, and a small synagogue that was secretly used in the Second World War when Rome's main synagogue nearby was closed down. It also has a café and gelateria on the Rome side. It is a nice way of getting to and from Trastevere. Be sure to get photos from Ponte Garibaldi as Isola Tiberina truly is beautiful. The island is 270 m long and up to 67 m broad. According to the legend envoys were sent to the temple of Asklepius in Epidauros in Greece in 291BC in order to get relief from an epidemic in Rome. The envoys brought one of the holy snakes back with them. The snake swam to the Tiber Island thus determining the place where a temple for Asklepius was built. The successor of the Asklepius sanctuary is the Church San Bartolomeo which was built by the German Emperor Otto III around the year 1000. The Ponte Rotto is what is left from the ancient Pons Aemilius, the oldest stone bridge over the Tiber erected around 180 BC. The bridge was partly destroyed during a flood in 1557, re-erected by Pope Gregor XIII and finally pulled down in 1598. In 62 BC the Senatorial road construction office replaced the wooden footbridge by the Ponte Fabricio.
The building is in one of the most hidden corners of the city center among Piazza Navona and Castel Sant'Angelo. It served as residence for the Orsini family. Nowadays it is private property and one can only glance at the courtyard and the amazing fountain inside, erected in 1618 by architect Antonio Casoni. However, the brief moment is worth it.
If it is sunny, you'll catch a few young people and older gentlemen sitting at the base of a statue in the middle of the open space. The statue is a brooding, hooded Giordano Bruno—an excommunicated Dominican monk and one of the earliest cosmologists who held the idea of an infinite universe. He was burnt at the stake for heresy on this spot on 17 February 1600. The piazza is used as a marketplace during the day, and party central for college students and tourists at night. When the sky gets dark and the street lamps go on, the Campo de' Fiori fills with people and lovers wander arm in arm in the crowd. Over the buzzing of conversation and the occasional burst of laughter you may hear a young vocalist belt out O Sole Mio at the top of his lungs as change plunks into his accordion case.
Church built on the site of three Roman pagan temples, which can be explored underground for a small fee paid at a desk near the church entrance.
This is a treasure-trove of art. There are a couple of paintings by Caravaggio: "The Crucifixion of Saint Peter" and "The Conversion of Saint Paul" (in a dim alcove to the left of the altar, both at right angles to the viewer, with a machine wanting €2 to switch on the lighting) together with a sculpture by Bernini, frescoes by Pinturicchio and mosaics by Raphael. Part of the Dan Brown tour, this church featured in Angels and Demons, although the Vatican did not allow filming inside.
This small museum records the liberation of Rome from German occupation during the Second World War. During the occupation the building was used as a prison. Stair lifts and chair lifts available for wheelchair users (call ahead).
The enormous building at the southeast end of the Circus Maximus is the headquarters of the UN Food and Agriculture Organization (FAO). From its roof are undoubtedly the best views of Rome, but you will need to know someone who works there to get past the strict security.
At the southern end of the Piazza, designed by Bernini but the main statue of the Moor was done by Giacomo della Porta and the other statues are 19th-century copies of the originals.
A great little cathedral to visit, lovingly looked after by Irish Dominicans. There is an excavated older church below the medieval church you enter and a Mithraeum (temple to Mithras, whose cult was very popular with Roman soldiers from the 1st to 4th century AD) below that. The only place in Rome to hear the underground river that flows beneath the city.