Nestled on opposite sides of Rome’s iconic Piazza del Campidoglio, the Capitoline Museums stand as a testament to the city’s enduring legacy and artistic grandeur. Established in the 17th century and crafted according to Michelangelo’s visionary architectural sketches, these museums offer a captivating journey through centuries of art, history, and culture. Advance online booking is highly recommended for visitors eager to explore these treasures without delay.
The Capitoline Museums owe much of their splendor to Michelangelo, whose designs shaped both the grand piazza and the palatial buildings that flank it. Each museum is a masterpiece in itself, harmoniously blending Renaissance elegance with echoes of Rome’s ancient past.
Among the museums’ dazzling highlights is the monumental Colossus of Constantine. While the Colosseum may have taken its name from the now-lost Colossus of Nero statue, it is Constantine’s surviving fragments—an enormous head, hands, foot, and kneecap—that capture visitors’ imaginations in the entrance courtyard. Other iconic pieces include The Dying Gaul, a stunning marble sculpture that replicates a 3rd-century BC Greek bronze, and the Capitoline Venus, celebrated for its timeless beauty.
Classical sculpture enthusiasts will also admire the small but exquisite Lo Spinario, a 1st-century-BC bronze depicting a boy removing a thorn from his foot, and the Lupa Capitolina—the legendary Etruscan bronze statue of the she-wolf nursing Rome’s founders, Romulus and Remus, dating possibly from the 5th century BC. The museums are also home to the original gilt bronze equestrian statue of Emperor Marcus Aurelius, with the version displayed in the Piazza del Campidoglio being a replica.
The museums’ Pinacoteca, or Picture Gallery, boasts an impressive collection of works from the 16th and 17th centuries. Art lovers can admire masterpieces such as Caravaggio’s Fortune-Teller and his enigmatic John the Baptist, along with The Holy Family by Dosso Dossi, Romulus and Remus by Rubens, and Titian’s Baptism of Christ. Each painting reflects the genius and diversity of the artists who shaped the Renaissance and Baroque periods.
Whether captivated by classical sculptures or drawn to the rich colors of Renaissance canvases, visitors to the Capitoline Museums are treated to a world-class cultural experience. These museums not only celebrate Rome’s illustrious past but also offer a welcoming glimpse into the artistry that continues to define the Eternal City today.
Source - https://en.wikipedia.org/wiki/Capitoline_Museums
Casal Rotondo is the biggest mausoleum on the Appian Way, at about the sixth mile. It now incorporates a small private villa, originally a farmhouse. It is not known for whom it was built. The wall of fragments next to it, constructed by Luigi Canina, has ruins referring to the Cotta family but this family is now believed to not be associated with the Casal Rotondo.
Like Pasquino, the Facchino is one the so-called "speaking figures" which are peculiar to Rome. He is looking out of the Banco di Roma building. The man depicted is holding a barrel in his hands and is carrying water. It is sometimes said that he is looking similar to Martin Luther, but more probably a porter who died while carrying a barrel is depicted here.
This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.
The most extensive collection of Etruscan art and artifacts anywhere. Fantastic collection and well worth the admission charge. A difficult museum to find, but a lovely display in a beautiful villa setting.
This palace of the 16th century was erected by the famous Medici family. It was the residence of Cardinals Giovanni and Giuliano Medici, later Pope Leo X. and Clement VII. Catherine de Medici, Pope Clement VII's niece lived here until her marriage in 1553 with Prince Henry, the son of King Francis I of France. The palace is named after Madama Margerita of Austria, the illegitimate daughter of Emperor Charles V. Since 1871 it has been the seat of the Italian Senate.
This is the attractive park on the hillside directly west of the Colosseum. Visible ruins in the area come from the Baths of Trajan. These baths were built on the top of the ruins of Domus Aurea - the Golden House of Nero (the Colosseum was built on the drained site of Nero's lake). The area underneath the park contains an enormous area from Nero's villa. It was restored at great expense in the 1980s and 1990s, opened to the public, and then closed again after a few years when it began to leak!
Brand new museum designed to celebrate the art and architecture of the 21st century.
Home of the President of the Italian Republic, and the Quirinal Gardens. Built in 1573 as a papal summer residence, and has since also served as the residence for the pope and later for the king of Italy.
The contours of the ancient stadium, built in the 6th Century B.C., are still visible in what is now a park in the shadow of the Palatine. Circus Maximus was primarily devoted to chariot races and was used for this purpose until around 550 AD. The stadium could seat up to 150,000 people. Originally built of wood, it burnt down twice, on the second occasion starting the great fire when the Emperor Nero was said to fiddle while Rome burned. It was in one of the tunnels here that Caligula met his end. Excavations began in 2009 at the east end of the circus and are likely to go on for some years.