Nestled on opposite sides of Rome’s iconic Piazza del Campidoglio, the Capitoline Museums stand as a testament to the city’s enduring legacy and artistic grandeur. Established in the 17th century and crafted according to Michelangelo’s visionary architectural sketches, these museums offer a captivating journey through centuries of art, history, and culture. Advance online booking is highly recommended for visitors eager to explore these treasures without delay.
The Capitoline Museums owe much of their splendor to Michelangelo, whose designs shaped both the grand piazza and the palatial buildings that flank it. Each museum is a masterpiece in itself, harmoniously blending Renaissance elegance with echoes of Rome’s ancient past.
Among the museums’ dazzling highlights is the monumental Colossus of Constantine. While the Colosseum may have taken its name from the now-lost Colossus of Nero statue, it is Constantine’s surviving fragments—an enormous head, hands, foot, and kneecap—that capture visitors’ imaginations in the entrance courtyard. Other iconic pieces include The Dying Gaul, a stunning marble sculpture that replicates a 3rd-century BC Greek bronze, and the Capitoline Venus, celebrated for its timeless beauty.
Classical sculpture enthusiasts will also admire the small but exquisite Lo Spinario, a 1st-century-BC bronze depicting a boy removing a thorn from his foot, and the Lupa Capitolina—the legendary Etruscan bronze statue of the she-wolf nursing Rome’s founders, Romulus and Remus, dating possibly from the 5th century BC. The museums are also home to the original gilt bronze equestrian statue of Emperor Marcus Aurelius, with the version displayed in the Piazza del Campidoglio being a replica.
The museums’ Pinacoteca, or Picture Gallery, boasts an impressive collection of works from the 16th and 17th centuries. Art lovers can admire masterpieces such as Caravaggio’s Fortune-Teller and his enigmatic John the Baptist, along with The Holy Family by Dosso Dossi, Romulus and Remus by Rubens, and Titian’s Baptism of Christ. Each painting reflects the genius and diversity of the artists who shaped the Renaissance and Baroque periods.
Whether captivated by classical sculptures or drawn to the rich colors of Renaissance canvases, visitors to the Capitoline Museums are treated to a world-class cultural experience. These museums not only celebrate Rome’s illustrious past but also offer a welcoming glimpse into the artistry that continues to define the Eternal City today.
Source - https://en.wikipedia.org/wiki/Capitoline_Museums
Ballroom-like church which crowns part of the Capitoline Hill. Don't be fooled by the plain stone exterior.
Four fountains from the time of Pope Sixtus V when much of Rome was redeveloped. A reclining deity is the theme of each sculpture. This is a busy intersection and if you don't look twice you may miss these exquisite examples of Roman mythology.
Church built on the site of three Roman pagan temples, which can be explored underground for a small fee paid at a desk near the church entrance.
This is a large tomb built by the Roman Emperor Augustus in 28 BC in the form of a stone ring covered by an earth mound. A brick wall, 87 m in diameter, carried an earth mound covered with cypresses. On top of the hill stood a bronze monument of the emperor. The building was 44 meters high. At the beginning of the alley, which led to the tomb were two Egyptian obelisks. On both sides of the doorway bronze plates describe the "Res gestae", the deeds of the emperor. The urns of Augustus, Marcellus, Octavia, Agrippa, Drusus and other members of the Julian Claudian dynasty were revered here. In the Middles Ages the building served as citadel of the Colonna family. It was destroyed by Pope Gregor IX in 1241. The body of Cola di Rienzo. a popular leader of the people in the mid-14th century, was burnt in this monument. The Mausoleo di Augusto is not open to the public, and is fenced off.
Pope Nicholas III connected Castel Sant'Angelo to St. Peter's by a covered fortified corridor called the Passetto di Borgo. This proved useful for Pope Clement VII during the Sack of Rome (1527). You can still see much of the Passetto by walking along the Borgo Sant'Angelo, which runs parallel to, and north of, the Via della Conciliazione.
At the southern end of the Piazza, designed by Bernini but the main statue of the Moor was done by Giacomo della Porta and the other statues are 19th-century copies of the originals.
This palace of the 16th century was erected by the famous Medici family. It was the residence of Cardinals Giovanni and Giuliano Medici, later Pope Leo X. and Clement VII. Catherine de Medici, Pope Clement VII's niece lived here until her marriage in 1553 with Prince Henry, the son of King Francis I of France. The palace is named after Madama Margerita of Austria, the illegitimate daughter of Emperor Charles V. Since 1871 it has been the seat of the Italian Senate.
The temple of the Emperor Hadrian was consecrated in 145 AD by Emperor Antoninus Pius. The remains of the antique temple were incorporated into a new building that served as the Papal Customs House. It was finished around 1690 and today accommodates the Stock Exchange (Borsa).
Finished in 29 BC, marks the spot of Caesar's spontaneous cremation and Mark Antony's funeral speech, made famous by Shakespeare in his play Julius Caesar ("Friends, Romans, Countrymen, lend me your ears ...").
housed in the baroque palace Corsini where Christina, Queen of Sweden settled down in the last years of her life
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
Home of the Abbot Primate of the Benedictine Confederation and Benedictine monks studying in Rome. Visit the monastic produce shop and listen to the best Gregorian chant in Rome during Vespers (19:15 each evening).
This small museum records the liberation of Rome from German occupation during the Second World War. During the occupation the building was used as a prison. Stair lifts and chair lifts available for wheelchair users (call ahead).
A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).
Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.