Pantheon

A 19th-century addition to the square, made to balance the Fontana del Moro.

Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).

Built in honour of Victor Emmanuel, the first king of a unified Italy, this vast structure may appear to be solid white marble but actually contains many rooms inside. There are two permanent museums, one on Italian Reunification and one on emigration from Italy, as well as other spaces that host rotating exhibitions. A walk through the Flag Room leads to the tomb of the unknown soldier. Good views from half-way up but you can also pay €10 (€2 concessions) and take a lift all the way to the top.

Four fountains from the time of Pope Sixtus V when much of Rome was redeveloped. A reclining deity is the theme of each sculpture. This is a busy intersection and if you don't look twice you may miss these exquisite examples of Roman mythology.

The house in which the famous English poet John Keats succumbed to consumption, now preserved as a memorial to his life and that of his friend Shelley, both of whom are buried in Rome's Protestant Cemetery (see Testaccio).

An underrated way to see fantastic art made after the Renaissance. Mainly Italian artists, notably De Chirico, but Cézanne, Degas, Kandinsky, Man Ray, Modigliani, Monet, Pollock and Van Gogh are also represented.

Simple and elegant lines make up this building, whose construction began in 1480 for Count Girolamo Riario, nephew of Papa Sisto IV, and was taken up by architect Martino Longhi for the new owner, Cardinal Marco Sittico Altemps. Today it houses one of the branches of the National Museum of Rome, showcasing ancient and Renaissance sculptures, and the results of the 16th/17th-century fashion for 'completing' ancient sculptures missing heads or arms.

The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.

According to the legendary passio, two brothers, John and Paul, who were officials at the imperial court, suffered martyrdom in 362 in their home on the Caelian hill, during the reign of emperor Flavius Claudius Julianus. This basilica dedicated to these two Roman officers was erected starting from 398 and was used first as a domus ecclesiae by the Christian community.

Home of the President of the Italian Republic, and the Quirinal Gardens. Built in 1573 as a papal summer residence, and has since also served as the residence for the pope and later for the king of Italy.

Erected in 203. You can see it close up from Via della Curia also (without entering the Forum).

With Bernini's famous Triton Fountain. Via Veneto starts here too.

Small collection of railway carriages and related stuff. Really just for those with special interest in the topic. Entrance through the station if the main entrance is closed.

A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).

The Piazza di Spagna (Spanish Square) is the most famous square in Rome. For a very long time it was the meeting point of all foreigners coming to Rome. In the 17th century it was the residence of the Spanish Ambassador to the Holy See. The area around the residence was Spanish territory and foreigners who stayed here without permission were forced to serve in the Spanish army. The Fontana della Barcaccia (Old Boat Fountain) on Piazza di Spagna was designed and built in 1627-29 by Pietro Bernini, father of the more famous Gian Lorenzo Bernini. The fountain celebrates the fact that before high walls were built along the banks of the Tiber Rome often used to flood. Once the waters were so high that a boat ended up in the square. The decorations on the fountain imitate the coat of arms of Pope Urban VII, Barberini'p, who ordered the fountain to be built. A less aesthetic occupant of the square is Italy's first McDonalds, dating back to 1986. Also in the piazza is a column erected in 1856 to commemorate the Immaculate Conception. The column is topped by a statue of the Virgin Mary, and rests on a base with statues of Moses, David, Isaiah and Ezekiel. The Pope visits the Piazza every year on December 8th to celebrate Immaculate Conception.

This is a large tomb built by the Roman Emperor Augustus in 28 BC in the form of a stone ring covered by an earth mound. A brick wall, 87 m in diameter, carried an earth mound covered with cypresses. On top of the hill stood a bronze monument of the emperor. The building was 44 meters high. At the beginning of the alley, which led to the tomb were two Egyptian obelisks. On both sides of the doorway bronze plates describe the "Res gestae", the deeds of the emperor. The urns of Augustus, Marcellus, Octavia, Agrippa, Drusus and other members of the Julian Claudian dynasty were revered here. In the Middles Ages the building served as citadel of the Colonna family. It was destroyed by Pope Gregor IX in 1241. The body of Cola di Rienzo. a popular leader of the people in the mid-14th century, was burnt in this monument. The Mausoleo di Augusto is not open to the public, and is fenced off.

Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.