Mariinskyi Palace

Situated on about 40 hectares. The zoo has 2,600 animals from 328 species. 130 different kinds of trees and bushes decorate the zoo's lands.

Covering 160 ha, the area shows how people used to live in different parts of Ukraine. Six restored rural Ukrainian villages, with old huts, wooden mills and churches from all over Ukraine have been carefully restored and function as living museums. English-speaking (sort of) guides with expertise on the whole site are available and well worth-it. Ukrainians come on sunny days to relax in the grass.

The oldest remaining church in Kyiv. Parts date from the 11th century. It is a UNESCO World Heritage Site, and has the world biggest ensemble of frescoes and mosaics dating from the 11th century, including the Virgin Orans mosaic. Several green-robed ladies maintain order and will shout at you if you look like you are planning to take a photo. The gatehouse and other restorations were completed in the 17th century. Outside the gates, there is a statue commemorating hetman Bohdan Khmelnytskyi, who liberated Kyiv in the 17th century... then gave the city to the Russian Empire.

This built in 1976. It is a cable-stayed bridge, designed by the architect A.V. Dobrovolsky and an engineer by G.B.Fux, with the beam of the main span being held by a cluster of steel ropes which are fixed to a 115 m tall A-pylon. The bridge consists of two spans: one is 816 m long and 31.4 m wide span across the Dnieper and another which is 732 m long, 29.1 m wide and span across the Desyonka, what is a Dnieper tributary. It is a key structure on the northern end of the Kyiv Smaller Beltway, connecting Petrivka to the densely-populated north-eastern residential neighborhoods. The bridge was built as a part of a high-speed freeway.

A 19th-century fortification building, that once belonged to the system of western Russian fortresses. Some of the buildings are restored and turned into a museum called the Kyiv Fortress, while others are in use by various military and commercial installations. It is semi-underground.

A 385-m-high (1,263 ft) lattice steel tower built in 1973. It is not accessible for tourists. The operational platform is at 200 m.

A refectory and an adjoining church of Saint Anthony and Theodosius. Built in 1893-1895. The sturdy dome of the church incorporates some aspects of ancient Byzantium. The interior decoration of the building was designed by Aleksey Shchusev. The marble icons are in the Neo-Russian style. The paintings in the refectory and the church, painted in the beginning of the 20th century. In 1973-1977, the Refectory interior was thoroughly renovated.

One of the oldest and most important monasteries in Ukraine and in the territory of the former Soviet Union. Only the most important monasteries were designated as Lavras; there were only four, of which this Cave Monastery is the oldest. It was founded in 1077 by St Antoniy. The caves were dug out by priests who lived there as hermits. Nowadays, the caves are venerated by the faithful and tourists who visit the mummified monks, and pilgrims are still allowed access to the underground church there. There are two parts to the modern complex: the upper lavra, owned by the state and consisting of a number of museums (entry fee); and the lower lavra, owned by the Orthodox Church (Moscow Patriarch) and consisting of the caves (you'll need 1 грн to buy a candle to enter). Do not miss the display of micro-miniatures in the Upper Lavra. It sounds lame, but it is fascinating. You can enter the caves in the lower part if you dress correctly (women must cover their hair and wear skirts, no shorts. Expensive scarves are for sale there). Women can only just get away with pants in the winter. Start at the Lower Lavra, visiting the caves, before the crowds descend for the day. There are two cave complexes, each housing the mummified remains of monks, as well as religious icons and other relics. Both caves are accessed through churches, with the entrance to the shorter caves at the end of a boardwalk. While it is free to enter the caves, you must purchase a taper candle in order to light your way. The caves are not recommended for the claustrophobic or overly tall. Once you're in there, it's hard, even impossible to turn around and go back out - you have to keep going.

Seven domed Ukrainian Orthodox brick cathedral in neo-Byzantine style, built in the 19th century. It barely escaped demolition by the Soviet authorities. Dome height (outer) 49 m (161 ft).

A working monastery that goes back to the 12th century. Destroyed during the Soviet era, with many of its art works hastily removed, some of which were transferred to the museums in Moscow and St Petersburg, some were moved to St Sophia Cathedral. Some mosaics housed in St Sophia subsequently fell into the hands of the Nazis but were returned... to the Hermitage in St Petersburg. Rebuilt in 1997-98. Impressive gold domes, best visited on a sunny day. Behind the complex is a pleasant park with views of the Dnieper and, to the left, the entrance to the funicular.

The perfect place for a stroll in any season. There are unique floristic complexes on 130 hectares: "Forests of the plain part of Ukraine", "Ukrainian Carpathians", "Steppes of Ukraine", "Crimea", "Caucasus", "Central Asia", the "Altai and Western Siberia", "Far East".

Motto in English: "Time is running, Academy is eternal". The library of the old Kyiv Mohyla Academy contained a notable collection of the books. However, the archive was plundered in the 1920s when the academy was closed. - The Halshka Hulevychivna house belonging to the university is the oldest civil building in Kyiv.

At the top of this quaint, very rough, cobblestone street is St Andrew's Church (closed for restoration since 2011). Pavements are gradually being added to the Descent but, meanwhile, take a good pair of shoes. The street is lined with souvenir sellers, restaurants, galleries and museums. Touristy but retains its charm.

A medieval monastery. Founded in 1140. Reconstructed by the Ukrainian architect Ivan Hryhorovych-Barskyi during 1750–1760. Saint Cyril's Church, including the medieval interior frescoes and the 1880s murals by the famous Russian painter Mikhail Vrubel, were fortunately preserved. The remaining constructions of the complex, the rest of the monastic walls, one corner tower (see picture), and two buildings constructed by Barskyi were also preserved. Of the monastery's cemetery, only two 18th-century graves remained.

A fairly large museum, starting with World War II, going through Nazi occupation until Ukraine's independence. The museum is at the base of the massive statue of Mother Ukraine. While the displays are mostly in Ukrainian. The museum has laminated cards in each room with varying languages including English, German and French. The museum also offers guided tours in several languages.

Berestovo was a suburban residence in the 11th century. - Its vaulting may have been unusually complicated, probably echoing the trefoil roofing of the porches. The outside of the church formerly displayed intricate brick patterns: double and treble niches, the meander, and decorative crosses.

Start at Ukrainskykh Heroiv Square and head underground. Walk through the Metrograd shopping center, always sticking to your left. Head above-ground at Tarasa Shevchenka Boulevard (бульвар Тараса Шевченка), from where the council shuts down Khreshchatyk on the weekends. The main drag of the city center is closed to traffic on some weekends and full of entertainers and people wandering around. A big, happy crowd and very conducive to people watching. Walking up the street to Maidan, you will be treated to the sight of numerous street performers and animal handlers, or you can simply enjoy seeing families out and about for a weekend stroll.

Baroque church, constructed in 1747–1754. Length 31.7 m (104 ft). Width 20.4 m (67 ft). Height 50 m (160 ft). Both the external and internal decoration on the church was carried out at the same time. Cast iron floor slabs were delivered from Moscow. Also, forms were made for the church's windows, doors, walls, and for space under the cupola. The planned iconostasis, designed by the Italian architect Rastrelli, was also added. The wood for the iconostasis, altar canopy, pulpit, and tsar's place were carved out in Saint Petersburg in order to save time. The iconostasis' icons were carried out by Petersburg artists. For gilding, 1,028 slabs of gold were used in the interior.