The two pavilions known as barrière d’Enfer were constructed between 1784 and 1787. The French architect Claude-Nicolas Ledoux designed these buildings as part of a series of similar toll houses, which marked the entrances to Paris during that period.
Claude-Nicolas Ledoux was a prominent architect in 18th-century France, recognized for his innovative designs. He was commissioned to create several toll houses, also called "barrières," which served as checkpoints for collecting taxes on goods entering the city. The barrière d’Enfer pavilions are just two examples of his broader work shaping the city’s boundaries.
Source - https://en.wikipedia.org/wiki/Barri%C3%A8re_d%27Enfer
An industrial design museum in Paris that houses the collection of the Conservatoire National des Arts et Métiers (National Conservatory of Arts and Industry), which was founded in 1794 as a repository for the preservation of scientific instruments and inventions.
The Petit Palais was built as a complement to the Grand Palais for the 1900 universal exhibition, and afterwards became the prime exhibition venue for the City of Paris' vast collection of artworks spanning centuries from ancient history to around 1914. (Later material is at the Museum of Modern Art of the City of Paris in the 16th). There is a permanent exhibition of selected artworks of artifacts, complemented by temporary exhibitions of historic artworks. The Petit Palais also features an on-site cafe/restaurant, as well as a book and gift shop.
The house of the symbolist painter has now become a museum to his life and work.
Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.
One of the largest collections outside Asia of Southeast Asian, Indian, Afghan, Chinese, Japanese, and Korean art.
Beautiful round "square" with an equestrian statue of King Louis XIV and matching 17th century buildings.
A Gothic church tower in a square 150m to the west of the Hôtel de Ville was restored by Ballu, is all that remains of Eglise Saint-Jacques-de-la-Boucherie, which was the meeting place in Paris for pilgrims heading to Santiago de Compestela. As such it is included on the UNESCO World Heritage List as part of the Routes of Santiago de Compostela in France.
Mainly used as a concert hall and venue for fashion shows today, the Cirque d'Hiver was built in 1852, as the name would suggest, as a winter venue for circuses.
Opened in 2006, this is the newest and the most modern of Paris' great museums, housing an outstanding collection of tribal art, with a particular emphasis on France's former (and present) territories in Oceania and Africa. The museum is large and you can easily spend half a day browsing, especially if you pause to explore the multimedia presentations.
For many visitors one of the must-see places in Paris is the Avenue des Champs-Elysées which was first created in 1667 by Louis XIV's gardener, Andre Le Nôtre, in order to improve the view from the Tuileries garden. This elegant and broad avenue was extended towards the end of the 18th century, now running from the place de la Concorde to the Arc de Triomphe. It is noted today as one of the most prestigious shopping boulevards of Paris.
This charming museum is owned by the French Académie des Beaux-Arts. Its main collection areas, the result of several large donations, include: First Empire art and furnishings; illuminated manuscripts; and Impressionist art, including the largest Monet collection in the world and works by Renoir, Manet, Morisot, Caillebotte and Gauguin.
The house in which the famous French novelist Victor Hugo once lived.
Housed in a 15th-century abbey, alongside 1st century Gallo-Roman baths, the museum has an extensive collection of medieval art and artifacts. Highlights include the medieval "Lady and the Unicorn" tapestries, a papal golden rose, and the original heads from the facade of Notre Dame.
A must for anyone interested in the history of the American Revolution. This small cemetery includes three mass graves from the French Revolution, plus a section that includes many of France's most noble families that lost members during the French Revolution and consequently have a continuing right to be buried there. In the farthest right hand corner is the tomb of General Lafayette, the friend and fellow soldier of George Washington. Beside him is his beloved wife plus other members of her family, the de Noailles, who were almost completely wiped out during the French Revolution because of their closeness to the Court. Since 1834 the American flag has apparently flown continuously over his grave, even during the German occupation of Paris during World War II. Well worthy of a visit.
The oldest planned square in Paris, and what many tourists as well as locals consider the heart of the Marais area.
The official residence of the President of France since 1848. Dating to the early 18th century, it contains the office of the President and the meeting place of the Council of Ministers. It is located near the Champs-Élysées in the 8th arrondissement of Paris, the name Élysée deriving from Elysian Fields, the place of the blessed dead in Greek mythology. Not open to the public, except occasionally during the annual National Heritage Days (usually a weekend in mid-September). Important foreign visitors are hosted at the nearby Hôtel de Marigny, a palatial residence.
Great perspective on the Eiffel Tower and Left Bank from Place du Trocadéro in between the two buildings of the palais. Former location of the Palais du Trocadéro. It accommodates three museums, an aquarium, and the Theatre Nationale du Chaillot.
Private collection of French, Italian, Dutch masterpieces in a typical XIXth century mansion.
A sculpture by Auguste Rodin in memory of the French novelist Honoré Balzac. The artwork is sometimes considered the first truly modern sculpture.