From Place du Trocadéro, visitors enjoy a spectacular view of the Eiffel Tower and the Left Bank of the Seine. This open space, positioned between the two grand wings of the Palais de Chaillot, has become one of the most iconic spots for photographs and cityscapes in Paris.
The site where the Palais de Chaillot stands today was once home to the old Palais du Trocadéro, built for the 1878 World's Fair. In the 1930s, this original palace was replaced by the current curved buildings, designed for the 1937 International Exposition. The sweeping terraces and classic columns of the new structure frame the Eiffel Tower in the distance, creating a breathtaking urban panorama.
The Palais de Chaillot is more than just a viewpoint. Inside its walls, three major museums invite exploration: the Musée de l’Homme, which focuses on anthropology and human history; the Musée National de la Marine, showcasing the story of France's maritime heritage; and the Cité de l’Architecture et du Patrimoine, where visitors can discover French architecture through models and exhibitions. The site is also home to the Théâtre National de Chaillot, a celebrated venue for dance and theater performances, as well as a large public aquarium.
Source - https://en.wikipedia.org/wiki/Palais_de_Chaillot
For many visitors one of the must-see places in Paris is the Avenue des Champs-Elysées which was first created in 1667 by Louis XIV's gardener, Andre Le Nôtre, in order to improve the view from the Tuileries garden. This elegant and broad avenue was extended towards the end of the 18th century, now running from the place de la Concorde to the Arc de Triomphe. It is noted today as one of the most prestigious shopping boulevards of Paris.
Recently reconstructed, the Paris branch of the National Maritime Museum, one of the three museums in the Palais du Chaillot, cannot accommodate any full-size ships, but has a wide range of smaller artifacts, artworks and models, covering both the Navy and commercial shipping.
An ancient Roman theater, the only surviving above-ground ruins of the Gallo-Roman era in Paris (ancient Lutetia, French Lutèce) apart from the nearby Thermes de Cluny. The theatre could hold approximately 15,000 spectators and measures some 132 m x 100 m. Built sometime in the 2nd century CE, the location of the actor's dressing room, the platform of the stage, and lapidary remains can still be seen. The remains were rediscovered in 1869, when new streets were being built. An excavation was subsequently ordered in 1883. The theatre has been preserved as a quiet archaeological park removed from the bustle of Parisian streets.
The magnificent setting of The Phantom of the Opera, the inside is as opulent as the outside. However, since the opening of the Opera Bastille (12th) in 1989, the Palais Garnier has been reserved mostly for dance performances, particularly ballet.
It was conceived by Louis XV as a grand neo-classical church honouring St. Geneviève, the patron saint of Paris. After the Revolution, the building was converted into a mausoleum for the great philosophers, military, artists, scientists, and heroes of the French Republic. Occupants of the crypt include Voltaire, Rousseau, Victor Hugo, Zola, the Curies, and Alexandre Dumas (reinterred here in 2002). The view from the dome (206 steps) is marvellous. Check tour departure times at the information desk. A fascinating reconstruction of Foucault's pendulum also hangs within the Panthéon.
The City of Architecture and Heritage, accommodated in the Palais du Chaillot, is a museum and gallery of French architecture. The centrepiece is the spectacular Hall of Casts, a collection of full-size plaster casts of facades, towers, doorways and windows of great buildings from all over France. Architecture of the late 19th, 20th, and 21st centuries is represented by additional galleries of models and images.
The burial place of existentialist philosopher Jean-Paul Sartre, feminist Simone de Beauvoir (both of whom lived nearby); musician Serge Gainsbourg; artist Man Ray; the poets Charles Baudelaire, Guy de Maupassant, Charles Sainte-Beuve, and Marguerite Duras; the founders of the Theatre of the Absurd Samuel Becket and Eugene Ionesco; the sculptors Constantin Brancusi and Ossip Zadkine; the composers Camille de Saint-Saens and César Franck; the actors Maria Montez and Jean Seberg; the French officer Alfred Dreyfus; the founder of the Larousse encyclopedia, Pierre Larousse; the industrialist André Citroen, and many others.
Contained within two historic houses (hotels), the museum explores the history of Paris through objects in over 140 separate rooms.
An indoor sports arena that seats around 17,000 for sports and slightly over 20,000 for major concerts; formerly known as Palais des Omnisports de Paris-Bercy and Bercy Arena. Home to numerous concerts and major sporting events, most notably the Paris Masters tournament on the ATP World Tour in men's tennis.
The national library preserves collections of historic documents of both French and international origin. It holds 5,000 Greek manuscripts. You can get a day pass to visit or choose to visit only the expositions the library hosts.
Famous people who stayed here include Marie de Rohan, intriguer during the Fronde; Jeanne Baptiste d'Albert de Luynes, future mistress of a duke of Savoy; Marie Angélique de Fontanges, mistress of Louis XIV, died here giving birth to his child who also died. Today its main cloister (illustration) forms part of the modern Hôpital Cochin.
This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.
A museum dedicated to the life and work of the great sculptor. The house contains an extensive collection, which is unusually well presented in a spacious building with big windows that are open in nice weather, which makes this museum double pleasant.
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).