The Guimet Museum in Paris is home to one of the largest collections of Asian art outside of Asia. Visitors can discover a wide range of objects and masterpieces from Southeast Asia, India, Afghanistan, China, Japan, and Korea.
Inside the museum, the galleries display sculptures, ancient ceramics, paintings, textiles, and religious artifacts. Each section offers a glimpse into the rich history and traditions of different Asian cultures. From delicate Japanese prints to striking Khmer statues, the exhibits highlight both artistic achievement and daily life across centuries.
Many of the pieces at the Guimet Museum come from ancient temples, royal courts, and artisan workshops. Visitors can trace the spread of Buddhism through statues and relics, admire the elegance of Chinese porcelain, and learn about the symbolism in Korean and Indian crafts. The museum’s collection also features rare Afghan artifacts, reflecting the region’s role as a crossroads of cultures.
The Guimet Museum provides a peaceful setting for exploring Asia’s diverse artistic legacy. Spacious galleries and themed rooms invite visitors to take their time and appreciate the details in each work of art. Special exhibits and educational programs further enrich the experience, offering new perspectives on Asia’s cultural heritage.
Source - https://en.wikipedia.org/wiki/Guimet_Museum
Built adjoining the now-lost royal palace of the Tuileries, these gardens lying immediately west of the Louvre offer a central open space for Parisians and visitors with semi-formal gardens (an outdoor gallery for modern sculpture), various cafés, ice cream and crépe stalls, and a summer fun fair. The gardens are frequently home to a giant Ferris wheel and enclose the Musée de la Orangerie and the Jeu de Paume.
For many visitors one of the must-see places in Paris is the Avenue des Champs-Elysées which was first created in 1667 by Louis XIV's gardener, Andre Le Nôtre, in order to improve the view from the Tuileries garden. This elegant and broad avenue was extended towards the end of the 18th century, now running from the place de la Concorde to the Arc de Triomphe. It is noted today as one of the most prestigious shopping boulevards of Paris.
The oldest church in Paris, founded in the year 542 by King Childebert. The church as it exists today dates mainly from the 11th century, the period in which it became the center of a powerful Benedictine abbey. The Revolution witnessed the suppression of the abbey in 1794, when most of the monastic buildings were put to the torch. Earlier, 318 priests had been hacked to death nearby by a mob on 3 September 1792. The church underwent significant restoration in the 19th century, ensuring the preservation of the building, which by that date represented a fascinating mix of styles: 6th century marble columns placed alongside Gothic vaults and supported by Romanesque arches. Famous burials within the church include René Descartes (philosopher), Nicolas Boileau (poet) and King John Casimir of Poland, who had become (in 1669, before his death) abbot of the church's monastery.
A symbol of Paris and one of the most famous landmarks in the world. Built by Gustave Eiffel in 1887-1889, the tower was almost torn down in 1909 and only saved due to its use as a telegraphy antenna. The queues can be very long. The tower allows online reservations at its website. You can select a date and time frame. If you miss the time on your ticket, you have lost your money. The north, west, and east pillars have elevators that go to the first and second floors; the south pillar has stairs that can be climbed to the second floor. To reach the top floor, an additional elevator ride is required, and the wait for this can be very long as well. Disabled visitors are not allowed beyond the second floor due to safety concerns. Taking the Métro as far as Ecole Militiare and then strolling up the Champ de Mars is a lovely way to arrive at the tower. Another phenomenal approach is to exit the Metro at Trocadero and see the Eiffel Tower from the other side of the Ecole Militaire.
The Museum of Mankind, accommodated in the Palais du Chaillot, is an anthropological museum covering the history of mankind and human societies.
The house in which the famous French novelist Victor Hugo once lived.
A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.
Paris's international exhibition centre (the 4th largest in Europe) has millions of visitors annually.
The Paris Botanical Garden, founded as the royal medicinal garden in 1626 by King Louis XIII's doctor, contains over 10,000 species. The grounds also include a small zoo known as La Ménagerie, and the Muséum National d'Histoire Naturelle, which includes the Grande Galerie de l'Evolution (where you can see thousands of naturalized animals from all over the world) and the 'Galerie de paléontologie et d'anatomie comparée' (same thing, but with skeletons).
This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.
Considered one of the most colourful Parisian parks, a local favourite, the Parc Montsouris was opened in 1878, having been designed by Alphand for Baron Haussmann. A large man-made lake and waterfalls are surrounded by long stretches of gently sloping lawns. Bronze statues are to be found studding the grounds, amongst the 1,400 trees, including such exotic varieties as the giant sequoia and the ginkgo. The park is featured in the film Cléo de 5 à 7. It is popular among families (there are two playground areas for children) and students.
Contained within two historic houses (hotels), the museum explores the history of Paris through objects in over 140 separate rooms.
The ancient medieval fortress and prison of the city's island, site of some remarkable medieval royal architecture and the scene of Marie Antoinette's imprisonment in the period leading to her execution in 1793; lots of revolutionary associations.
The two pavilions were built in 1784 to 1787 by the French architect Claude-Nicolas Ledoux, who erected many similar toll houses at the entrances to the city.
Guimard's own home, built in 1909-12. It is less decorated than Castel Béranger, but still beautifully shaped. Privately owned and not open to the public.
One of the most eye-popping sights of Paris, the catacombs represent a network of labyrinthine tunnels, first excavated in the Roman period, that now house the remains of over 6 million burials removed here from the various overcrowded cemeteries and charnel houses all over Paris in the late 18th and early 19th centuries. Well worth a visit: the atmosphere is suitably morbid and gloomy (without being too scary), the dark tunnels containing neatly stacked piles of skulls and long bones. There is a limit to the number of visitors allowed within the Catacombs at one time (200 persons). So, if you arrive just after opening, you must wait until someone exits, approximately 45–60 minutes, before anyone is admitted. Steep stairwell on the exit of the catacombs. Can be challenging for the elderly or the unfit. Tickets can be purchased online at a small premium (€29, includes audioguide), allows you pick a date&time and to skip the long line