The Guimet Museum in Paris is home to one of the largest collections of Asian art outside of Asia. Visitors can discover a wide range of objects and masterpieces from Southeast Asia, India, Afghanistan, China, Japan, and Korea.
Inside the museum, the galleries display sculptures, ancient ceramics, paintings, textiles, and religious artifacts. Each section offers a glimpse into the rich history and traditions of different Asian cultures. From delicate Japanese prints to striking Khmer statues, the exhibits highlight both artistic achievement and daily life across centuries.
Many of the pieces at the Guimet Museum come from ancient temples, royal courts, and artisan workshops. Visitors can trace the spread of Buddhism through statues and relics, admire the elegance of Chinese porcelain, and learn about the symbolism in Korean and Indian crafts. The museum’s collection also features rare Afghan artifacts, reflecting the region’s role as a crossroads of cultures.
The Guimet Museum provides a peaceful setting for exploring Asia’s diverse artistic legacy. Spacious galleries and themed rooms invite visitors to take their time and appreciate the details in each work of art. Special exhibits and educational programs further enrich the experience, offering new perspectives on Asia’s cultural heritage.
Source - https://en.wikipedia.org/wiki/Guimet_Museum
Housed in a 15th-century abbey, alongside 1st century Gallo-Roman baths, the museum has an extensive collection of medieval art and artifacts. Highlights include the medieval "Lady and the Unicorn" tapestries, a papal golden rose, and the original heads from the facade of Notre Dame.
A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.
The official residence of the President of France since 1848. Dating to the early 18th century, it contains the office of the President and the meeting place of the Council of Ministers. It is located near the Champs-Élysées in the 8th arrondissement of Paris, the name Élysée deriving from Elysian Fields, the place of the blessed dead in Greek mythology. Not open to the public, except occasionally during the annual National Heritage Days (usually a weekend in mid-September). Important foreign visitors are hosted at the nearby Hôtel de Marigny, a palatial residence.
There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.
The C.I.U.P. is a student quarter established in 1925, providing homes for about 10,000 students, scientists, and artists from 120 countries. It has 40 houses attributed to individual nations. The individual houses organise top quality cultural and political events. Among the most remarkable buildings are the Fondation Deutsch de la Meurthe, the Heinrich Heine House (Maison Heinrich Heine - Fondation de l'Allemagne), the Swedish Student House (Maison des Etudiants Suédois), and the Swiss Pavilion (Pavillon Suisse) which was built in 1933 on plans of Le Corbusier.
The largest square in Paris with fantastic vistas in every direction. It was in this square (then called la Place de la Revolution) that the French King Louis XVI, Marie Antoinette and many others were guillotined during the Terror. The large Egyptian obelisk in the centre of the Place de la Concorde was brought from the Temple of Luxor.
A must for anyone interested in the history of the American Revolution. This small cemetery includes three mass graves from the French Revolution, plus a section that includes many of France's most noble families that lost members during the French Revolution and consequently have a continuing right to be buried there. In the farthest right hand corner is the tomb of General Lafayette, the friend and fellow soldier of George Washington. Beside him is his beloved wife plus other members of her family, the de Noailles, who were almost completely wiped out during the French Revolution because of their closeness to the Court. Since 1834 the American flag has apparently flown continuously over his grave, even during the German occupation of Paris during World War II. Well worthy of a visit.
One of the truly great venues for the performing arts anywhere in the world, Paris' new opera house actually managed to inspire some neighborhood protest during its planning and construction. Pretty much everybody is a believer nowadays though. Check out the website for upcoming shows, it might even make sense to plan a trip to Paris around one.
The sleaze of boulevard de Clichy between place Pigalle and place Blanche can provide a moment of distraction. Be warned if you are male it is better to do this in the company of a female fellow traveller, as the clubs often send the girls outside to attempt to physically drag passing men off of the street. These strip clubs are big ripoffs. They tempt you with a free drink for €10 entry; once in the girl who starts dancing orders a couple of drinks (Red Bull) and then before you realise you are presented with a bill ranging from €500-700. They have these big bouncers who threaten/manhandle you till you arrive at some settlement with them. The whole of Pigalle is a rip off, best avoided. The police know about these places but nothing is done.
Beautiful round "square" with an equestrian statue of King Louis XIV and matching 17th century buildings.
The Pasteur Museum is housed in the apartment where the great scientist spent the last 7 years of his life. Hardly touched since that time, the museum is full of personal memorabilia and scientific instruments. Pasteur is buried on the grounds in a flamboyant mosaic-decorated mausoleum. The museum was closed to individual visitors for security reasons after the 13th November 2015 Paris terrorist attacks.
a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).
For a taste of the French countryside, a visit to Bercy Village brings to life the spirit of market shopping inside Paris.
One of the most eye-popping sights of Paris, the catacombs represent a network of labyrinthine tunnels, first excavated in the Roman period, that now house the remains of over 6 million burials removed here from the various overcrowded cemeteries and charnel houses all over Paris in the late 18th and early 19th centuries. Well worth a visit: the atmosphere is suitably morbid and gloomy (without being too scary), the dark tunnels containing neatly stacked piles of skulls and long bones. There is a limit to the number of visitors allowed within the Catacombs at one time (200 persons). So, if you arrive just after opening, you must wait until someone exits, approximately 45–60 minutes, before anyone is admitted. Steep stairwell on the exit of the catacombs. Can be challenging for the elderly or the unfit. Tickets can be purchased online at a small premium (€29, includes audioguide), allows you pick a date&time and to skip the long line
Between the River Seine and the rail yards attached to Gare de Lyon and Gare de Bercy is a green space which would seem pretty huge if the 12th weren't also the home of the Bois de Vincennes. The park is a good place to hang out waiting for the line to form for sporting events and concerts at AccorHotels Arena.
Housed in a former Beaux-Arts railway station (completed in 1900 for the Exposition Universelle, later saved from demolition and converted to its present use), the rambling, open-plan museum is home to the works of the great artists of the 19th century (1848-1914) - Impressionists, post-Impressionists, and the rest - that were formerly displayed in the l'Orangerie. This is perhaps the most spectacular collection of European impressionism in the world—breath-taking rooms full of Manet, Renoir, Monet, Van Gogh, and many others. Impressionist represent the biggest draw, but there is much more to explore.