Fernsehturm

Works from the Dresden art collaborative called "Die Brücke".

The meeting point of one of the leading oppositions against the GDR regime and is a great Neogothic church. Also the only ecumenical Lord's supper with Protestants and Catholics together took place in the Gethsemanekirche (2003).

With an impressive, circus-tent-like roof over its courtyard and remains of the pre-war Hotel Esplanade incorporated into the modern structure.

Built in 1542. An impressive traditional country estate with stately architecture, it is an enclave of untouched regional cultural history and architectonic epochs. The 80-hectare mixed forest also provides a wide network of paths for walking and rambling.

The main floor houses the antiquities collection in an ongoing exhibit called "Neue Antike im Alten Museum" (New Antiquities in the Old Museum). Directly through the front door, entering from the Lustgarten (Pleasure Garden, now under reconstruction), there is a domed rotunda with red and white cameos, Greek-style, with statues of the gods. To reach the Hildesheim silver collection, go to the back of the rotunda, turn left, walk through the long gallery and turn left into a small room at the end.

The Bendlerblock building complex has long held ties to the German military, first serving as the offices of the Imperial German Navy and today housing the Berlin offices of the Ministry of Defense. It was here where, on 20 July 1944, Colonel Claus von Stauffenberg and other officers led a coup that sought to remove Hitler and the Nazis from power. They failed and were summarily executed in the courtyard, where a memorial stands for these men who are considered German heroes by many. Inside the building you'll find the German Resistance Memorial Center, a permanent exhibit dedicated to the July 20 plot and other individuals in the German resistance.

Again one of the world's most comprehensive ones. At the museum district of Dahlem.

Käthe Kollwitz's reputation as a social activist who used art as a means to express her support of pacifism was hard-won. Her son was killed in the World War I, after which her art took a turn for the morose. When her grandson was killed in World War II, her art became even darker and more brooding as she contemplated the huge loss of life Germany had suffered. Her own losses and those of the nation affected her art. After the war, ever-present artistic themes for Kollwitz - death, violence, war, misery, guilt and suffering - took shape as the drawings, prints, sculptures, original posters and woodcuts housed in this museum.

The garden is part of the Free University of Berlin.

The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).

An observation tower without an elevator in Southeast Berlin, from which you can see that there is a great deal of forest around Berlin. There is a cafe at the tower.

One of three war memorials in Berlin erected by the Soviet Union to commemorate its war dead, particularly the 80,000 soldiers of the Soviet Armed Forces who died during the Battle of Berlin in April and May 1945. Contrary to popular belief, it has not been granted extraterritoriality even though it was guarded by Soviet troops throughout Berlin partition despite being in the British, not the Soviet, sector. It is however subject to a bilateral treaty between Germany and Russia that mandates Germany take care of the monument and keep it in a good state of repair.

The Bierpinsel ("beer brush") is a building in Steglitz which resembles an observation tower and is famous for its pop-art appearance. The futuristic, landmarked building was built from 1972 to 1976 and has since been used as restaurant, night club, bar, radio station and art café.

In this house the surrender of Germany was signed on May 9th, 1945, ending WWII in Europe. This museum describes the history of the war between Germany and the Soviet Union between 1941 and 1945 and the GDR/German-Russian relationship ever since. Historic rooms, permanent exhibition and special exhibits.

This is the number-one bathing and recreation spot in western Berlin, with several beaches, the large Strandbad Wannsee open-air lido and several historic landmarks nearby.

The museum’s treasures include the sculpture collection with works of art from the middle ages to the 18th century. The Bode museum is best known for its Byzantine art collection and the coin cabinet.

An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.

The "mother of all airports", according to Sir Norman Foster, is a huge relic of the interwar era. The terminal building, built between 1936 and 1941 immediately south of the city centre, was the hot spot of the Berlin airlift (Berliner Luftbrücke) in 1948-49, but closed as an airport on October 30, 2008. In 1951 a monument was added to its entrance square - then renamed "Airlift Square" -to commemorate the airlifts over the Berlin Blockade. The airport was featured in movies like Billy Wilder's One Two Three. Nowadays, the airfield is a spacious park with many visitors in summer and fall. The terminal building is still fascinating - the halls and neighbouring buildings, intended to become the gateway to Europe, are still some of the largest structures in the world. The terminal building is used as a venue of fashion weeks or fairs. In the 21st century, the former airport was a hot-button political issue: First Tempelhof Airport was the subject of a failed ballot measure to keep it open as an airport. A few years later, a ballot measure to prevent new construction on its outskirts was successful, thus preserving the urban open space at the cost of an exacerbated housing shortage.

In 1893 the authorities of Berlin issued the artistic entrance to the National Park Friedrichshain. The fountain of fairy tales was commissioned by the National Park and later designed by Ludwig Hoffmann.

The oldest museum of its kind in Germany which, despite great losses during the World War II, still possesses one of the world's primary collections of European applied art. There are two sections to the collection: one located at the Kulturforum in Tiergarten, the other at Köpenick Palace.