Along a 1.5-kilometre stretch of Bernauer Straße, the Berlin Wall Memorial unfolds as an open-air timeline. The visitor centre marks a good starting point, but the story continues all along the street. Small monuments and panels, in German and English, mark the places where people dug tunnels, made escapes, or tried and failed. Together, they map a tense border that once cut through daily life.
Across the road at Bernauer Straße/Ackerstraße, the documentation centre offers a deeper look at the Wall’s history. Most displays are in German, but the visuals and layout are strong. Next to it, a viewing platform looks out over a preserved section of the border. From above, the scale becomes clearer: two concrete walls, a sandy “death strip,” watch paths, and barriers stretching across the former border zone.
The monument below is a full segment of the fourth-generation Wall. Standing on the eastern side, it is possible to peer through to see traces of the electric fence and anti-tank obstacles. The layout shows how hard it was to cross, and why so many attempts ended in tragedy.
Bernauer Straße became a flashpoint on August 13, 1961, when East German authorities sealed the border. Here, apartment buildings stood in the East while the pavement lay in the West. Doors and windows were bricked up by border guards to stop escapes. On the western side, police and fire crews arrived with life nets as people jumped from their homes, while crowds watched the scene in shock.
The street is tied to several defining images of the era: the first recorded death connected to the Wall, Peter Fechter, who lay in the no-man’s-land without help from either side; one of the best-known escape tunnels; and the famous photograph of a young East German border guard leaping over barbed wire to freedom.
Unlike more commercialized sites, the memorial maintains a quiet atmosphere. The exhibits and preserved grounds focus on those who lost their lives and on the daily realities of a divided city. Walking its length leaves a lasting sense of the Wall’s presence, and the human stories that ran beneath it.
Source - https://en.wikipedia.org/wiki/Gedenkst%C3%A4tte_Berliner_Mauer
Also known as "der hohle Zahn" (the Hollow Tooth), this church in Breitscheidplatz is a memorial to Kaiser Wilhelm, and one of Berlin's most famous landmarks. Thick walls and plain decor mark it as neo-Romanesque, but with what's left of the Gedächtniskirche, it's tough to distinguish it as any one style. Allied bombing left only one tower standing on 22 November 1943, but a new location for worship designed by Egon Eiermann was completed in December 1961 (it's the octagonal structure with blue stained glass windows). There is a small memorial museum beneath the tower filled with artifacts from the original church, which was built from 1891-95 to architect Franz Schwechten's specifications.Controversy arose after the war over the various options presented by the half-ruined cathedral - should it be torn down completely and rebuilt? Or should the destroyed sections be left standing as a memorial? The four major sections of the Kaiser-Wilhelm-Gedächtniskirche (central space, foyer, new tower and chapel) surround the ruined tower of the old church bridge and show the time gap between old and new. Mosaics and other remnants from the old church serve as a monument against war.
Arguably the most beautiful bridge in Berlin and the only connection between Friedrichshain and Kreuzberg. As signage on the bridge indicates, it was built twice - once in the 1890s and once in the 1990s. Before reunification the border ran where the bridge now is.
This area was Gay Central during the Weimar Republic, and it is today. But of course all are welcome. There is a diverse mix of restaurants and stores, several of which are open till midnight or later every day. The U-Bahn station has a superstructure and towers that echo the appearance of the Art Nouveau Neues Schauspielhaus across the street, now the Metropol, where radical left-wing dramas used to be presented in the 20s and 30s, and it is lit in rainbow colors.
Exhibition of digital interactive entertainment culture. You can actually play almost all of the exhibits making it a more "hands on" museum than most.
The main street of former East Berlin. It is a big avenue, featuring neoclassical East German buildings, fountains and lakes.
One of the oldest buildings in Charlottenburg and actually the reason for the whole city to be built.
Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.
Oderberger Straße is known for its beautiful and generous Gründerzeit architecture, as well as its cafés and restaurants. Since before Germany's reunification the street has been the desired place for alternative folks and avant-gardists, but the area has seen continual gentrification since the early 2000s.
The longest stretch of the Berlin Wall still in existence, painted by artists in 1991 and restored in 2009, after years of decay. At Mühlenstraße, next to the river Spree. The murals are painted on the east side of the wall after the fall of Communism; so they are not from the Cold War, during which murals could only be painted on the west side. Make sure not to miss the famous mural of a car seemingly crashing through the wall with Leonid Brezhnev and Erich Honecker kissing above it. It is actually on the back side of the gallery (it is facing away from the street.) It is just inside the entrance of the Eastern Comfort Hostel, near the east end of the gallery.
A museum dedicated to everyday life in communist East Germany. The museum has very relaxed rules and you are allowed to touch and examine almost every object, which adds greatly to the experience.