Schloss Tegel

The first (and one of the biggest) water tower of Berlin (built 1877).

The French cathedral houses the Hugenottenmuseum. It represents the ongoing influence on Berlin by the Huguenots who emigrated from France after the revocation of the Edict of Nantes. Crown Prince Friedrich William encouraged them to settle here because most of them were skilled workers or otherwise useful to the kingdom. One memorable artwork, in room nine of the museum, pictures Crown Princess Dorothea exclaiming "But he's a refugee!" upon being presented a very valuable set of jewels by Pierre Fromery. The generally agreed-upon view of refugees as poor, without resources let alone diamonds, was blown apart by the talented French Protestants forced to leave their country due to religion. One of the most notable effects of having such a large French population was their influence on the infamous Berlin dialect. Berlinerisch words such as Kinkerlitzchen (from French "quincaillerie" - kitchen equipment) and Muckefuck (from French "mocca faux" - artificial coffee, though that etymology is not universally accepted) are unique to the area. The Französischen Dom (cathedral) itself was built to resemble the main church of the Huguenots in Charenton, France, destroyed in 1688. It has housed the museum since 1929. Closed till 2019

Includes East Asian and Indian sections.

Became famous from the film named after this street. During the Cold War, the street was split, with one section belonging to East Berlin and one to West Berlin.

Again one of the world's most comprehensive ones. At the museum district of Dahlem.

A museum dedicated to the Berliner sculptor.

The building houses the personal offices of the Chancellor and the Chancellery staff. The Berlin Chancellery is one of the largest government headquarters buildings in the world. By comparison, the new Chancellery building is ten times the size of the White House. A semi official Chancellor's apartment is on the top floor of the building. The 200-m², two-room flat has thus far only been occupied by Gerhard Schröder chancellors since then have lived elsewhere. It is usually not possible to visit the building, but on occasion there are tours, usually around August. The building was deliberately designed in a way to symbolize the German constitutional system - it's in the line of sight of the Bundestag and lower in height, symbolizing the role of parliament in controlling government and "the people's house" being the higher power in the relationship between the two. Or at least that's the idea.

A small castle in late classical style. It was built 1868 by Martin Gropius (uncle of the Bauhaus-founder and other architects, the von Siemens family changed the castle a bit around 1900 and they enlarged the dimensions of the park, which is today renovated and nice to wander around when the sun is shining. Located within a few minutes' walking distance from Biesdorf station (take the S5 from the city centre) or Elsterwerdaer Platz station (U5).

Once part of the Skulpturenbulevard project, this sculpture was made for the 750th anniversary of Berlin (in 1987). It consists four steel tubes looping but not touching each other, symbolizing the division of the city.

The building of one of Berlin’s oldest breweries is a ravishingly beautiful and heritage-protected industrial monument.

An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.

The area to the north of Tiergarten, along the bow of the river Spree (Spreebogen), is home to the German federal institutions such as the parliament (Bundestag, in the historic Reichstag building) and the federal government, as well as the new central train station (Hauptbahnhof) across the river.

From 1941, 12,000 tons of concrete in a 15-m-high and 20-m-diameter cylinder were built to test the load-bearing capacity of the Berlin soils (turns out glacial sands are no good basis for gargantuan architecture) for Albert Speer's Germania buildings. Too massive for later blasting, this is one of the more bizarre remains of the Third Reich.

The complex consists of eight interconnected courtyards. Plenty of designer boutiques can be found here.

Small park in the heart of West Berlin. Great place to chill on a sunny day. There are many great cafés and restaurants nearby. Linger over a coffee here and watch people passing by.

A relatively well and completely retained (at least by Berlin standards) 19th century residential quarter. Partly under renovation. Of note are six buildings first (1875) built of concrete - but you can't make out a difference from the outside.

A cuboid made of concrete. On the front side of the cuboid is a window, through which visitors can see a short film of two kissing men. The video will be changed every two years and will also show kissing lesbians.

Historic observation tower in the forest near the big Havel River.

With an impressive, circus-tent-like roof over its courtyard and remains of the pre-war Hotel Esplanade incorporated into the modern structure.

Käthe Kollwitz's reputation as a social activist who used art as a means to express her support of pacifism was hard-won. Her son was killed in the World War I, after which her art took a turn for the morose. When her grandson was killed in World War II, her art became even darker and more brooding as she contemplated the huge loss of life Germany had suffered. Her own losses and those of the nation affected her art. After the war, ever-present artistic themes for Kollwitz - death, violence, war, misery, guilt and suffering - took shape as the drawings, prints, sculptures, original posters and woodcuts housed in this museum.