Käthe Kollwitz is remembered as an artist whose work spoke clearly about war and loss. Her reputation as a social activist and supporter of pacifism was shaped by tragedy. The death of her son in World War I marked a turning point, and the mood of her art grew darker. Years later, World War II brought another blow when her grandson was killed, deepening the somber tone in her work.
These personal losses mirrored the grief felt across Germany. Themes of death, violence, misery, guilt, and suffering became central to her art. Rather than avoiding the pain of her time, Kollwitz faced it with stark honesty and emotional depth, using visual language that is direct and human.
The Käthe Kollwitz Museum gathers this body of work in one place, showing how her ideas developed over decades. Drawings, prints, sculptures, original posters, and woodcuts trace her response to war and its aftermath. The galleries move from early pieces to later works that are heavier in tone, reflecting the toll of two world wars on both the artist and the nation.
Seen together, the works present a clear picture of an artist engaged with social reality. The lines are strong, the faces expressive, and the emotions unmistakable. Each medium—charcoal, etching, lithography, woodcut, bronze—adds a different weight and texture to the same urgent subjects. The result is a sustained, unflinching record of sorrow, resilience, and remembrance.
Source - https://en.wikipedia.org/wiki/K%C3%A4the_Kollwitz_Museum_(Berlin)
Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.
This chapel was built on the site of a church built in 1894 which sat on the "death strip" and was thus blown up by the GDR authorities in 1985. The chapel is the site of occasional memorial services for victims of the wall.
Nice church near Unter den Linden/Museum Island, finished in 1830 by Schinkel in English Neogothic style. Nice exhibition inside (neoclassical statues and an exhibition about Schinkel's life and work upstairs).
Specializes in 19th-century painting and sculpture; Monet, Manet, Cézanne, C. David Friedrich and other important 18th- and 19th-century artists are well-represented.
Also known as "der hohle Zahn" (the Hollow Tooth), this church in Breitscheidplatz is a memorial to Kaiser Wilhelm, and one of Berlin's most famous landmarks. Thick walls and plain decor mark it as neo-Romanesque, but with what's left of the Gedächtniskirche, it's tough to distinguish it as any one style. Allied bombing left only one tower standing on 22 November 1943, but a new location for worship designed by Egon Eiermann was completed in December 1961 (it's the octagonal structure with blue stained glass windows). There is a small memorial museum beneath the tower filled with artifacts from the original church, which was built from 1891-95 to architect Franz Schwechten's specifications.Controversy arose after the war over the various options presented by the half-ruined cathedral - should it be torn down completely and rebuilt? Or should the destroyed sections be left standing as a memorial? The four major sections of the Kaiser-Wilhelm-Gedächtniskirche (central space, foyer, new tower and chapel) surround the ruined tower of the old church bridge and show the time gap between old and new. Mosaics and other remnants from the old church serve as a monument against war.
More than 30 million objects in the scientific collection and a fascinating exhibition in one of the most significant institutions of its kind in the world. Some parts still under construction.
The synagogue in the backyard of an apartment house is one of the biggest in Germany.
Berlin's biggest lake and popular resort for bathing and watersports. You can also travel there by tram, which is an experience by itself.
An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.
The building of one of Berlin’s oldest breweries is a ravishingly beautiful and heritage-protected industrial monument.
A fortress built between 1560 and 1590 to Italian design on the site of a 12th-century castle. The Juliusturm housed part of the huge indemnity (in physical gold coins) France had to pay after the war of 1870/71 until what was left of it was returned to France after Germany's loss in World War I. The term "Juliusturm" remained in usage in German for a large "rainy day fund" into the 1960s. Museums housed within the citadel cover the history of the town of Spandau, monumental public art in Berlin, and artillery.