Victoriastadt is a 19th-century residential quarter in Berlin that still shows much of its original character. Streets are lined with historic facades, and the layout reflects the urban planning of that era. Many buildings remain intact by local standards, offering a clear view of how the neighborhood once looked.
Parts of the area are under renovation, with scaffolding and fresh plaster appearing alongside older stonework. This mix of restored and timeworn details adds to the neighborhood’s layered feel. Courtyards, stairwells, and street fronts tell a quiet story of upkeep, repair, and respect for the past.
A standout detail is a group of six buildings dating to 1875, among the first in the area to be constructed using concrete. From the street, they blend seamlessly into their surroundings. The facades were designed to match traditional styles, so there is no obvious visual difference despite the modern-for-its-time material.
Nazi Propaganda Minister Josef Goebbels made Bebelplatz (then called Opernplatz) infamous on 10 May 1933, when he used the square across from Humboldt University to burn 20,000 books by "immoral" authors of whom the Nazis did not approve. Their list included Thomas and Heinrich Mann, Arnold Zweig, Kurt Tucholsky and Sigmund Freud. Today a monument is the reminder, though it blames Nazi students for the episode. When entering the square it's easy to miss the monument. It is in that part of Bebelplatz bounded on one side by the Opera House and on the other side by Humboldt University. Look dead centre: the monument is underground. A piece of plexiglass allows the viewer to look underground into a large, white room, filled with entirely empty, blank white bookcases. The room is large enough to hold the 20,000 books that were burnt. The absence of books reminds the viewer just what was lost here: ideas. But the event did reveal things to come, as ethnically Jewish author and philosopher Heinrich Heine, whose books were burned, let one of his characters say in an 1821 play: "This was only the foreplay. Where they burn books, they will also burn people." He was correct.
A cuboid made of concrete. On the front side of the cuboid is a window, through which visitors can see a short film of two kissing men. The video will be changed every two years and will also show kissing lesbians.
A domed church at Bebelplatz/Unter den Linden, the oldest (mid-18th century) and one of the biggest Catholic churches in Berlin. Interior was redesigned in a modern style in the 1950s, but there are still many treasure chambers in the basement.
This aeronautical experimental park on the grounds of Germany's first air field Johannisthal consists of a group of several individual technical monuments such as the walkable Großer Windkanal (High-speed wind channel, 1932–34), the Trudelturm (Fatty tower), a vertical wind tunnel for spinning tests (1934–36), the Schallgedämpfter Motorenprüfstand (Sound-insulated engine test bed, 1933–35) and the Isothermische Kugellabore (Adlershofer Busen, Isothermal spheric laboratories, 1959–1961), which are about 500 metres away from the other monuments.
Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.
150 m high lattice tower with open-air observation deck 124 m above ground.
Huge technical museum, on a former railroad depot, featuring from ancient water and wind mills to computer pioneer Konrad Zuse's inventions, a collection of old to new vehicles of all types -bicycles, boats, trains, etc - and the interactive Spectrum science center with various hands-on experiments. There's an actual C-17 "Candy Bomber" airplane hanging on its façade. The railroad and aeronautical sections are hard to beat.
Small terrace on the top of the Park Inn, publicly accessible. Take the elevator to the 40th floor, and follow the signs up the stairs. Pay the attendant who also serves beer and coffee. Great views of the Fernsehturm. In the summer, consider base jumping off the roof with Jochen Schweizer. It is often closed in bad/windy weather, so look for a notice posted near the elevator that the terrace is closed.
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
The main floor houses the antiquities collection in an ongoing exhibit called "Neue Antike im Alten Museum" (New Antiquities in the Old Museum). Directly through the front door, entering from the Lustgarten (Pleasure Garden, now under reconstruction), there is a domed rotunda with red and white cameos, Greek-style, with statues of the gods. To reach the Hildesheim silver collection, go to the back of the rotunda, turn left, walk through the long gallery and turn left into a small room at the end.
Closed for renovations; the temporary Bauhaus-Archiv is at Knesebeckstraße 1-2 in Charlottenburg. Building designed by Walter Gropius. Inside a museum, library, cafe and shop.
The meeting point of one of the leading oppositions against the GDR regime and is a great Neogothic church. Also the only ecumenical Lord's supper with Protestants and Catholics together took place in the Gethsemanekirche (2003).