The final residential building designed by Ludwig Mies van der Rohe in Germany before his emigration to the United States in 1938 stands as a quiet chapter in modern architecture. The house marks a turning point in his career and reflects the crisp lines, open space, and honest materials that defined his approach.
Today, the building hosts small contemporary and modern art exhibitions. The minimalist setting makes each piece feel deliberate, with natural light and clean geometry shaping how artworks are seen. It is a place where architecture and art meet, and where the story of a pivotal moment in design history continues to unfold.
Built at the close of an era for Mies in Germany, the house captures the last notes of his European work before he left for the United States. The structure emphasizes clarity and proportion, with a restrained palette that foregrounds space over ornament. Its preserved character offers a direct link to the radical ideas that transformed twentieth-century design.
The intimate scale of the gallery program favors focused shows rather than large surveys. Exhibitions often rotate, bringing in works that resonate with the house’s modernist spirit. Visitors experience art within a setting that frames each piece with light, shadow, and quiet, making the building part of the exhibition itself.
The rooms open onto calm views, and the architecture encourages slow looking. Materials and details remain understated, letting the dialogue between art and space take center stage. The result is a thoughtful environment that reveals different aspects of the works on display throughout the day.
Source - https://en.wikipedia.org/wiki/Lemke_House
Places with markets on Wednesdays and Saturdays are popular with locals at Winterfeldplatz. Buy a coffee and browse amongst the stalls; this is a place to unearth hidden gems. Breakfast is served usually until 14:00-15:00.
Exhibition of digital interactive entertainment culture. You can actually play almost all of the exhibits making it a more "hands on" museum than most.
Millions of visitors leaving East Berlin by train said tearful goodbyes to their friends and relatives from the East at this former border checkpoint. Hardly a year after the wall came down, the building was turned into a nightclub until it was forced to close in 2006. It re-opened as a museum in September 2011 and now houses a permanent exhibition that brings the absurd normality of everyday life in the divided city back to life.
At a former Luftwaffe and Royal Air Force (RAF) airfield, RAF Gatow. The museum's focus is on military history, particularly the history of the Luftwaffe of the Bundeswehr, with a collection of more than 200,000 items, including 155 aeroplanes, 5,000 uniforms and 30,000 books. There are also displays (including aeroplanes) on the history of the airfield when it was used by the RAF. Aircraft include reproductions of Otto Lilienthal's gliders, of World War I planes such as the Fokker E.III, and World War II planes such as the Bf 109 and Me-262, as well as at least one aircraft of every type ever to serve in the air forces of East and West Germany. Most of those postwar aircraft are stored outside on the tarmac and runways, however, and many are in bad condition. There are long term restoration projects, including a Focke-Wulf Fw 190. RAF Gatow is notable as the "missing third airport" of West Berlin. Each sector used to have its own airport; the French sector had Tegel, the American sector had Tempelhof and the British had Gatow. However, RAF Gatow never saw much traffic of any kind, was more kept as a political statement than for transportation value, and thus was shut down after reunification. Tempelhof, after having been shut down for civilian traffic from 1975 to 1981, closed for all flights in 2008, while Tegel shut down in November 2020.
Berlin's oldest church (1230) is a 3-nave hall church. It is in the centre of an area destroyed by bombs in the war which was then turned into a faux "old town" by the East German authorities called Nikolaiviertel. The area is more a hodge-podge of relocated buildings than an authentic reproduction, and the newly-built 1988 apartments that attempt to "harmonize" with the older buildings are embarrassing. The church is one of the only structures that was renovated rather than rebuilt. It is best known for a sandstone sculpture called the Spandauer Madonna (1290), but there are other interesting pieces here. When the church was destroyed in 1938 and rebuilt in the 1970s, the communist officials intended to use it as a museum, which did not open until 1987. The museum includes sacred textiles and religious sculpture from the fourteenth to the sixteenth centuries. The Nikolaikirche is the showplace of the Nikolaiviertel, which isn't saying much.
The main floor houses the antiquities collection in an ongoing exhibit called "Neue Antike im Alten Museum" (New Antiquities in the Old Museum). Directly through the front door, entering from the Lustgarten (Pleasure Garden, now under reconstruction), there is a domed rotunda with red and white cameos, Greek-style, with statues of the gods. To reach the Hildesheim silver collection, go to the back of the rotunda, turn left, walk through the long gallery and turn left into a small room at the end.
Built in 1542. An impressive traditional country estate with stately architecture, it is an enclave of untouched regional cultural history and architectonic epochs. The 80-hectare mixed forest also provides a wide network of paths for walking and rambling.
This heritage-protected public bathing beach which opened in 1907 is one of the largest inland lidos in Europe and has a 1275-m-long sand beach, a capacity for up to 30,000 guests and a popular nudist area.
The district town hall was the main town hall for West Berlin during the Cold War. The freedom bell (a present from the American people) and several memorials from that time can be found here. On the main balcony in 1963 U.S. President John F. Kennedy made his famous statement, "All free men, wherever they may live, are citizens of Berlin, and, therefore, as a free man, I take pride in the words ‘Ich bin ein Berliner!’". On 10 November 1989 Helmut Kohl (chancellor (Bundeskanzler) 1982-1998) and Willy Brandt (former Bundeskanzler and mayor of Berlin) cheering the crowd as they saw the end of the Berlin Wall the night before. The town hall is an emotional place for most people in Berlin (especially West Berlin).
Includes the Panoramapunkt, the viewing terrace located 101 metres above ground, accessible by Europe's fastest elevator.
Heritage listed Art Nouveau railway station and charming surrounding city square.
A small castle in late classical style. It was built 1868 by Martin Gropius (uncle of the Bauhaus-founder and other architects, the von Siemens family changed the castle a bit around 1900 and they enlarged the dimensions of the park, which is today renovated and nice to wander around when the sun is shining. Located within a few minutes' walking distance from Biesdorf station (take the S5 from the city centre) or Elsterwerdaer Platz station (U5).
It was a museum of applied arts and a listed historical monument since 1966, and it is now a well-known Berlin exhibition hall.
The Bayerischer Platz is the centre of the Bayerisches Viertel ("Bavarian district", with many streets named after Bavarian cities), which was destroyed a lot more during World War II (about 60%). Somewhere around there Albert Einstein lived once. You’ll find several memorial signs providing information about the Nazi regime's persecution of gays and Jews.
The complex consists of eight interconnected courtyards. Plenty of designer boutiques can be found here.
One of the most authentic and oldest villages (1247) in the outskirts of Berlin, it looks the same way it did some hundred years ago. Take S-Bahn 1 to Waidmannslust and then bus 222 to Alt-Lübars.
This museum is perhaps something you wouldn't expect in a major metropolis and truth be told it owes its existence in part to partition (when West Berlin schoolkids couldn't go to the surrounding Brandenburg countryside to experience rural life). Opened in 1975 it is an attempt to recreate as faithfully as feasible a medieval farming village from roughly the era of Berlin's founding (12th or 13th century). The village that existed at this place 800 years ago was not called "Düppel" back then as that name was only applied in the 1860s after the Prussian victory over Denmark at Dybbøl which was rendered into German as "Düppel" and applied to the area to honor a member of the Prussian royal family who owned land there.