Schloss Köpenick is a graceful Baroque water palace once used by the Hohenzollern electors. It stands on an island where the Dahme River meets the Spree, wrapped by calm water and an English-style garden. The pale façades, tall windows, and ornate gables create a refined silhouette that reflects in the river, especially striking in soft morning or late afternoon light.
The palace sits just above the waterline, connected by bridges and paths that trace the curve of the riverbank. Boats drift past at an easy pace, and the sound of ripples and birds carries across the lawns. From the terraces, long views stretch over the Dahme, with old trees framing the island and casting shade on warm days.
Built in the Baroque era for the Hohenzollern electors, the residence shows the period’s love of symmetry and ceremony. Decorative stucco, stone portals, and sculpted figures enliven the exterior, while the layout follows formal axes that guide the eye from courtyard to water. The historic setting recalls courtly life along Berlin’s waterways, where processions, receptions, and seasonal gatherings once filled the halls and gardens.
The English garden around the palace offers winding paths instead of rigid parterres. Open lawns, clusters of shrubs, and mature trees create a natural flow between river and architecture. Benches face the water, and narrow trails lead to small inlets where the palace comes into view through leaves, creating changing scenes with every turn.
On clear days, the building’s crisp lines mirror on the calm surface of the Dahme. Rooflines, dormers, and chimneys layer against the sky, while the stonework takes on warm tones in low sunlight. Details emerge up close: ironwork on railings, carved coats of arms, and carefully framed doorways that hint at the craftsmanship behind the grand design.
Source - https://en.wikipedia.org/wiki/K%C3%B6penick_Palace
A fortress built between 1560 and 1590 to Italian design on the site of a 12th-century castle. The Juliusturm housed part of the huge indemnity (in physical gold coins) France had to pay after the war of 1870/71 until what was left of it was returned to France after Germany's loss in World War I. The term "Juliusturm" remained in usage in German for a large "rainy day fund" into the 1960s. Museums housed within the citadel cover the history of the town of Spandau, monumental public art in Berlin, and artillery.
The memorial site stretches along the full 1.5-km length of Bernauer Straße. The listing marker points to the visitor centre. Various monuments can be found along the entire length of the street, documenting nearby escape attempts and tunnels; captions are in German and English. The documentation centre across the street on Bernauer Straße/Ackerstraße is excellent (although most of the documentation is in German). The viewing platform next to the documentation centre gives you a tiny hint of the true scale of the Wall and how terrifying the "no man's land" between the two sections of walls must have been. The monument (that you can see from the platform) is a complete section of 4th generation wall - both inside and outside sections, and you can peer through from the east side to see the remains of the electric fence and anti-tank devices in the death strip. It really helps you understand what an incredible feat it was to get from one side to the other -- and why so many died doing it. The memorial site is often missed by tourists but an absolute must for anyone interested in this part of the city's history. It's a memorial to those who died crossing, so you won't, fortunately, get the tackiness of the Checkpoint Charlie area; instead you will be left with a haunting feeling of what life with the wall may have been really like.Bernauer Straße is a street with a great deal of Wall history: it came to tragic prominence on August 13, 1961 when East German authorities closed the border and the street (with houses in the East but the street in the West). Border guards walled the doors and windows shut to keep Easterners from escaping by jumping out the window while Westerners (including police and fire brigades who brought life nets to help catch refugees) looked on in horror. The first recorded Wall-related death - the notorious Peter Fechter case (he bled to death in the "no-man's-land" with both sides unwilling or unable to help him) - was here, as was one of the famous tunnels and the famous photograph of the GDR border guard leaping over the barbed wire.
An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.
Exhibition of digital interactive entertainment culture. You can actually play almost all of the exhibits making it a more "hands on" museum than most.
The main floor houses the antiquities collection in an ongoing exhibit called "Neue Antike im Alten Museum" (New Antiquities in the Old Museum). Directly through the front door, entering from the Lustgarten (Pleasure Garden, now under reconstruction), there is a domed rotunda with red and white cameos, Greek-style, with statues of the gods. To reach the Hildesheim silver collection, go to the back of the rotunda, turn left, walk through the long gallery and turn left into a small room at the end.
A small but interesting collection of decorative arts from the Art Nouveau and Art Deco periods
Became famous from the film named after this street. During the Cold War, the street was split, with one section belonging to East Berlin and one to West Berlin.
One of the oldest buildings in Charlottenburg and actually the reason for the whole city to be built.
This outdoor and indoor history museum documents the terror applied by the Nazi regime. It is on the site of buildings which during the Nazi regime from 1933 to 1945 were the headquarters of the Gestapo and the SS, the principal instruments of repression during the Nazi era.
The city's Protestant cathedral and the burial place of the Prussian kings. You can climb to the top and get a view of the city.
This area was Gay Central during the Weimar Republic, and it is today. But of course all are welcome. There is a diverse mix of restaurants and stores, several of which are open till midnight or later every day. The U-Bahn station has a superstructure and towers that echo the appearance of the Art Nouveau Neues Schauspielhaus across the street, now the Metropol, where radical left-wing dramas used to be presented in the 20s and 30s, and it is lit in rainbow colors.