Aerodynamic Park

One of three war memorials in Berlin erected by the Soviet Union to commemorate its war dead, particularly the 80,000 soldiers of the Soviet Armed Forces who died during the Battle of Berlin in April and May 1945. Contrary to popular belief, it has not been granted extraterritoriality even though it was guarded by Soviet troops throughout Berlin partition despite being in the British, not the Soviet, sector. It is however subject to a bilateral treaty between Germany and Russia that mandates Germany take care of the monument and keep it in a good state of repair.

Built in 1969, this 16-ton, communist-era clock is one of Berlin's main meeting points. Each of its 24 sides corresponds to one of Earth's 24 time zones and it has the names of some of the world's most important cities written on it.

Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.

Features a nice fountain, stately old houses and a good night time hot spot. Many people hang out in the platz in good weather.

Käthe Kollwitz's reputation as a social activist who used art as a means to express her support of pacifism was hard-won. Her son was killed in the World War I, after which her art took a turn for the morose. When her grandson was killed in World War II, her art became even darker and more brooding as she contemplated the huge loss of life Germany had suffered. Her own losses and those of the nation affected her art. After the war, ever-present artistic themes for Kollwitz - death, violence, war, misery, guilt and suffering - took shape as the drawings, prints, sculptures, original posters and woodcuts housed in this museum.

The Bayerischer Platz is the centre of the Bayerisches Viertel ("Bavarian district", with many streets named after Bavarian cities), which was destroyed a lot more during World War II (about 60%). Somewhere around there Albert Einstein lived once. You’ll find several memorial signs providing information about the Nazi regime's persecution of gays and Jews.

A museum dedicated to everyday life in communist East Germany. The museum has very relaxed rules and you are allowed to touch and examine almost every object, which adds greatly to the experience.

Museum for Pre- And Early History with objects from the Collection of Classical Antiquities in the Neues Museum.

One of the most authentic and oldest villages (1247) in the outskirts of Berlin, it looks the same way it did some hundred years ago. Take S-Bahn 1 to Waidmannslust and then bus 222 to Alt-Lübars.

Closed for renovations; the temporary Bauhaus-Archiv is at Knesebeckstraße 1-2 in Charlottenburg. Building designed by Walter Gropius. Inside a museum, library, cafe and shop.

The longest moving refracting telescope is 21 m long with a lens diameter of 68 cm. This giant telescope was built in 1896 by Dr. Freidrich Simon Archenhold but is now part of the Deutsches Technikmuseum Berlin. It was the place where Albert Einstein presented his Theory of Relativity to the public in 1915.

The 2000-m-long regatta course at the Langer See lake in Grünau was an official site of the Olympic Games 1936. The first rowing regatta took place here on 27 June 1880.

German historical museum covering everything from pre-history up to the present day. One can spend many, many hours here! The building from 1695/1730 was the Zeughaus (Arsenal) until 1876.

One of the few windmills in Berlin is located in Marzahn. After registration one can visit it and have a look at the functions of the windmill. To get there, take the S7 or S75 until "Springpfuhl" station, then the tram 8 or M18 until "Alt-Marzahn".

The French cathedral houses the Hugenottenmuseum. It represents the ongoing influence on Berlin by the Huguenots who emigrated from France after the revocation of the Edict of Nantes. Crown Prince Friedrich William encouraged them to settle here because most of them were skilled workers or otherwise useful to the kingdom. One memorable artwork, in room nine of the museum, pictures Crown Princess Dorothea exclaiming "But he's a refugee!" upon being presented a very valuable set of jewels by Pierre Fromery. The generally agreed-upon view of refugees as poor, without resources let alone diamonds, was blown apart by the talented French Protestants forced to leave their country due to religion. One of the most notable effects of having such a large French population was their influence on the infamous Berlin dialect. Berlinerisch words such as Kinkerlitzchen (from French "quincaillerie" - kitchen equipment) and Muckefuck (from French "mocca faux" - artificial coffee, though that etymology is not universally accepted) are unique to the area. The Französischen Dom (cathedral) itself was built to resemble the main church of the Huguenots in Charenton, France, destroyed in 1688. It has housed the museum since 1929. Closed till 2019

The Gendarmenmarkt is a square in the Friedrichstadt with the Konzerthaus (concert hall) and in front of the statue of Germany's poet Friedrich Schiller, the Neue Kirche (New church) and the Französischer Dom (French cathedrals). Berlin’s Deutscher Dom on the magnificent Gendarmenmarkt square is not to be confused with the Berliner Dom. It was built in 1708. Since 1992 a German Parliament exhibition can be seen here entitled “Paths, Loosing Track and Detours” or the development of parliamentary democracy in Germany – ways and roundabouts. No religious services are held here. The French cathedral houses the Hugenottenmuseum. It represents the ongoing influence on Berlin by the Huguenots who emigrated from France after the revocation of the Edict of Nantes. Crown Prince Friedrich William encouraged them to settle here because most of them were skilled workers or otherwise useful to the kingdom. One memorable artwork, in room nine of the museum, pictures Crown Princess Dorothea exclaiming "But he's a refugee!" upon being presented a very valuable set of jewels by Pierre Fromery. The generally agreed-upon view of refugees as poor, without resources let alone diamonds, was blown apart by the talented French Protestants forced to leave their country due to religion. One of the most notable effects of having such a large French population was their influence on the infamous Berlin dialect. Berlinerisch words such as Kinkerlitzchen (from French "quincaillerie" - kitchen equipment) and Muckefuck (from French "mocca faux" - artificial coffee, though that etymology is not universally accepted) are unique to the area. The Französischen Dom (cathedral) itself was built to resemble the main church of the Huguenots in Charenton, France, destroyed in 1688. It has housed the museum since 1929. Closed till 2019

The second largest Jewish cemetery in Europe.

Admission €8, discounted €4, young people up to the age of 18 free. Guided tours every Th 18:00 and Su 16:00.

Museum of Contemporary Art located in former Hamburger Bahnhof train station. Big halls filled with artworks made since 1960s. In 2004 Rieckhallen, former Lehrter Bahnhof, was opened and now provides exhibition space for the Friedrich Christian Flick Collection. Free public guided tours (in English): Sa and Su at 12:00.

The building houses the personal offices of the Chancellor and the Chancellery staff. The Berlin Chancellery is one of the largest government headquarters buildings in the world. By comparison, the new Chancellery building is ten times the size of the White House. A semi official Chancellor's apartment is on the top floor of the building. The 200-m², two-room flat has thus far only been occupied by Gerhard Schröder chancellors since then have lived elsewhere. It is usually not possible to visit the building, but on occasion there are tours, usually around August. The building was deliberately designed in a way to symbolize the German constitutional system - it's in the line of sight of the Bundestag and lower in height, symbolizing the role of parliament in controlling government and "the people's house" being the higher power in the relationship between the two. Or at least that's the idea.