The Church of Saint Eustache stands in the Les Halles area, drawing attention with its grand size and remarkable architecture. Built over several centuries, the church blends late Gothic style with touches of Renaissance design, especially visible on its striking front façade. Construction finished in the 17th century, giving the building its unique mix of historical details.
Despite its relatively short length, the church boasts an interior height of more than 30 meters. This towering space allows for tall stained glass windows that fill the church with colored light. Visitors can also admire a variety of paintings and decorations throughout the church. One of the standout features inside is France's largest church organ, with an impressive 8,000 pipes creating powerful music during services and concerts.
In front of the church’s southern façade sits the sculpture Écoute. This modern piece of art, shaped like an oversized human head, attracts visitors and photographers alike. Over time, it has become a well-known photo spot in the area, adding a playful touch to the historic surroundings.
Source - https://en.wikipedia.org/wiki/Saint-Eustache,_Paris
Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.
Reopened after extensive renovations, this small museum near the Louvre houses the Jean Walter and Paul Guillaume Collection, sold to the French Republic on very generous terms and numbering 143 paintings from the late 19th century and the first half of the 20th century (15 Cézannes, 24 Renoirs, 10 Matisses, 12 Picassos, 28 Derains, 22 Soutines). The collection joined the eight immense Water Lilies that Monet gave France in 1922 and which have been displayed since 1927 in two huge oval rooms purpose-built on the artist's instructions.
Tourists cross this park with the large fountain on the way to the Place du Trocadéro viewpoint to the Eiffel Tower.
A little district within the district. Very charming little streets on a hill on the west end of the 13 district. Nice for lunching/dining activities. This is the place where the band "Mano Negra" was hanging around.
This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.
Built in 1717, the windmill is now part of a restaurant of the same name, and is easily visible from the street.
Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.
CLOSED UNTIL LATE 2024 OR 2025 FOR RENOVATION WORKS. Built in 1900 for the universal exposition, the Grand Palais was an engineering feat and a milestone of design, marking the transition between historicism and modern architecture. It remain impressive today due to its unique, exquisite style and sheer volume of its main nave. The Grand Palais, managed by the state-owned institution Rnm who also manage the Musee de Luxembourg, is used both for temporary exhibitions of historic and contemporary art collections (both beaux arts and applied) and unique events, such as catwalk shows during the Paris Fashion Week, Bonhams car auctions and prestigious galas.
The City of Architecture and Heritage, accommodated in the Palais du Chaillot, is a museum and gallery of French architecture. The centrepiece is the spectacular Hall of Casts, a collection of full-size plaster casts of facades, towers, doorways and windows of great buildings from all over France. Architecture of the late 19th, 20th, and 21st centuries is represented by additional galleries of models and images.
Private collection of French, Italian, Dutch masterpieces in a typical XIXth century mansion.
Considered one of the most colourful Parisian parks, a local favourite, the Parc Montsouris was opened in 1878, having been designed by Alphand for Baron Haussmann. A large man-made lake and waterfalls are surrounded by long stretches of gently sloping lawns. Bronze statues are to be found studding the grounds, amongst the 1,400 trees, including such exotic varieties as the giant sequoia and the ginkgo. The park is featured in the film Cléo de 5 à 7. It is popular among families (there are two playground areas for children) and students.
One of the most eye-popping sights of Paris, the catacombs represent a network of labyrinthine tunnels, first excavated in the Roman period, that now house the remains of over 6 million burials removed here from the various overcrowded cemeteries and charnel houses all over Paris in the late 18th and early 19th centuries. Well worth a visit: the atmosphere is suitably morbid and gloomy (without being too scary), the dark tunnels containing neatly stacked piles of skulls and long bones. There is a limit to the number of visitors allowed within the Catacombs at one time (200 persons). So, if you arrive just after opening, you must wait until someone exits, approximately 45–60 minutes, before anyone is admitted. Steep stairwell on the exit of the catacombs. Can be challenging for the elderly or the unfit. Tickets can be purchased online at a small premium (€29, includes audioguide), allows you pick a date&time and to skip the long line
This street is named in honor for Nicolas Appert, a French businessman who invented airtight food preservation. On January 7th, 2015, it was the site of the Charlie Hebdo terrorist attack, which resulted in the deaths of 12 people. A plaque in front of a former office building memorializes the victims of the satirical magazine's staff.
Try to visit the cabinet des Médailles.
Enter Bastille station through any entrance or on any train and then make your way to the Bobigny/Pablo Picasso-bound platform. All that's left of the fortress whose front steps used to lead up from place de la Bastille are some foundation stones which you can see while waiting for a north bound train on this metro platform. There are maps and explanations showing where the fortress used to be relative the place and surroundings (basically the location of the old front steps are now occupied by Café des Phares).
This charming scientific museum preserves the offices and laboratories of Pierre and Marie Curie, pioneers in the discovery of radioactivity. Their instruments, equipment, and furniture is arranged as it was during their critically important research. Guided tours in English available.
The two pavilions were built in 1784 to 1787 by the French architect Claude-Nicolas Ledoux, who erected many similar toll houses at the entrances to the city.
The largest French museum of Jewish art and history
Paris's international exhibition centre (the 4th largest in Europe) has millions of visitors annually.