Abbey of Saint-Germain-des-Prés

The two pavilions were built in 1784 to 1787 by the French architect Claude-Nicolas Ledoux, who erected many similar toll houses at the entrances to the city.

Castel Béranger is an apartment building that was the first entirely art nouveau building in Paris, insulted at the time as "Castel Derangé". Its richly decorated facade won a city competition in 1898. It contains 36 apartments, all of which are still privately owned and not open to the public.

Two-level bridge.

Soaring stained glass windows beaming ample light onto the rich primary colours of the tile mosaics on the floor, this photogenic church was built by the French kings to house the relics of the Crown of Thorns. Make sure you go on a sunny day, as the highlight of this small chapel in Rayonnante Gothic style are the large stained-glass windows which soar up to near the vaulted ceiling. Also of interest is the extremely ornate lower level. If it happens to be rainy or cloudy, give Sainte-Chapelle a miss, as the play of coloured lights on the floor is well worth the wait for a sunnier day. As the chapelle is inside the Courts of Justice, there will thus be a security check.

This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.

Recently reconstructed, the Paris branch of the National Maritime Museum, one of the three museums in the Palais du Chaillot, cannot accommodate any full-size ships, but has a wide range of smaller artifacts, artworks and models, covering both the Navy and commercial shipping.

The house of the symbolist painter has now become a museum to his life and work.

An industrial design museum in Paris that houses the collection of the Conservatoire National des Arts et Métiers (National Conservatory of Arts and Industry), which was founded in 1794 as a repository for the preservation of scientific instruments and inventions.

This iconic triumphal arch forms the focus of the main east-west road axis of Paris, running between the Louvre and the Grande Arche de la Défense in the west. The monument was commissioned by Napoleon in 1806 as a tribute to his victories as Emperor of France - it was finally completed in 1836, long after his death. 50 m (150 ft) high and 45 m wide, the Arc de Triomphe is decorated with battle scenes and martial sculptures that includes La Marseillaise by Rude. The Tomb of the Unknown Soldier was placed beneath the arch in 1920, where an eternal flame burns in tribute to the French dead of both World Wars. The arch is surrounded by a large roundabout, aptly known as l'Etoile - 'the star' - with 12 thoroughfares leading off from it. Visitors can purchase a ticket to climb to the top of the arch, from where magnificent views spread out over western Paris. Admission to a small museum devoted to the history and meaning of the monument is included. The central island and the arch are accessed by an underground passage. Do not attempt to negotiate by foot the busy multi-lane road that rings the Arc de Triomphe, which many Parisian drivers seem to consider their own personal speedway.

A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.

Considered one of the most colourful Parisian parks, a local favourite, the Parc Montsouris was opened in 1878, having been designed by Alphand for Baron Haussmann. A large man-made lake and waterfalls are surrounded by long stretches of gently sloping lawns. Bronze statues are to be found studding the grounds, amongst the 1,400 trees, including such exotic varieties as the giant sequoia and the ginkgo. The park is featured in the film Cléo de 5 à 7. It is popular among families (there are two playground areas for children) and students.

Suspended above the train tracks this garden is surprisingly calm and chilled-out.

The Palais de Tokyo is Paris's largest specialist contemporary art exhibition venue, owned and operated by the national government. The building dates to 1937 and also includes the Museum of Modern Art of the City of Paris.

Housed in an amazing Art Deco building, purpose-built for the 1931 Colonial Exhibition, featuring an elaborate frieze across the front facade that depicts the achievement of French overseas territories. It houses an Aquarium and an Immigration Museum. The aquarium can be seen in about an hour and is popular with families with small children.

Private collection of French, Italian, Dutch masterpieces in a typical XIXth century mansion.

a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).

The Museum of Mankind, accommodated in the Palais du Chaillot, is an anthropological museum covering the history of mankind and human societies.

Built in 1625, the Hotel de Sully is an interesting house with some sculptures in a beautiful courtyard. The house features special exhibitions, so check listings when in Paris.

Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.

Housed in a former Beaux-Arts railway station (completed in 1900 for the Exposition Universelle, later saved from demolition and converted to its present use), the rambling, open-plan museum is home to the works of the great artists of the 19th century (1848-1914) - Impressionists, post-Impressionists, and the rest - that were formerly displayed in the l'Orangerie. This is perhaps the most spectacular collection of European impressionism in the world—breath-taking rooms full of Manet, Renoir, Monet, Van Gogh, and many others. Impressionist represent the biggest draw, but there is much more to explore.