Paris Expo Porte de Versailles stands as one of the largest exhibition centers in Europe, welcoming millions of visitors every year. This impressive venue is well-known for hosting a wide variety of events, from international trade fairs to major conventions.
The exhibition center is busy throughout the year, with a full calendar featuring everything from technology expos and art fairs to food festivals and fashion shows. Its modern facilities and flexible spaces make it a popular choice for organizers of large-scale events.
Located in the 15th arrondissement of Paris, Paris Expo Porte de Versailles is easily accessible by public transport. The site is connected to several metro and tram lines, making it convenient for both locals and visitors from around the world.
Visitors can find a range of services on-site, including restaurants, cafes, and shops. The exhibition center also offers numerous conference rooms and spacious halls, all equipped with the latest technology to accommodate various kinds of gatherings.
Source - https://en.wikipedia.org/wiki/Paris_Expo_Porte_de_Versailles
Private collection of French, Italian, Dutch masterpieces in a typical XIXth century mansion.
A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.
The northwest corner of the Bois de Boulogne is occupied by the oldest operating amusement park in the world, the Jardin d'Acclimatation, which is mainly known for offering a wide range of amusements which are appropriate even for very small children. They have miniature roller-coasters for children as small as three years, and the usual range of pony rides etc.
The largest French museum of Jewish art and history
Soaring stained glass windows beaming ample light onto the rich primary colours of the tile mosaics on the floor, this photogenic church was built by the French kings to house the relics of the Crown of Thorns. Make sure you go on a sunny day, as the highlight of this small chapel in Rayonnante Gothic style are the large stained-glass windows which soar up to near the vaulted ceiling. Also of interest is the extremely ornate lower level. If it happens to be rainy or cloudy, give Sainte-Chapelle a miss, as the play of coloured lights on the floor is well worth the wait for a sunnier day. As the chapelle is inside the Courts of Justice, there will thus be a security check.
Built adjoining the now-lost royal palace of the Tuileries, these gardens lying immediately west of the Louvre offer a central open space for Parisians and visitors with semi-formal gardens (an outdoor gallery for modern sculpture), various cafés, ice cream and crépe stalls, and a summer fun fair. The gardens are frequently home to a giant Ferris wheel and enclose the Musée de la Orangerie and the Jeu de Paume.
One of the best-known and most beautiful churches in Paris, in the guise of a Corinthian order classical temple. Construction started in 1764, although the church was not finally consecrated until 1845. The Madeleine has a lavish interior of marble and gold.
Those who are unfamiliar with conceptual art sometimes don't know quite what to expect, or how to approach it. Such travellers should rest assured that the curators at the Pompidou Centre have assembled a marvellous introduction consisting of mostly approachable works which delight, amuse, and entertain. The art is far from the only reason for a visit, as the building also contains a vast public library and a fine restaurant (run by the Costes brothers) on the roof. In fact the place is literally surrounded by some of the nicest pavement cafés in the city, in its superb location between the car-free above ground part of Forum Les Halles and the Marais art district.
A little district within the district. Very charming little streets on a hill on the west end of the 13 district. Nice for lunching/dining activities. This is the place where the band "Mano Negra" was hanging around.
Enter Bastille station through any entrance or on any train and then make your way to the Bobigny/Pablo Picasso-bound platform. All that's left of the fortress whose front steps used to lead up from place de la Bastille are some foundation stones which you can see while waiting for a north bound train on this metro platform. There are maps and explanations showing where the fortress used to be relative the place and surroundings (basically the location of the old front steps are now occupied by Café des Phares).
The two pavilions were built in 1784 to 1787 by the French architect Claude-Nicolas Ledoux, who erected many similar toll houses at the entrances to the city.
If you were a city planner in one of the great cities of our Earth and you discovered that a railroad right-of-way had been abandoned and would never be used again what might you do? Perhaps if you knew your stuff you'd convert it into a 4 mile long park, about half of which is elevated above street level on the old rail viaduct. This long narrow park pretty much allows the visitor to walk in carfree bliss from Place de Bastille to the Bois de Vincennes.
Mainly used as a concert hall and venue for fashion shows today, the Cirque d'Hiver was built in 1852, as the name would suggest, as a winter venue for circuses.
A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.
Numerous artists paint portraits of tourists and also sell their paintings.
The Petit Palais was built as a complement to the Grand Palais for the 1900 universal exhibition, and afterwards became the prime exhibition venue for the City of Paris' vast collection of artworks spanning centuries from ancient history to around 1914. (Later material is at the Museum of Modern Art of the City of Paris in the 16th). There is a permanent exhibition of selected artworks of artifacts, complemented by temporary exhibitions of historic artworks. The Petit Palais also features an on-site cafe/restaurant, as well as a book and gift shop.
This museum is in the historic Invalides complex and presents the history of the French Army. It is co-located with Napoleon Bonaparte's tomb (entry to which is included in the ticket price). Most of the exhibitions are very old fashioned, and the coverage of the First World War is surprisingly limited. A highlight is the Musée des Plans-Reliefs, which displays painstakingly accurate models of French fortresses and includes its own shop.
Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.
This charming scientific museum preserves the offices and laboratories of Pierre and Marie Curie, pioneers in the discovery of radioactivity. Their instruments, equipment, and furniture is arranged as it was during their critically important research. Guided tours in English available.