Musée de l'Homme

A monument to the French art de vivre, housed in a 19th-century wing of the Louvre that has been restored to beaux-arts splendour, its galleries and period rooms showcase eight centuries of Gallic taste in interior decoration.

The national library preserves collections of historic documents of both French and international origin. It holds 5,000 Greek manuscripts. You can get a day pass to visit or choose to visit only the expositions the library hosts.

Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.

Reopened after extensive renovations, this small museum near the Louvre houses the Jean Walter and Paul Guillaume Collection, sold to the French Republic on very generous terms and numbering 143 paintings from the late 19th century and the first half of the 20th century (15 Cézannes, 24 Renoirs, 10 Matisses, 12 Picassos, 28 Derains, 22 Soutines). The collection joined the eight immense Water Lilies that Monet gave France in 1922 and which have been displayed since 1927 in two huge oval rooms purpose-built on the artist's instructions.

Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.

A symbol of Paris and one of the most famous landmarks in the world. Built by Gustave Eiffel in 1887-1889, the tower was almost torn down in 1909 and only saved due to its use as a telegraphy antenna. The queues can be very long. The tower allows online reservations at its website. You can select a date and time frame. If you miss the time on your ticket, you have lost your money. The north, west, and east pillars have elevators that go to the first and second floors; the south pillar has stairs that can be climbed to the second floor. To reach the top floor, an additional elevator ride is required, and the wait for this can be very long as well. Disabled visitors are not allowed beyond the second floor due to safety concerns. Taking the Métro as far as Ecole Militiare and then strolling up the Champ de Mars is a lovely way to arrive at the tower. Another phenomenal approach is to exit the Metro at Trocadero and see the Eiffel Tower from the other side of the Ecole Militaire.

One of Paris's best kept secrets, painted by Monet numerous times. It is a very elegant centre of green in the middle of cosmopolitan Paris. Make sure you check out the statues, entrance rotunda and the surrounding mansions. Thanks to Haussmann himself this precious slice of parkland was reserved for the enjoyment and leisure of the people of Paris. It is unusual in France due to its casual, informal "English" style planning, and is a contrast to other Parisian parks such as the classically laid out and formal Luxembourg Gardens and the Tuileries. Randomly placed throughout the park are scaled-down architectural replicas including an Egyptian pyramid, Dutch windmill, and a Chinese fort. Free Wi-Fi in the park.

The bridge is widely regarded as the most ornate, extravagant bridge in the city. It is classified as a French Monument historique.

Founded in 1671 by Louis XIV as a hospital for 6,000 wounded soldiers—this function explaining the name of the building—the golden-domed Hôtel des Invalides still functions as an infirmary and now also houses the Musée de l'Armée. The church attached, l'Eglise du Dôme, houses the tomb of Napoleon.

Established in 1926, it was meant to show appreciation for Muslim help in fighting the Germans. The café serves excellent mint tea and North African food.

Ordered by Cardinal de Richelieu (1585-1642), King Louis XIII's prime Minister in 1629 (completed in 1636); originally called Palais Cardinal; it became Le Palais Royal when Anne d'Autriche, Louis XIII's wife, came to live here to get away from the Louvre palace. It eventually housed Louis XIV until the move to Versailles. It includes also a beautiful garden Les jardins du Palais Royal, enclosed by the buildings. It's been the theatre of one of the seminal events of the French Revolution (Camille Desmoulins made a famous declaration here in 1789). The Théatre Français nearby was built in 1716. There are numerous restaurants inside the garden , including famous Le Grand Véfour. There's also the controversial Colonnes de Buren, striped columns installed within the inside yard amid the 17th century architecture.

The C.I.U.P. is a student quarter established in 1925, providing homes for about 10,000 students, scientists, and artists from 120 countries. It has 40 houses attributed to individual nations. The individual houses organise top quality cultural and political events. Among the most remarkable buildings are the Fondation Deutsch de la Meurthe, the Heinrich Heine House (Maison Heinrich Heine - Fondation de l'Allemagne), the Swedish Student House (Maison des Etudiants Suédois), and the Swiss Pavilion (Pavillon Suisse) which was built in 1933 on plans of Le Corbusier.

Castel Béranger is an apartment building that was the first entirely art nouveau building in Paris, insulted at the time as "Castel Derangé". Its richly decorated facade won a city competition in 1898. It contains 36 apartments, all of which are still privately owned and not open to the public.

The house of the symbolist painter has now become a museum to his life and work.

Considered one of the most colourful Parisian parks, a local favourite, the Parc Montsouris was opened in 1878, having been designed by Alphand for Baron Haussmann. A large man-made lake and waterfalls are surrounded by long stretches of gently sloping lawns. Bronze statues are to be found studding the grounds, amongst the 1,400 trees, including such exotic varieties as the giant sequoia and the ginkgo. The park is featured in the film Cléo de 5 à 7. It is popular among families (there are two playground areas for children) and students.

This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.

a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).