In Paris, Église Saint-Christophe-de-Javel stands out for its unique place in architectural history. Unlike many traditional churches built from stone, this remarkable church was the first in the city to be constructed entirely from reinforced concrete. Its innovative design marked a new chapter in the way religious buildings could be imagined and built in the early twentieth century.
Église Saint-Christophe-de-Javel was built between 1926 and 1930, a period when architects were exploring new materials and construction methods. The church’s designer, Charles-Henri Besnard, used concrete not just for structural support, but also as a creative medium. This allowed for bold shapes and details that would have been difficult or impossible with traditional masonry.
The exterior of the church features clean lines and striking geometric forms, setting it apart from the Gothic and Romanesque churches elsewhere in Paris. Inside, the concrete arches and columns create a spacious, light-filled interior. Decorative elements, such as stained glass windows, add color and warmth, blending modern design with timeless spiritual symbols.
Located in the Javel district of Paris, the church quickly became a local landmark. Its modern appearance reflected the spirit of change and innovation in the neighborhood during the 1920s. Over the years, Église Saint-Christophe-de-Javel has continued to attract visitors interested in both its religious significance and its architectural legacy.
There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.
Since 2021 the 18th-century former Bourse de Commerce building has been the Paris home of the art collection of the French business magnate François Pinault, showing a rotating selection of contemporary artworks either newly commissioned or taken from his collection.
Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.
Castel Béranger is an apartment building that was the first entirely art nouveau building in Paris, insulted at the time as "Castel Derangé". Its richly decorated facade won a city competition in 1898. It contains 36 apartments, all of which are still privately owned and not open to the public.
Tourists cross this park with the large fountain on the way to the Place du Trocadéro viewpoint to the Eiffel Tower.
Ordered by Cardinal de Richelieu (1585-1642), King Louis XIII's prime Minister in 1629 (completed in 1636); originally called Palais Cardinal; it became Le Palais Royal when Anne d'Autriche, Louis XIII's wife, came to live here to get away from the Louvre palace. It eventually housed Louis XIV until the move to Versailles. It includes also a beautiful garden Les jardins du Palais Royal, enclosed by the buildings. It's been the theatre of one of the seminal events of the French Revolution (Camille Desmoulins made a famous declaration here in 1789). The Théatre Français nearby was built in 1716. There are numerous restaurants inside the garden , including famous Le Grand Véfour. There's also the controversial Colonnes de Buren, striped columns installed within the inside yard amid the 17th century architecture.
Housed in a former Beaux-Arts railway station (completed in 1900 for the Exposition Universelle, later saved from demolition and converted to its present use), the rambling, open-plan museum is home to the works of the great artists of the 19th century (1848-1914) - Impressionists, post-Impressionists, and the rest - that were formerly displayed in the l'Orangerie. This is perhaps the most spectacular collection of European impressionism in the world—breath-taking rooms full of Manet, Renoir, Monet, Van Gogh, and many others. Impressionist represent the biggest draw, but there is much more to explore.
The Pasteur Museum is housed in the apartment where the great scientist spent the last 7 years of his life. Hardly touched since that time, the museum is full of personal memorabilia and scientific instruments. Pasteur is buried on the grounds in a flamboyant mosaic-decorated mausoleum. The museum was closed to individual visitors for security reasons after the 13th November 2015 Paris terrorist attacks.
A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.
The sleaze of boulevard de Clichy between place Pigalle and place Blanche can provide a moment of distraction. Be warned if you are male it is better to do this in the company of a female fellow traveller, as the clubs often send the girls outside to attempt to physically drag passing men off of the street. These strip clubs are big ripoffs. They tempt you with a free drink for €10 entry; once in the girl who starts dancing orders a couple of drinks (Red Bull) and then before you realise you are presented with a bill ranging from €500-700. They have these big bouncers who threaten/manhandle you till you arrive at some settlement with them. The whole of Pigalle is a rip off, best avoided. The police know about these places but nothing is done.
Enter Bastille station through any entrance or on any train and then make your way to the Bobigny/Pablo Picasso-bound platform. All that's left of the fortress whose front steps used to lead up from place de la Bastille are some foundation stones which you can see while waiting for a north bound train on this metro platform. There are maps and explanations showing where the fortress used to be relative the place and surroundings (basically the location of the old front steps are now occupied by Café des Phares).
Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.
The national library preserves collections of historic documents of both French and international origin. It holds 5,000 Greek manuscripts. You can get a day pass to visit or choose to visit only the expositions the library hosts.
Guimard's own home, built in 1909-12. It is less decorated than Castel Béranger, but still beautifully shaped. Privately owned and not open to the public.
Visitable only by reservation and then only one Saturday every month. A richly decorated palace built for Marie de Medici in the early 17th century, which is now the French Senate. For those interested in seeing a Parisian monument normally unavailable to the public, or for those interested in the inner workings of the French Government. The large Luxembourg Garden is open to the public year-round. The garden is home to the Medici fountain, a children's playground, and vintage toy boats for hire that children push around in the Grand Bassin duck pond (a 90-year tradition).
Established in 1926, it was meant to show appreciation for Muslim help in fighting the Germans. The café serves excellent mint tea and North African food.
One of the most eye-popping sights of Paris, the catacombs represent a network of labyrinthine tunnels, first excavated in the Roman period, that now house the remains of over 6 million burials removed here from the various overcrowded cemeteries and charnel houses all over Paris in the late 18th and early 19th centuries. Well worth a visit: the atmosphere is suitably morbid and gloomy (without being too scary), the dark tunnels containing neatly stacked piles of skulls and long bones. There is a limit to the number of visitors allowed within the Catacombs at one time (200 persons). So, if you arrive just after opening, you must wait until someone exits, approximately 45–60 minutes, before anyone is admitted. Steep stairwell on the exit of the catacombs. Can be challenging for the elderly or the unfit. Tickets can be purchased online at a small premium (€29, includes audioguide), allows you pick a date&time and to skip the long line