Palais de la Porte Dorée

The house of the symbolist painter has now become a museum to his life and work.

The Palais de Tokyo is Paris's largest specialist contemporary art exhibition venue, owned and operated by the national government. The building dates to 1937 and also includes the Museum of Modern Art of the City of Paris.

The Petit Palais was built as a complement to the Grand Palais for the 1900 universal exhibition, and afterwards became the prime exhibition venue for the City of Paris' vast collection of artworks spanning centuries from ancient history to around 1914. (Later material is at the Museum of Modern Art of the City of Paris in the 16th). There is a permanent exhibition of selected artworks of artifacts, complemented by temporary exhibitions of historic artworks. The Petit Palais also features an on-site cafe/restaurant, as well as a book and gift shop.

The largest square in Paris with fantastic vistas in every direction. It was in this square (then called la Place de la Revolution) that the French King Louis XVI, Marie Antoinette and many others were guillotined during the Terror. The large Egyptian obelisk in the centre of the Place de la Concorde was brought from the Temple of Luxor.

Built adjoining the now-lost royal palace of the Tuileries, these gardens lying immediately west of the Louvre offer a central open space for Parisians and visitors with semi-formal gardens (an outdoor gallery for modern sculpture), various cafés, ice cream and crépe stalls, and a summer fun fair. The gardens are frequently home to a giant Ferris wheel and enclose the Musée de la Orangerie and the Jeu de Paume.

A museum dedicated to the life and work of the great sculptor. The house contains an extensive collection, which is unusually well presented in a spacious building with big windows that are open in nice weather, which makes this museum double pleasant.

A must for anyone interested in the history of the American Revolution. This small cemetery includes three mass graves from the French Revolution, plus a section that includes many of France's most noble families that lost members during the French Revolution and consequently have a continuing right to be buried there. In the farthest right hand corner is the tomb of General Lafayette, the friend and fellow soldier of George Washington. Beside him is his beloved wife plus other members of her family, the de Noailles, who were almost completely wiped out during the French Revolution because of their closeness to the Court. Since 1834 the American flag has apparently flown continuously over his grave, even during the German occupation of Paris during World War II. Well worthy of a visit.

Visitable only by reservation and then only one Saturday every month. A richly decorated palace built for Marie de Medici in the early 17th century, which is now the French Senate. For those interested in seeing a Parisian monument normally unavailable to the public, or for those interested in the inner workings of the French Government. The large Luxembourg Garden is open to the public year-round. The garden is home to the Medici fountain, a children's playground, and vintage toy boats for hire that children push around in the Grand Bassin duck pond (a 90-year tradition).

Private collection of French, Italian, Dutch masterpieces in a typical XIXth century mansion.

Recently reconstructed, the Paris branch of the National Maritime Museum, one of the three museums in the Palais du Chaillot, cannot accommodate any full-size ships, but has a wide range of smaller artifacts, artworks and models, covering both the Navy and commercial shipping.

Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.

Enter Bastille station through any entrance or on any train and then make your way to the Bobigny/Pablo Picasso-bound platform. All that's left of the fortress whose front steps used to lead up from place de la Bastille are some foundation stones which you can see while waiting for a north bound train on this metro platform. There are maps and explanations showing where the fortress used to be relative the place and surroundings (basically the location of the old front steps are now occupied by Café des Phares).

Considered one of the most colourful Parisian parks, a local favourite, the Parc Montsouris was opened in 1878, having been designed by Alphand for Baron Haussmann. A large man-made lake and waterfalls are surrounded by long stretches of gently sloping lawns. Bronze statues are to be found studding the grounds, amongst the 1,400 trees, including such exotic varieties as the giant sequoia and the ginkgo. The park is featured in the film Cléo de 5 à 7. It is popular among families (there are two playground areas for children) and students.

The largest French museum of Jewish art and history

Reopened after extensive renovations, this small museum near the Louvre houses the Jean Walter and Paul Guillaume Collection, sold to the French Republic on very generous terms and numbering 143 paintings from the late 19th century and the first half of the 20th century (15 Cézannes, 24 Renoirs, 10 Matisses, 12 Picassos, 28 Derains, 22 Soutines). The collection joined the eight immense Water Lilies that Monet gave France in 1922 and which have been displayed since 1927 in two huge oval rooms purpose-built on the artist's instructions.

A sculpture by Auguste Rodin in memory of the French novelist Honoré Balzac. The artwork is sometimes considered the first truly modern sculpture.

St. Geneviève was responsible for saving Paris from the Huns in 451 and her shrine in the church has been a popular place of pilgrimage ever since. The church as it stands dates from between 1492 and 1626 and is a mix of Gothic and Renaissance architectural styles. A unique feature is the Renaissance rood screen, the sole survivor in the city.