The Louvre Museum is home to an incredible collection of art and artifacts from all around the world. Pieces on display come from ancient Egypt, the civilizations of Greece and Rome, medieval Europe, and the era of Napoleon in France. Some items, however, have been at the center of debate because they were taken from their original countries during times of war or colonial expansion.
Inside the museum’s grand halls, Leonardo da Vinci’s Mona Lisa remains the most well-known attraction. Tourists gather in large groups, often vying for the perfect photo of the iconic portrait. Beyond the Mona Lisa, hundreds of other works fill the galleries, drawing both art lovers and casual visitors from around the globe.
The Louvre is one of the largest museums in the world, and just like Paris itself, it can feel overwhelming. Its vast halls are often crowded, especially during popular travel seasons. Most of the museum’s information and signs are written in French, which can be challenging for international visitors.
Exploring the entire museum in one visit is a big task. To view every exhibit, at least two full days are necessary. Many people choose to focus on certain sections or specific works, as the collection aims for completeness rather than focusing only on the most famous pieces.
Since July 2019, the museum requires visitors to book timed tickets in advance, including those with the Paris Museum Pass. These changes were introduced due to heavy crowding and to prevent ticket fraud. Visitors should plan their visit and book tickets before arriving to ensure entry.
Source - https://en.wikipedia.org/wiki/Louvre
The Museum of Mankind, accommodated in the Palais du Chaillot, is an anthropological museum covering the history of mankind and human societies.
St. Geneviève was responsible for saving Paris from the Huns in 451 and her shrine in the church has been a popular place of pilgrimage ever since. The church as it stands dates from between 1492 and 1626 and is a mix of Gothic and Renaissance architectural styles. A unique feature is the Renaissance rood screen, the sole survivor in the city.
Most of the works by Picasso and others which were in the master's possession at the time of his death are now on display here.
A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.
A controversial church serving as de facto headquarters of the arch-traditionalist Society of Saint Pius X, who occupied the church in 1977 and have ignored subsequent eviction orders.
If the queues at the Eiffel Tower are just too much for you and your time is limited, consider a trip up the Montparnasse Tower. This is an office building with an observation and shopping area on the 56th floor, where the elevators stop, and an open viewing area on the roof. Arguably the view is better than from the Eiffel Tower: you are not so high up so things are more visible, and you can see the Eiffel Tower!
The massive parish church of the Les Halles area is a notable example of late Gothic interspersed with Renaissance details (including the entire front façade), as it was only completed in the 17th century. Its unique form results from a combination of relatively short length and impressive height of over 30 metres inside. The latter allows room not only for an array of stained glass windows and paintings, but also France's largest church organ of 8,000 pipes. The sculpture Écoute, depicting an oversized human head, was placed in front of the church's southern facade and has become a favourite photo spot.
The house of the symbolist painter has now become a museum to his life and work.
Try to visit the cabinet des Médailles.
This iconic triumphal arch forms the focus of the main east-west road axis of Paris, running between the Louvre and the Grande Arche de la Défense in the west. The monument was commissioned by Napoleon in 1806 as a tribute to his victories as Emperor of France - it was finally completed in 1836, long after his death. 50 m (150 ft) high and 45 m wide, the Arc de Triomphe is decorated with battle scenes and martial sculptures that includes La Marseillaise by Rude. The Tomb of the Unknown Soldier was placed beneath the arch in 1920, where an eternal flame burns in tribute to the French dead of both World Wars. The arch is surrounded by a large roundabout, aptly known as l'Etoile - 'the star' - with 12 thoroughfares leading off from it. Visitors can purchase a ticket to climb to the top of the arch, from where magnificent views spread out over western Paris. Admission to a small museum devoted to the history and meaning of the monument is included. The central island and the arch are accessed by an underground passage. Do not attempt to negotiate by foot the busy multi-lane road that rings the Arc de Triomphe, which many Parisian drivers seem to consider their own personal speedway.
There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.
Built in 1625, the Hotel de Sully is an interesting house with some sculptures in a beautiful courtyard. The house features special exhibitions, so check listings when in Paris.
One of the last remnants of medieval Paris outside of the 4th, this tower was once part of a castle called l'hôtel de Bourgogne.
The Paris Botanical Garden, founded as the royal medicinal garden in 1626 by King Louis XIII's doctor, contains over 10,000 species. The grounds also include a small zoo known as La Ménagerie, and the Muséum National d'Histoire Naturelle, which includes the Grande Galerie de l'Evolution (where you can see thousands of naturalized animals from all over the world) and the 'Galerie de paléontologie et d'anatomie comparée' (same thing, but with skeletons).
A sculpture by Auguste Rodin in memory of the French novelist Honoré Balzac. The artwork is sometimes considered the first truly modern sculpture.
An industrial design museum in Paris that houses the collection of the Conservatoire National des Arts et Métiers (National Conservatory of Arts and Industry), which was founded in 1794 as a repository for the preservation of scientific instruments and inventions.
The bridge is widely regarded as the most ornate, extravagant bridge in the city. It is classified as a French Monument historique.
The oldest church in Paris, founded in the year 542 by King Childebert. The church as it exists today dates mainly from the 11th century, the period in which it became the center of a powerful Benedictine abbey. The Revolution witnessed the suppression of the abbey in 1794, when most of the monastic buildings were put to the torch. Earlier, 318 priests had been hacked to death nearby by a mob on 3 September 1792. The church underwent significant restoration in the 19th century, ensuring the preservation of the building, which by that date represented a fascinating mix of styles: 6th century marble columns placed alongside Gothic vaults and supported by Romanesque arches. Famous burials within the church include René Descartes (philosopher), Nicolas Boileau (poet) and King John Casimir of Poland, who had become (in 1669, before his death) abbot of the church's monastery.