Ardeatine massacre

Between the Pantheon and Via del Corso. A stunning example of Baroque art. The ceiling frescoes are especially fine, including a trompe l'oeil dome by the master Andrea Pozzo.

Brand new museum designed to celebrate the art and architecture of the 21st century.

The Servian Wall was the first wall around Rome, built around the 3rd century BC. This well-preserved section provides a good opportunity to observe the construction methods of that time, particularly the use of tufa rock blocks

A very ancient church named after a saint who was in 1969 removed from the Roman Catholic calendar of saints for the lack of details of her life. But the church retains the name and is well worth visiting for an excellent 4th-century mosaic and attractive decorations on the facade. Visiting hours are short, but if you arrive close to 11:30, try talking to the attendant if you see him, and he might let you visit for a few minutes. The church is small, so 15 minutes should be long enough to see and absorb everything.

Wandering around the shopping and residential district of Prati, close to the Vatican, you may notice rather a lot of lawyers' nameplates outside buildings. This is also Rome's legal district because of the proximity of the Palazzo di Giustizia or Palace of Justice. This massive monstrosity on the banks of the Tiber was built on alluvial soil, which necessitated a concrete platform to support the foundations. Despite this, later settlement of the building led to the need for restoration work in 1970 and it is said to be still sinking. There were many allegations of corruption during its construction, something not unknown in the Rome of today, and this, combined with its appearance, gave rise to its nickname of the Palazzaccio or Ugly Palace.

Where the building of the Italian Government, Palazzo Chigi is situated. Also there is a marvelous carved column—hence the name—dating back to Imperial Rome.

A lovely, if somewhat run-down park (parts of it are blocked due to the poor state of the roads) with statues and a great view on the city.

If it is sunny, you'll catch a few young people and older gentlemen sitting at the base of a statue in the middle of the open space. The statue is a brooding, hooded Giordano Bruno—an excommunicated Dominican monk and one of the earliest cosmologists who held the idea of an infinite universe. He was burnt at the stake for heresy on this spot on 17 February 1600. The piazza is used as a marketplace during the day, and party central for college students and tourists at night. When the sky gets dark and the street lamps go on, the Campo de' Fiori fills with people and lovers wander arm in arm in the crowd. Over the buzzing of conversation and the occasional burst of laughter you may hear a young vocalist belt out O Sole Mio at the top of his lungs as change plunks into his accordion case.

Also known as St Paul Outside the Walls. This is on the outskirts of Rome in an otherwise drab modern neighborhood. The enormous basilica is a faithful reconstruction, finished in 1854, of the ancient basilica which burned down in 1823. Parts of the original interior were rescued from the fire and have been extensively restored. Visiting in the afternoon may avoid the tourist coaches. Don't miss the medieval cloister, which survived the fire.

One of the most splendid (still private) Baroque grand palaces in Rome.

Behind the pyramid, entered by the Via Caio Cestio, is the Protestant Cemetery where the poet John Keats was buried in 1821 and Percy Bysshe Shelley's ashes were also buried after his drowning in 1822. Richard Dana, author of Two Years before the Mast was buried there in 1882, and the Beat Generation poet Gregory Corso was buried there in 2001.

Erected in 203. You can see it close up from Via della Curia also (without entering the Forum).

This building housed the University of Rome from the middle of the 15th century until 1935. The splendid interior courtyard was created by Giacomo della Porta. The inside church of Sant'Ivo (see above) is one of the masterpieces of the architect Borromini.

This is a treasure-trove of art. There are a couple of paintings by Caravaggio: "The Crucifixion of Saint Peter" and "The Conversion of Saint Paul" (in a dim alcove to the left of the altar, both at right angles to the viewer, with a machine wanting €2 to switch on the lighting) together with a sculpture by Bernini, frescoes by Pinturicchio and mosaics by Raphael. Part of the Dan Brown tour, this church featured in Angels and Demons, although the Vatican did not allow filming inside.

The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.

In the 8th and 9th century, San Saba was one of the most prestigious monasteries of Rome. The church has been built up over many centuries and contains a variety of architectural styles. Worth a look are the floor mosaics and some interesting frescoes on the left side of the church.

This church was built next to the mausoleum of Santa Costanza in the 7th Century and is on top of catacombs. It is very unusual in that the floor level is at the level of the catacomb floor, and the street entrance is at the level of the second floor gallery. The body of St. Agnes lies in a silver sarcophagus. There are several stories about her death at the age of 13 in 304 AD. One is that the prefect Sempronius wanted her to marry his son, and condemned her to death when she refused. Roman law did not permit the execution of virgins, so he ordered her to be raped but her virginity was miraculously preserved. She was then condemned to be burnt at the stake but the wood would not burn. Another is that she was stripped naked by the Emperor Diocletian because of her refusal to marry but that her hair then grew rapidly to preserve her modesty.

More modern than most Roman churches: it was not started until 1873. This is Rome’s Episcopalian church. Some very interesting artwork, particularly the mosaics by Edward Burne-Jones of the Pre-Raphaelite school.

Named after St. Francis of Assisi, who stayed nearby. Inside the Paluzzi-Albertoni chapel is one of Bernini’s masterpieces, the statue of the Blessed Ludovica Albertoni. The column in front of the church comes from the ruins of Veii (see Rome/North).