Villa Farnesina

Completed in 1762 to a design by Nicola Salvi, this spectacular Baroque fountain features a mythological sculptural composition of Neptune, god of the sea, flanked by two Tritons: one Triton labours to control a violent sea-horse, the other controls a pacified creature, both symbolising the dual nature of the world's oceans. The location of the Trevi fountain marks the terminus of the ancient Aqua Virgo aqueduct, completed in 19 BCE in order to supply the Baths of Agrippa, and is so named on account of its position at the junction of three roads (tre vie). The legend says that one who throws a coin in the fountain shall one day return to Rome. The coins in the fountain are regularly collected to finance charities. The fountain has been made even more famous by the 1954 film, Three Coins in the Fountain, and by a famous scene in Federico Fellini's film La Dolce Vita. According to popular superstition and custom, throwing coins with one's right hand over one's left shoulder into the Trevi Fountain is a practice endowed with good luck. Throwing one coin ensures that the thrower will return to Rome; throwing two coins will ensure that the thrower will fall in love with a beautiful Roman girl (or handsome boy); throwing three coins, finally, ensures that the thrower will marry that girl or boy in Rome itself. The fountain is one of Rome's most famous attractions, but the square isn't exactly as large as St. Peter's, therefore it might be packed with crowds almost like at a rock festival. For this reason it's reportedly also a pickpocket hotspot, so do watch your pockets and bags here!

A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).

A lovely, if somewhat run-down park (parts of it are blocked due to the poor state of the roads) with statues and a great view on the city.

The Ghetto lies between the island in the River Tiber and the Theatre of Marcellus and includes Rome’s synagogue. It was established in 1555 as a result of a Papal Bull by Pope Paul IV that required all Jews to live in the area, considered one of the least desirable quarters of the city, as it was subject to constant flooding by the river. The area was originally enclosed by walls and gates that were only open during the day. With the end of the Papal States in 1870, the requirement that Jews live in the Ghetto came to an end. The walls were torn down in 1888 and much of the ghetto was demolished. However, there is still much to see, including walls of buildings that incorporate Roman ruins, and there are several good Jewish restaurants.

This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.

A tomb for the wealthy Gaius Cestius, who died in 12 BC. Admission to the monument only by guided tours on specific dates (2nd and 4th Saturday every month, and in combination with a ticket to the Museum of Via Ostiense also on the 1st and 3rd Saturday of every month).

Although started in the 2nd century, San Callisto has had many more recent burials, including 16 popes. The burial arcades are almost 20 km long.

A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.

This is a treasure-trove of art. There are a couple of paintings by Caravaggio: "The Crucifixion of Saint Peter" and "The Conversion of Saint Paul" (in a dim alcove to the left of the altar, both at right angles to the viewer, with a machine wanting €2 to switch on the lighting) together with a sculpture by Bernini, frescoes by Pinturicchio and mosaics by Raphael. Part of the Dan Brown tour, this church featured in Angels and Demons, although the Vatican did not allow filming inside.

An ancient Egyptian obelisk brought to Rome in 10 BC.

Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.

A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.

The Servian Wall was the first wall around Rome, built around the 3rd century BC. This well-preserved section provides a good opportunity to observe the construction methods of that time, particularly the use of tufa rock blocks

Pope Nicholas III connected Castel Sant'Angelo to St. Peter's by a covered fortified corridor called the Passetto di Borgo. This proved useful for Pope Clement VII during the Sack of Rome (1527). You can still see much of the Passetto by walking along the Borgo Sant'Angelo, which runs parallel to, and north of, the Via della Conciliazione.