Santa Maria in Cosmedin is a medieval church that dates back to the 6th century. While its ancient stone facade and peaceful interior invite contemplation, the church is perhaps best known as the home of a legendary Roman curiosity: the Bocca della Verità, or Mouth of Truth.
Greeting visitors at the entrance is the famous Bocca della Verità, believed to be a 1st-century manhole cover carved from marble. According to local legend, those who dare to slip their hand into the gaping mouth and tell a lie will find their hand bitten off. This myth has made the Bocca an irresistible attraction, with winding queues of visitors eager to test their honesty—or simply to snap a memorable photo at one of Rome’s most iconic sights.
Despite the lure of the Bocca, the church itself is a gem that deserves attention. With a separate entrance, Santa Maria in Cosmedin offers a serene retreat from the bustle outside. Inside, the mosaic floor stands out in the distinct Cosmatesque style. Unlike the intricate patterns found in churches like Santa Maria in Trastevere, the mosaics here are rustic and straightforward. This simplicity lends the space a sense of solidity and understated beauty that distinguishes it from Rome’s more ornate religious sites.
Santa Maria in Cosmedin is also notable for its impressive medieval choir enclosure, which showcases craftsmanship from a bygone era. Towering above the church is the tallest medieval belfry in Rome, an architectural landmark that draws the gaze upward and completes the church’s historic silhouette against the city skyline.
Santa Maria in Cosmedin is more than just a stop for superstitious fun. Its layered history, distinctive artistry, and tranquil atmosphere make it a true treasure for those willing to look beyond the legend and step inside its ancient walls.
Source - https://en.wikipedia.org/wiki/Santa_Maria_in_Cosmedin
The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.
A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.
The Servian Wall was the first wall around Rome, built around the 3rd century BC. This well-preserved section provides a good opportunity to observe the construction methods of that time, particularly the use of tufa rock blocks
This is one of the two main Jesuit churches in Rome, the other being the nearby Sant'Ignazio. The interior is Baroque art on steroids. Simply astounding.
A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
Caffarella Park covers an area of 339 ha and is part of the larger Appia Antica park. It contains both a working farm and numerous Roman ruins, some quite well preserved and is a great place for a stroll or cycle away from Rome’s traffic.
Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.
Early Roman houses dating back to the 1st century, believed to be homes of early Christians. Well-preserved frescoes and a small museum.