The Alte Nationalgalerie focuses on 19th-century art, bringing together painting and sculpture from a century of dramatic change. Inside, the galleries trace a path from early Romantic visions to the bold experiments that shaped modern art. Works by artists such as Monet, Manet, and Cézanne appear alongside German masters like Caspar David Friedrich, creating a vivid dialogue across movements and borders.
Caspar David Friedrich’s landscapes set a contemplative tone, where solitary figures and vast skies invite slow looking. In nearby rooms, the atmosphere shifts to French realism and Impressionism. Manet’s confident brushwork challenges tradition, while Monet studies light and weather with shimmering color. Cézanne’s structured still lifes and landscapes point toward new ways of seeing, balancing order and sensation.
The museum’s sculpture collection reflects the period’s changing ideals, from neoclassical harmony to expressive realism. Marble portraits and bronze figures share space with historical scenes and everyday subjects, mirroring the era’s curiosity about history, nature, and the modern city. Together, these works map the 18th- and 19th-century foundations that continue to shape art today.
Source - https://en.wikipedia.org/wiki/Alte_Nationalgalerie
The old town of Köpenick is surrounded by water. Especially noteworthy are the Köpenick Palace which houses a museum of applied art and the Neogothic town hall.
The memorial site stretches along the full 1.5-km length of Bernauer Straße. The listing marker points to the visitor centre. Various monuments can be found along the entire length of the street, documenting nearby escape attempts and tunnels; captions are in German and English. The documentation centre across the street on Bernauer Straße/Ackerstraße is excellent (although most of the documentation is in German). The viewing platform next to the documentation centre gives you a tiny hint of the true scale of the Wall and how terrifying the "no man's land" between the two sections of walls must have been. The monument (that you can see from the platform) is a complete section of 4th generation wall - both inside and outside sections, and you can peer through from the east side to see the remains of the electric fence and anti-tank devices in the death strip. It really helps you understand what an incredible feat it was to get from one side to the other -- and why so many died doing it. The memorial site is often missed by tourists but an absolute must for anyone interested in this part of the city's history. It's a memorial to those who died crossing, so you won't, fortunately, get the tackiness of the Checkpoint Charlie area; instead you will be left with a haunting feeling of what life with the wall may have been really like.Bernauer Straße is a street with a great deal of Wall history: it came to tragic prominence on August 13, 1961 when East German authorities closed the border and the street (with houses in the East but the street in the West). Border guards walled the doors and windows shut to keep Easterners from escaping by jumping out the window while Westerners (including police and fire brigades who brought life nets to help catch refugees) looked on in horror. The first recorded Wall-related death - the notorious Peter Fechter case (he bled to death in the "no-man's-land" with both sides unwilling or unable to help him) - was here, as was one of the famous tunnels and the famous photograph of the GDR border guard leaping over the barbed wire.
Built in 1542. An impressive traditional country estate with stately architecture, it is an enclave of untouched regional cultural history and architectonic epochs. The 80-hectare mixed forest also provides a wide network of paths for walking and rambling.
Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.
The complex consists of eight interconnected courtyards. Plenty of designer boutiques can be found here.
Places with markets on Wednesdays and Saturdays are popular with locals at Winterfeldplatz. Buy a coffee and browse amongst the stalls; this is a place to unearth hidden gems. Breakfast is served usually until 14:00-15:00.
At a former Luftwaffe and Royal Air Force (RAF) airfield, RAF Gatow. The museum's focus is on military history, particularly the history of the Luftwaffe of the Bundeswehr, with a collection of more than 200,000 items, including 155 aeroplanes, 5,000 uniforms and 30,000 books. There are also displays (including aeroplanes) on the history of the airfield when it was used by the RAF. Aircraft include reproductions of Otto Lilienthal's gliders, of World War I planes such as the Fokker E.III, and World War II planes such as the Bf 109 and Me-262, as well as at least one aircraft of every type ever to serve in the air forces of East and West Germany. Most of those postwar aircraft are stored outside on the tarmac and runways, however, and many are in bad condition. There are long term restoration projects, including a Focke-Wulf Fw 190. RAF Gatow is notable as the "missing third airport" of West Berlin. Each sector used to have its own airport; the French sector had Tegel, the American sector had Tempelhof and the British had Gatow. However, RAF Gatow never saw much traffic of any kind, was more kept as a political statement than for transportation value, and thus was shut down after reunification. Tempelhof, after having been shut down for civilian traffic from 1975 to 1981, closed for all flights in 2008, while Tegel shut down in November 2020.
A small but interesting collection of decorative arts from the Art Nouveau and Art Deco periods
Not far away from Schloss Tegel (at the "große Malche") you can take a look at the oldest tree in Berlin, an oak which has been growing there since about 1192 (so it's actually older than Berlin itself). The name ("fat Mary") allegedly stems from the brother Humboldt who named the tree after their overweight cook.
The city's Protestant cathedral and the burial place of the Prussian kings. You can climb to the top and get a view of the city.
A domed church at Bebelplatz/Unter den Linden, the oldest (mid-18th century) and one of the biggest Catholic churches in Berlin. Interior was redesigned in a modern style in the 1950s, but there are still many treasure chambers in the basement.
Again one of the world's most comprehensive ones. At the museum district of Dahlem.