Brücke-Museum presents works from the Dresden art collaborative known as Die Brücke, a group that helped shape early modern art in Germany. Founded in 1905 by young architecture students, the collective sought bold color, raw emotion, and a break from academic rules. The museum gathers paintings, prints, drawings, and sculpture that reflect this intense energy and experimentation.
Visitors encounter vivid city scenes, restless portraits, and daring landscapes, often painted with strong outlines and striking contrasts. Woodcuts and lithographs show how the artists pushed graphic techniques to convey movement and feeling. The collection highlights the group’s short but powerful years together, as well as the artists’ later paths once the collective dissolved.
Die Brücke formed in Dresden before moving its center of gravity to Berlin. Members like Ernst Ludwig Kirchner, Erich Heckel, Karl Schmidt-Rottluff, and Fritz Bleyl shared studios, staged independent shows, and published portfolios. Their work reacted to industrial growth and changing city life, drawing on non-European art forms, folk traditions, and the spontaneity of direct observation. The group disbanded in 1913, but its ideas continued to influence Expressionism across Europe.
The museum’s holdings include large canvases with thick, expressive brushwork, intimate sketchbooks, and rare first-state prints. Seasonal exhibitions often focus on a theme—such as coastal summers on the Baltic, urban nightlife in Berlin, or the evolution of the woodcut. Archival material, posters, and letters add context, revealing how exhibitions were organized and how the artists debated style and purpose.
Located near Grunewald forest, the museum offers a calm setting that contrasts with the art’s intensity. Natural light and simple galleries allow colors and forms to stand out. Outdoor areas sometimes feature sculpture and give a pause between rooms, keeping the focus on line, rhythm, and color, which were central to Die Brücke’s language.
Public programs introduce visitors to techniques like woodcut printing and color reduction. Talks and catalogs explore key topics, from the artists’ travels to their engagement with contemporary theater and dance. The museum also supports research into provenance and historical context, acknowledging the complex histories of collecting in the 20th century.
Source - https://en.wikipedia.org/wiki/Br%C3%BCcke_Museum
It is the only hemp museum in Germany; you can see the history of hemp, the culture and use of it. You can see hemp grow. There is a cafe downstairs, with an open WiFi access. Everything going on here is legal - including the hemp growing under artificial light (a low THC strain grown with a special permit) - but they do not refrain from political commentary on the legal situation of cannabis in their exhibits.
German historical museum covering everything from pre-history up to the present day. One can spend many, many hours here! The building from 1695/1730 was the Zeughaus (Arsenal) until 1876.
The building of one of Berlin’s oldest breweries is a ravishingly beautiful and heritage-protected industrial monument.
Includes the Panoramapunkt, the viewing terrace located 101 metres above ground, accessible by Europe's fastest elevator.
The large square in front of the Brandenburg Gate contains the French and American embassies, the rebuilt Hotel Adlon, and the new building of the Academy of Arts.
This imposing building houses the Federal German Parliament or "Bundestag" and was completed in 1894 to meet the need of the newly-unified German Empire of the Kaisers for a larger parliamentary building. The Reichstag was intended to resemble a Renaissance palace, and its architect, Paul Wallot, dedicated the building to the German people. The massive inscription in front still reads: "Dem Deutschen Volke" - 'For the German people'. The Nazi leader Adolf Hitler exploited the fire which gutted the Reichstag building in 1933 by blaming the Communists for the arson and for attempted revolution. There is good evidence to suggest, however, that his followers were actually responsible and that this was a manufactured crisis. The iconic photo symbolizing the Soviet victory over Nazi Germany shows a Soviet soldier planting the Soviet flag on top of the building and there are to this day graffiti left by Soviet soldiers on some walls of the Reichstag which were deliberately preserved by the new Germany as a memento of the war. It's perhaps the only national parliament to have traces left by a foreign army deliberately preserved. When German reunification became a reality, the new republic was proclaimed here at midnight on 2 October 1990. The Reichstag building is well-known in the art world thanks to Paris-based Bulgarian artist Christo's mammoth 'Wrapped Reichstag' project in 1995. The entire building was swathed in silver cloth for two weeks that summer.The Reichstag has undergone considerable restoration and alteration, including the addition of a spectacular glass dome designed by the British architect Norman Foster completed in 1999. You can visit the Reichstag building proper and even listen to a parliamentary debate but you need to book on their website sometimes weeks or even months in advance. Fortunately its much easier to visit the glass dome. You can reserve a visiting time and date on their website or in the small building across Scheidmannstrasse, except during the high season you should be able to arrange a time later the same day or the next day. Photo ID or passport is required to make the booking. A passsport is required during your visit. This is a very popular tourist attraction in Berlin and can get quite crowded however it is worth the effort. The helical path up the inside of the dome is a lot of fun and the 360 degree views at the top are splendid.
With the Kreuzberg, a hill in Kreuzberg 61, the Prussian National Monument by Schinkel and a waterfall. Superb panoramic views across south Berlin.
Places with markets on Wednesdays and Saturdays are popular with locals at Winterfeldplatz. Buy a coffee and browse amongst the stalls; this is a place to unearth hidden gems. Breakfast is served usually until 14:00-15:00.
Built 1859-1866 this is one of the most architecturally stunning synagogues in Germany to survive both the Nazi era and the war.
A man-made hill of about 120 m in the Grunewald, created after the Second World War from debris of the city. On top is the Field Station Berlin, a former US listening station. Inside the building complex you can see lots of graffiti art. The hill can be accessed without any restrictions and is free; however, the building complex is surrounded by fences and requires a ticket (tours are available as well).
Berlin's oldest church (1230) is a 3-nave hall church. It is in the centre of an area destroyed by bombs in the war which was then turned into a faux "old town" by the East German authorities called Nikolaiviertel. The area is more a hodge-podge of relocated buildings than an authentic reproduction, and the newly-built 1988 apartments that attempt to "harmonize" with the older buildings are embarrassing. The church is one of the only structures that was renovated rather than rebuilt. It is best known for a sandstone sculpture called the Spandauer Madonna (1290), but there are other interesting pieces here. When the church was destroyed in 1938 and rebuilt in the 1970s, the communist officials intended to use it as a museum, which did not open until 1987. The museum includes sacred textiles and religious sculpture from the fourteenth to the sixteenth centuries. The Nikolaikirche is the showplace of the Nikolaiviertel, which isn't saying much.
Features many objects and even whole rooms in Wilhelminian style. Only accessible by guided tour (English tours can be arranged).