The Adam Mickiewicz Museum is a historic house museum that honors the life and legacy of Adam Mickiewicz, a celebrated Polish poet. The museum is set in the very place where Mickiewicz spent his final months while living in Turkey.
Adam Mickiewicz arrived in Turkey in September 1855. The house that now serves as the museum was his residence during this period. Mickiewicz lived here until his death from illness on November 26, 1855. The museum preserves the memory of his time in Turkey and offers insight into his final days.
Source - https://en.wikipedia.org/wiki/Adam_Mickiewicz_Museum,_Istanbul
A resort on the Marmara coast. It's the westernmost part of Istanbul, between Çatalca and the province of Tekirdağ. There are some remnants of the Anastasian wall here, the scrappy ruins of a castle, an ancient cistern, the Piri Paşa Mosque, and Uzunköprü the long aqueduct.
Istanbul's former Asia-side railway station nowadays has no trains, but is worth a look. It was built by the Germans in 1908 in a distinctive Teutonic-castle style - to make an impact on travellers from Asia about to step into Europe, and a counterpoint to Sirkeci station (also closed) on the European side which is modelled in Oriental style. It's intended eventually to make this the terminus for the high speed rail network.
A small town 40 km west of central Istanbul and 15 km north of Büyükçekmece that had a substantial Greek population until the 1920s transfers. Spared from destruction in the Balkan wars which foreshadowed the Great War, the old quarter has many historic wooden buildings and fountains in leafy squares. A short stretch of the old town walls still stand just north of the centre. In the outer areas, bunkers of the WW2 'Çakmak Line' and remnants of the Byzantine Anastasios Walls could be observed. The town's main sight, housed in a red brick neoclassical building erected as a Greek tavern, this museum commemorates the forced population transfer of 1922–26, whereby Greeks living in Turkey were expelled to Greece, while the Turks of Greece were expelled to Turkey.
A former synagogue, the museum's exhibit details how the cultures mixed with and influenced each other in the past 500+ years since the Spanish expulsion.
The third and grandest of the churches on this site, completed in 537 AD. The 30-m diameter dome covers what was for over 1000 years the largest enclosed space in the world, only surpassed in 1520 by Seville cathedral. It used "pendentive" architecture to throw the dome's weight onto four stout pillars, a design that inspired many Eastern Orthodox churches and Ottoman mosques. It became a mosque after the Ottoman conquest in 1453, remaining so until 1931. It was then a museum until 2020 when it was again proclaimed a mosque. That means you must work around prayer times and dress appropriately.
This was built in the 1430s by Grecian Jews ("Romaniotes") from the city of Ohrid, now in North Macedonia. The district of Balat was a Jewish quarter, swelled from 1492 by those expelled from Spain. The synagogue is only open for pre-arranged tours.
The building was erected as a Roman Catholic church in 1325 by the friars of the Dominican Order, near or above an earlier chapel dedicated to Saint Paul (Italian: San Paolo) in 1233. In 1299, the Dominican Friar Guillaume Bernard de Sévérac bought a house near the church, where he established a monastery with 12 friars. A new, much larger church was built near or above the chapel of San Paolo in 1325. Thereafter the church was officially dedicated to San Domenico. After the Fall of Constantinople, according to the Capitulations of the Ottoman Empire with the Republic of Genoa, the church, which by that time was known by the Turks under the name of Mesa Domenico, remained in Genoese hands, but between 1475 and 1478 it was transformed, with minor modifications, into a mosque by the Ottoman Sultan Mehmed II and became known as Galata Camii ("Galata Mosque") or Cami-i Kebir ("Great Mosque"). Towards the end of the century Sultan Bayezid II assigned the building to those Muslims of Spain (Andalusia) who had fled the Spanish Inquisition and migrated to Istanbul; hence the present name Arap Camii (Arab Mosque). Today, Arap Camii is the largest mosque on the Galata side of the Golden Horn. It is one of the most interesting mosques in the city due to its early Italian Gothic architectural style and church belfry, which has practically remained unaltered even after being converted into a minaret.
The defining image of Istanbul, dominating the skyline with its great dome and six minarets. Completed in 1617 for Sultan Ahmed I, it's still a working mosque, so dress appropriately and avoid prayer times. Enter via the courtyard on the SW side. You step (shoeless) into the blue-tiled prayer hall beneath the main dome and its semi-domes. The mihrab is of finely carved marble, well-lit, and the minbar (pulpit) next to it is visible from almost all parts.
A private museum with a large painting collection and archaeological collections of measurement units and tools used in Asia Minor since antiquity and faiences of Kütahya.
The Church of Theotokos Pammakaristos ("All-Blessed Mother of God") was built between the 11th and 12th centuries. The parekklesion or side-chapel was added maybe 1300, with rich mosaics. The main building became a mosque in 1591, named for Sultan Murad III's conquest (fetih, hence Fethiye) of Georgia and Azerbaijan: the interior was opened up, but the chapel was undisturbed and in modern times became a museum. In 2020 the entire building was proclaimed a mosque, and every scrap of Byzantine artistry was covered up, so now there's nothing worth seeing.
A medieval citadel on the Bosphorus at the mouth of the Göksu creek. It was built in the late 14th century to control (polite word for "choke off") shipping along the Bosphorus, which narrows to 660 m at this point. It worked in tandem with Rumeli Citadel, built some 50 years later on the European bank. It fell into disrepair but was restored in the 1990s. You can't go in, but it's a pleasant setting; the entire village is named Anadolu Hisarı after the fort and has many traditional wooden houses (yalı). Ferries along the Bosphorus call here.
It was built by the Genoese in the 14th century on the city walls of Galata, marking the highest point of their territory. Ride an elevator and take two flights of stairs to the top, then walk the parapet for a 360°-view of Istanbul, including the entire Sultanahmet peninsula: crowned by Topkapı Palace, the Blue Mosque and Hagia Sophia. A beautiful spot worthy of a lot of pictures.
Built in first half of the 15th century, this is the large medieval castle under the Second Bosphorus Bridge. Its former name Boğazkesen (Turkish)/Laimokopia (Greek) means both "strait-blocker" and "throat-cutter" in both languages and denotes the reason of its building—to shut the supply routes from the Black Sea in the north into the slowly falling apart Byzantine Empire through the Bosphorus. Rumeli, literally "the Roman land", was the name of the European half of the Ottoman Empire, and as is usual with some other structures and villages along the Bosphorus, used as a prefix to differentiate Rumeli Hisarı from its counterpart in the Asian Side, the much smaller Anadolu Hisarı just across the Bosphorus.
Chora means countryside, and when built as a monastery in the 4th century it stood outside the Constantine walls; a century later, it was incorporated into the Theodosian walls. It was rebuilt in the 11th century then wrecked by an earthquake, so the structure and fabulous mosaics you see now are 14th century. When the church was converted to a mosque in 1500 the mosaics were plastered over, and only restored in 1958 when it became a museum. In 2020 it was again proclaimed a mosque but here (unlike Fethiye Mosque) they saw the sense and tourist income of preserving the mosaics. You need to work around prayer times.