Square Béla Bartók is a peaceful green space set between two tall buildings along the Front de Seine in Paris. The park provides a quiet break from the busy city streets, with trees and benches inviting visitors to pause and enjoy the surroundings.
Within the square, two unique sculptures catch the eye. Both are dedicated to Béla Bartók, the influential Hungarian composer and musician. These sculptures not only honor his legacy but also add an artistic touch to the modern landscape. The combination of contemporary art and urban scenery makes the park a distinctive place to visit in the neighborhood.
Beautiful round "square" with an equestrian statue of King Louis XIV and matching 17th century buildings.
A controversial church serving as de facto headquarters of the arch-traditionalist Society of Saint Pius X, who occupied the church in 1977 and have ignored subsequent eviction orders.
It was conceived by Louis XV as a grand neo-classical church honouring St. Geneviève, the patron saint of Paris. After the Revolution, the building was converted into a mausoleum for the great philosophers, military, artists, scientists, and heroes of the French Republic. Occupants of the crypt include Voltaire, Rousseau, Victor Hugo, Zola, the Curies, and Alexandre Dumas (reinterred here in 2002). The view from the dome (206 steps) is marvellous. Check tour departure times at the information desk. A fascinating reconstruction of Foucault's pendulum also hangs within the Panthéon.
If the queues at the Eiffel Tower are just too much for you and your time is limited, consider a trip up the Montparnasse Tower. This is an office building with an observation and shopping area on the 56th floor, where the elevators stop, and an open viewing area on the roof. Arguably the view is better than from the Eiffel Tower: you are not so high up so things are more visible, and you can see the Eiffel Tower!
This iconic triumphal arch forms the focus of the main east-west road axis of Paris, running between the Louvre and the Grande Arche de la Défense in the west. The monument was commissioned by Napoleon in 1806 as a tribute to his victories as Emperor of France - it was finally completed in 1836, long after his death. 50 m (150 ft) high and 45 m wide, the Arc de Triomphe is decorated with battle scenes and martial sculptures that includes La Marseillaise by Rude. The Tomb of the Unknown Soldier was placed beneath the arch in 1920, where an eternal flame burns in tribute to the French dead of both World Wars. The arch is surrounded by a large roundabout, aptly known as l'Etoile - 'the star' - with 12 thoroughfares leading off from it. Visitors can purchase a ticket to climb to the top of the arch, from where magnificent views spread out over western Paris. Admission to a small museum devoted to the history and meaning of the monument is included. The central island and the arch are accessed by an underground passage. Do not attempt to negotiate by foot the busy multi-lane road that rings the Arc de Triomphe, which many Parisian drivers seem to consider their own personal speedway.
A sculpture by Auguste Rodin in memory of the French novelist Honoré Balzac. The artwork is sometimes considered the first truly modern sculpture.
The northwest corner of the Bois de Boulogne is occupied by the oldest operating amusement park in the world, the Jardin d'Acclimatation, which is mainly known for offering a wide range of amusements which are appropriate even for very small children. They have miniature roller-coasters for children as small as three years, and the usual range of pony rides etc.
Many feel that this, Paris' town hall, is one of the loveliest buildings in the city. You might not get that from the front view, but try watching the light change on its roofs and towers during sunset from one of the cafés on the Ile de St. Louis, the Lutece for instance. Alternatively, go to the top floor of the Bazar de l'Hôtel de Ville (BHV) department store opposite, on rue de Rivoli and walk up a flight of stairs to the roof terrace (terrasse), from which there is a dramatic view of both the roof of the Hôtel de Ville and the immediate surroundings and river. The present Hôtel de Ville replaced the 16th century original which was burned down during the Commune in 1871. A pastiche of its predecessor, but on a far larger scale, it was designed by the architects Ballu and Deperthes, chosen after a competition, and was mostly completed by 1882. The building is lavishly, and some would say heavy-handedly, decorated both inside and out, and finished in an arrestingly white stone, similar to that used for the even more eye-catching Sacre-Coeur basilica. The statue on the garden wall on the south side is of Etienne Marcel, the most famous holder of the post of "prevôt des marchands" (provost of merchants) which pre-dated the office of mayor. Marcel came to a sticky end, lynched in 1358 by an angry mob after trying to assert the city's powers a little too energetically. The Hôtel de Ville was for many years the private fiefdom of Jacques Chirac, France's president before Sarkozy, and was the site of a scandal centring on both illegal jobs given to Chirac's party members and an immense entertainment budget. General de Gaulle greeted the crowds from a front window in 1944 when Paris was liberated from the Germans and Robespierre was shot in the jaw and arrested in the original building in 1794. Admirers of Hôtel de Ville's architecture will want to know that Ballu also built the Church of La Trinité in the 9th arrondissement and the belfry of the town hall of the 1st arrondissement, opposite the Louvre's east façade. Ballu also restored the Tour St Jacques (see below), which was uncovered after restoration work lasting over a decade.
Try to visit the cabinet des Médailles.
Reopened after extensive renovations, this small museum near the Louvre houses the Jean Walter and Paul Guillaume Collection, sold to the French Republic on very generous terms and numbering 143 paintings from the late 19th century and the first half of the 20th century (15 Cézannes, 24 Renoirs, 10 Matisses, 12 Picassos, 28 Derains, 22 Soutines). The collection joined the eight immense Water Lilies that Monet gave France in 1922 and which have been displayed since 1927 in two huge oval rooms purpose-built on the artist's instructions.
Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.
A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.
Opened in January 2005, the Holocaust Memorial comprises a major documentation centre and a wall bearing 76,000 names of Jews deported from France to the Nazi camps between 1942-1944. Includes an archive of a million artefacts, including 55,000 photographs. Excursions are run from the memorial to French internment camp sites such as Drancy.
Most of the works by Picasso and others which were in the master's possession at the time of his death are now on display here.
A little district within the district. Very charming little streets on a hill on the west end of the 13 district. Nice for lunching/dining activities. This is the place where the band "Mano Negra" was hanging around.
One of the last remnants of medieval Paris outside of the 4th, this tower was once part of a castle called l'hôtel de Bourgogne.
St. Geneviève was responsible for saving Paris from the Huns in 451 and her shrine in the church has been a popular place of pilgrimage ever since. The church as it stands dates from between 1492 and 1626 and is a mix of Gothic and Renaissance architectural styles. A unique feature is the Renaissance rood screen, the sole survivor in the city.
Mainly used as a concert hall and venue for fashion shows today, the Cirque d'Hiver was built in 1852, as the name would suggest, as a winter venue for circuses.