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Paris's international exhibition centre (the 4th largest in Europe) has millions of visitors annually.

The early Gothic Cathédrale de Notre Dame (Our Lady) has a 12th century design but wasn't completed until the 14th. Still it is a good example of the development of the style, though the west or main portal is a bit unusual in its rigidity. A April 2019 fire caused severe damage, but after extensive renovation the cathedral was reopened to the public in December 2024.

One of the largest collections outside Asia of Southeast Asian, Indian, Afghan, Chinese, Japanese, and Korean art.

Opened in 2006, this is the newest and the most modern of Paris' great museums, housing an outstanding collection of tribal art, with a particular emphasis on France's former (and present) territories in Oceania and Africa. The museum is large and you can easily spend half a day browsing, especially if you pause to explore the multimedia presentations.

Visitable only by reservation and then only one Saturday every month. A richly decorated palace built for Marie de Medici in the early 17th century, which is now the French Senate. For those interested in seeing a Parisian monument normally unavailable to the public, or for those interested in the inner workings of the French Government. The large Luxembourg Garden is open to the public year-round. The garden is home to the Medici fountain, a children's playground, and vintage toy boats for hire that children push around in the Grand Bassin duck pond (a 90-year tradition).

The ancient medieval fortress and prison of the city's island, site of some remarkable medieval royal architecture and the scene of Marie Antoinette's imprisonment in the period leading to her execution in 1793; lots of revolutionary associations.

The massive parish church of the Les Halles area is a notable example of late Gothic interspersed with Renaissance details (including the entire front façade), as it was only completed in the 17th century. Its unique form results from a combination of relatively short length and impressive height of over 30 metres inside. The latter allows room not only for an array of stained glass windows and paintings, but also France's largest church organ of 8,000 pipes. The sculpture Écoute, depicting an oversized human head, was placed in front of the church's southern facade and has become a favourite photo spot.

The Musée Grévin is a waxwork museum with some 500 characters arranged in scenes from the history of France and modern life.

Try to visit the cabinet des Médailles.

St. Geneviève was responsible for saving Paris from the Huns in 451 and her shrine in the church has been a popular place of pilgrimage ever since. The church as it stands dates from between 1492 and 1626 and is a mix of Gothic and Renaissance architectural styles. A unique feature is the Renaissance rood screen, the sole survivor in the city.

20th- and 21st-century art in a building designed by Frank Gehry

The building has a freely accessible rooftop which allows for a beautiful bird's-eye view of the northern half of Paris.

It was conceived by Louis XV as a grand neo-classical church honouring St. Geneviève, the patron saint of Paris. After the Revolution, the building was converted into a mausoleum for the great philosophers, military, artists, scientists, and heroes of the French Republic. Occupants of the crypt include Voltaire, Rousseau, Victor Hugo, Zola, the Curies, and Alexandre Dumas (reinterred here in 2002). The view from the dome (206 steps) is marvellous. Check tour departure times at the information desk. A fascinating reconstruction of Foucault's pendulum also hangs within the Panthéon.

Its exhibits come from such diverse origins as ancient Egypt, classical Greece and the Roman Empire, medieval Europe, and Napoleonic France, but controversially including many items that were looted from their places of origin. Its most famous exhibit, of course, is Leonardo da Vinci's painting of the Mona Lisa (French: La Joconde, Italian: La Gioconda), generally to be found surrounded by hordes of camera-flashing tourists. The Louvre poses many of the same challenges to the visitor as Paris itself; overwhelming in size, crowded in high seasons, and much information available only in French. If you want to see everything in the Louvre, plan at least two full days. However, it is better to pick and choose, as the collection was assembled with an eye to completeness rather than quality. As of July 2019, due to intense crowding and reports of ticket fraud, entry now almost always requires a pre-booked timed ticket, even for holders of the Paris Museum Pass.

The bridge is widely regarded as the most ornate, extravagant bridge in the city. It is classified as a French Monument historique.

The oldest church in Paris, founded in the year 542 by King Childebert. The church as it exists today dates mainly from the 11th century, the period in which it became the center of a powerful Benedictine abbey. The Revolution witnessed the suppression of the abbey in 1794, when most of the monastic buildings were put to the torch. Earlier, 318 priests had been hacked to death nearby by a mob on 3 September 1792. The church underwent significant restoration in the 19th century, ensuring the preservation of the building, which by that date represented a fascinating mix of styles: 6th century marble columns placed alongside Gothic vaults and supported by Romanesque arches. Famous burials within the church include René Descartes (philosopher), Nicolas Boileau (poet) and King John Casimir of Poland, who had become (in 1669, before his death) abbot of the church's monastery.

Two-level bridge.

Those who are unfamiliar with conceptual art sometimes don't know quite what to expect, or how to approach it. Such travellers should rest assured that the curators at the Pompidou Centre have assembled a marvellous introduction consisting of mostly approachable works which delight, amuse, and entertain. The art is far from the only reason for a visit, as the building also contains a vast public library and a fine restaurant (run by the Costes brothers) on the roof. In fact the place is literally surrounded by some of the nicest pavement cafés in the city, in its superb location between the car-free above ground part of Forum Les Halles and the Marais art district.