Parc de Bercy

17th century church.

A former fortress and royal residence at the edge of the city, alongside the Bois de Vincennes. Most of the building is open to public.

There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.

One of the best-known and most beautiful churches in Paris, in the guise of a Corinthian order classical temple. Construction started in 1764, although the church was not finally consecrated until 1845. The Madeleine has a lavish interior of marble and gold.

One of the last remnants of medieval Paris outside of the 4th, this tower was once part of a castle called l'hôtel de Bourgogne.

One of the largest collections outside Asia of Southeast Asian, Indian, Afghan, Chinese, Japanese, and Korean art.

The oldest church in Paris, founded in the year 542 by King Childebert. The church as it exists today dates mainly from the 11th century, the period in which it became the center of a powerful Benedictine abbey. The Revolution witnessed the suppression of the abbey in 1794, when most of the monastic buildings were put to the torch. Earlier, 318 priests had been hacked to death nearby by a mob on 3 September 1792. The church underwent significant restoration in the 19th century, ensuring the preservation of the building, which by that date represented a fascinating mix of styles: 6th century marble columns placed alongside Gothic vaults and supported by Romanesque arches. Famous burials within the church include René Descartes (philosopher), Nicolas Boileau (poet) and King John Casimir of Poland, who had become (in 1669, before his death) abbot of the church's monastery.

Suspended above the train tracks this garden is surprisingly calm and chilled-out.

A symbol of Paris and one of the most famous landmarks in the world. Built by Gustave Eiffel in 1887-1889, the tower was almost torn down in 1909 and only saved due to its use as a telegraphy antenna. The queues can be very long. The tower allows online reservations at its website. You can select a date and time frame. If you miss the time on your ticket, you have lost your money. The north, west, and east pillars have elevators that go to the first and second floors; the south pillar has stairs that can be climbed to the second floor. To reach the top floor, an additional elevator ride is required, and the wait for this can be very long as well. Disabled visitors are not allowed beyond the second floor due to safety concerns. Taking the Métro as far as Ecole Militiare and then strolling up the Champ de Mars is a lovely way to arrive at the tower. Another phenomenal approach is to exit the Metro at Trocadero and see the Eiffel Tower from the other side of the Ecole Militaire.

A must for anyone interested in the history of the American Revolution. This small cemetery includes three mass graves from the French Revolution, plus a section that includes many of France's most noble families that lost members during the French Revolution and consequently have a continuing right to be buried there. In the farthest right hand corner is the tomb of General Lafayette, the friend and fellow soldier of George Washington. Beside him is his beloved wife plus other members of her family, the de Noailles, who were almost completely wiped out during the French Revolution because of their closeness to the Court. Since 1834 the American flag has apparently flown continuously over his grave, even during the German occupation of Paris during World War II. Well worthy of a visit.

A sculpture by Auguste Rodin in memory of the French novelist Honoré Balzac. The artwork is sometimes considered the first truly modern sculpture.

This wedding cake-white church rises visibly above the north part of Paris. The striking building, with its towers and white onion dome (83 m high), was built between 1875-1914 on the birthplace of La Commune, officially as an act of penitence for the sins committed during the civil war in which thousands of Communards were executed, as well as for the previous bloodshed of the 1870 Franco-Prussian war. A number of prominent businessmen put up the money, and a dizzying combination of architects worked to put together the mock Romano-Byzantine extravaganza. Consecration followed in 1919. The view over Paris from the dome and from the square before it (200 m above sea level) is unsurpassed, apart from that enjoyed at the Eiffel Tower (50 km on a clear day). For the athletic traveller there are stairs from several directions to the top of the hill; otherwise there is also a funicular which runs every few minutes during the daytime from Place St. Pierre. Follow the signs that say "Funiculaire De Montmartre". Beware that the guards don't like it if they catch you taking pictures inside and will even yell "No photo!" and chase you down if they see you with a camera. Be warned: along the lower steps leading up to church, groups of mostly young African men gather and reach toward you with a small string, offering to loop it round your finger. In case it happens, pull back your hand, brush them off and move on. They might claim that "This is for the church." In case your feel that things go sideways, raise your voice to get people's attention and ask them call the police.

Considered one of the most colourful Parisian parks, a local favourite, the Parc Montsouris was opened in 1878, having been designed by Alphand for Baron Haussmann. A large man-made lake and waterfalls are surrounded by long stretches of gently sloping lawns. Bronze statues are to be found studding the grounds, amongst the 1,400 trees, including such exotic varieties as the giant sequoia and the ginkgo. The park is featured in the film Cléo de 5 à 7. It is popular among families (there are two playground areas for children) and students.

A little district within the district. Very charming little streets on a hill on the west end of the 13 district. Nice for lunching/dining activities. This is the place where the band "Mano Negra" was hanging around.

a Roman Catholic church on the east side of the Place Saint-Sulpice within the rue Bonaparte, in the Luxembourg Quarter of the VIe arrondissement. At 113 metres long, 58 metres in width and 34 metres tall, it is only slightly smaller than Notre-Dame and thus the second largest church in the city. It is dedicated to Sulpitius the Pious. During the 18th century, an elaborate gnomon, the Gnomon of Saint-Sulpice, was constructed in the church. In front of the church itself is the magnificent Place Saint-Sulpice which contains the 'Fountain of the Four Bishops'. The church has a long-standing tradition of talented organists that dates back to the eighteenth century. In 1862, Aristide Cavaillé-Coll reconstructed and improved the existing organ built by François-Henri Clicquot. Though using many materials from Clicquot's French Classical organ, it is considered to be Cavaillé-Coll's magnum opus, featuring 102 speaking stops, and is perhaps the most impressive instrument of the romantic French symphonic-organ era. Its organists have also been renowned, starting with Nicolas Séjan in the 18th century, and continuing with Charles-Marie Widor (organist 1870-1933) and Marcel Dupré (organist 1934-1971), both great organists and composers of organ music. The current organists are 'titulaire' Daniel Roth (since 1985) and 'assistant titulaire' Sophie-Véronique Cauchefer-Choplin. In Saint-Sulpice Sunday organ recitals are held on a regular basis (Auditions du Dimanche, following the High Mass, usually from 11:30am till 12:05pm, during the subsequent mass, a visit of the organ loft is possible).

Try to visit the cabinet des Médailles.

For many visitors one of the must-see places in Paris is the Avenue des Champs-Elysées which was first created in 1667 by Louis XIV's gardener, Andre Le Nôtre, in order to improve the view from the Tuileries garden. This elegant and broad avenue was extended towards the end of the 18th century, now running from the place de la Concorde to the Arc de Triomphe. It is noted today as one of the most prestigious shopping boulevards of Paris.

The Petit Palais was built as a complement to the Grand Palais for the 1900 universal exhibition, and afterwards became the prime exhibition venue for the City of Paris' vast collection of artworks spanning centuries from ancient history to around 1914. (Later material is at the Museum of Modern Art of the City of Paris in the 16th). There is a permanent exhibition of selected artworks of artifacts, complemented by temporary exhibitions of historic artworks. The Petit Palais also features an on-site cafe/restaurant, as well as a book and gift shop.