Ponte Sant’Angelo is a striking footbridge that spans the Tiber River in Rome. It connects the grand Castel Sant’Angelo to the heart of the city on the opposite bank. Built in 134 AD by the Roman Emperor Hadrian, the bridge originally provided a direct path to his impressive mausoleum, which today is known as Castel Sant’Angelo.
Over the centuries, Ponte Sant’Angelo served as an important route for religious pilgrims traveling to St Peter’s Basilica. Because of this, it was once called the “bridge of Saint Peter.” Crowds would cross here, making their way toward one of Christianity’s holiest sites.
In the seventh century, both the bridge and the castle adopted the name Sant’Angelo. According to legend, an angel appeared atop the castle’s roof to announce the end of a devastating plague in Rome. This miraculous event gave the site its current name, which means “Holy Angel.”
Today, visitors are greeted by the sight of ten beautiful angel statues lining the bridge. These sculptures serve as a reminder of the bridge’s legendary history and its spiritual significance throughout the ages.
Source - https://en.wikipedia.org/wiki/Ponte_Sant%27Angelo
The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.
Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.
The two museums are on opposite sides of the Piazza del Campidoglio, It is recommended to book tickets online Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica). Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
A relaxing place to sit and recover from the exertions of sightseeing. Permanent collection plus annual competition.
The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s.
Home of the President of the Italian Republic, and the Quirinal Gardens. Built in 1573 as a papal summer residence, and has since also served as the residence for the pope and later for the king of Italy.
A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
The building is in one of the most hidden corners of the city center among Piazza Navona and Castel Sant'Angelo. It served as residence for the Orsini family. Nowadays it is private property and one can only glance at the courtyard and the amazing fountain inside, erected in 1618 by architect Antonio Casoni. However, the brief moment is worth it.
In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.
Small collection of railway carriages and related stuff. Really just for those with special interest in the topic. Entrance through the station if the main entrance is closed.
Good collection of Renaissance and Baroque art, including by Velasquez, Titian, Raphael, and Bernini, all owned by the Doria Pamphilj family. Excellent audio guides really bring the paintings to life.
This is the attractive park on the hillside directly west of the Colosseum. Visible ruins in the area come from the Baths of Trajan. These baths were built on the top of the ruins of Domus Aurea - the Golden House of Nero (the Colosseum was built on the drained site of Nero's lake). The area underneath the park contains an enormous area from Nero's villa. It was restored at great expense in the 1980s and 1990s, opened to the public, and then closed again after a few years when it began to leak!
Designed by Bramante to mark the spot of St. Peter's martyrdom, this delightful miniature building is considered a masterpiece of Renaissance architecture. Open to the public.
Ballroom-like church which crowns part of the Capitoline Hill. Don't be fooled by the plain stone exterior.
This well-preserved Roman circus was built at the beginning of the fourth century. It was part of an imperial villa built by Maxentius and the complex also contains the Mausoleum of his son, Romolo.