Palazzo Madama

Completed in 179 BC.

A truly quiet oasis close to the hustle and bustle of EUR. There are three churches in this complex and the doors are open all day, unlike city churches. The monks produce a range of products such as liqueurs, chocolate and honey, as well as a cure for the illnesses Romans suffer when the Scirocco wind blows in from the Sahara. These are on sale at a shop at the Abbey.

Borghese Gallery and Museum is a lovely display in a beautiful villa setting, which concentrates on the quality rather than the size of its collection. There are some very notable works by Antonio Canova and Gian Lorenzo Bernini here, Bernini's Apollo and Daphneis quite amazing. It also houses some of Caravaggio paintings, well worth the admission charge. Originally, the gallery was one of the most magnificent private art collections in the world. It was founded by Cardinal Scipione Borghese. At the beginning of the 19th century, Prince Camillo Borghese sold great parts of the collections to Paris where today they belong to the most valuable exhibits of the Louvre. Since 1902 the villa and the gallery are owned by the Italian state. The number of people admitted is limited to 360 every 2 hours, so it is best to make a well in advance for the time slot you want. Cameras and photography are allowed. Plan to arrive at the museum at least 15 minutes prior to your entry time, to obtain your ticket from Will Call and to deposit purses, strollers, backpacks, bottles, and other bulky items in the cloak room. If you are late for your reservation the museum may not allow you to use your ticket.

The pride of Baroque Rome, was established towards the end of the 15th century, and preserves the shape of the ancient Stadium of Domitian. The buildings surrounding the square stand where the spectators once sat, watching the spectacle of the naumachiae (battles among ships). The square remains completely unspoilt by traffic and modern buildings. Today, the square is an immensely popular place to sip a cappuccino, shop, and watch street performers. Behind the piazza at the northern end, you can still see remains of the Roman athletic stadium well below the current ground level. Amongst the various monuments of the square, look especially for the two Baroque masterpieces by Bernini and Borromini.

The highest hill in Rome at 139 m, with sweeping views of the Vatican and Rome across the Tiber.

Contains the ruins of several large villas that belonged to wealthy Roman families. You can buy a combined ticket for the Palatine Hill, the Roman Forum and the Colosseum here, avoiding the long lines at the Colosseum. While the Imperial and Roman Fora are probably more spectacular, overall, there are amazing sights on the Palatine Hill, so unless you are terribly short on time or find it too challenging to climb the hill, allow an hour or more for these sights, too.

This church is literally right next to the Pantheon. It is one of Rome's only Gothic churches, and well worth looking inside, although its plain square façade makes it look inconspicuous from outside. Excellent stained glass windows.

Four fountains from the time of Pope Sixtus V when much of Rome was redeveloped. A reclining deity is the theme of each sculpture. This is a busy intersection and if you don't look twice you may miss these exquisite examples of Roman mythology.

This is an important place of pilgrimage for Catholics because of the supposedly miraculous powers of an image of the Virgin Mary. The first miracle was in 1740 when a traveller being attacked by a pack of dogs called out to the Virgin’s image for rescue and the dogs calmed down. The image was moved to Rome in the Second World War and is credited with saving the city from destruction, as a result of which Romans vowed to construct this new sanctuary.

A great little cathedral to visit, lovingly looked after by Irish Dominicans. There is an excavated older church below the medieval church you enter and a Mithraeum (temple to Mithras, whose cult was very popular with Roman soldiers from the 1st to 4th century AD) below that. The only place in Rome to hear the underground river that flows beneath the city.

A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.

In the 8th and 9th century, San Saba was one of the most prestigious monasteries of Rome. The church has been built up over many centuries and contains a variety of architectural styles. Worth a look are the floor mosaics and some interesting frescoes on the left side of the church.

A very ancient church named after a saint who was in 1969 removed from the Roman Catholic calendar of saints for the lack of details of her life. But the church retains the name and is well worth visiting for an excellent 4th-century mosaic and attractive decorations on the facade. Visiting hours are short, but if you arrive close to 11:30, try talking to the attendant if you see him, and he might let you visit for a few minutes. The church is small, so 15 minutes should be long enough to see and absorb everything.

Where the building of the Italian Government, Palazzo Chigi is situated. Also there is a marvelous carved column—hence the name—dating back to Imperial Rome.

This church was built next to the mausoleum of Santa Costanza in the 7th Century and is on top of catacombs. It is very unusual in that the floor level is at the level of the catacomb floor, and the street entrance is at the level of the second floor gallery. The body of St. Agnes lies in a silver sarcophagus. There are several stories about her death at the age of 13 in 304 AD. One is that the prefect Sempronius wanted her to marry his son, and condemned her to death when she refused. Roman law did not permit the execution of virgins, so he ordered her to be raped but her virginity was miraculously preserved. She was then condemned to be burnt at the stake but the wood would not burn. Another is that she was stripped naked by the Emperor Diocletian because of her refusal to marry but that her hair then grew rapidly to preserve her modesty.

Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.

Erected in 203. You can see it close up from Via della Curia also (without entering the Forum).

Good collection of Renaissance and Baroque art, including by Velasquez, Titian, Raphael, and Bernini, all owned by the Doria Pamphilj family. Excellent audio guides really bring the paintings to life.

In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.

Home of the Abbot Primate of the Benedictine Confederation and Benedictine monks studying in Rome. Visit the monastic produce shop and listen to the best Gregorian chant in Rome during Vespers (19:15 each evening).