Palazzo Taverna, Rome

This pleasant park contains very well-preserved ruins of two aqueducts and some of the original surface of the Roman Via Latina. Gets crowded on Sundays but almost empty the rest of the week during term time. Good place for joggers.

Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.

Parco Savello is the name of the grounds and orange grove next to the Santa Sabina church at the top of the Aventino and also where you have one of the best views of the city. Families gather here to sit under the dozens of orange trees. The "Giardino degli Aranci" is also a well known spot for lovers at night. The best views are arguably from Janiculum hill, just across the Tevere (Tiber) river. Immediately below you, the Tiber snakes its way through the city, and directly beyond it you can see the lively medieval quarter of Trastevere. Beyond that is the majestic dome of St. Peter's Basilica, with the historic centre of Rome visible to the right.

Where you can find the building of the House of Representatives.

At the northern end of Via XX Settembre next to the Porta Pia designed by Michaelangelo. The previous embassy had been destroyed by a terrorist bomb in 1946 and was eventually replaced by this world-renowned modern design by Sir Basil Spence. It was built on stilts so as not to interrupt the view of the garden.

One of the most splendid (still private) Baroque grand palaces in Rome.

A tomb for the wealthy Gaius Cestius, who died in 12 BC. Admission to the monument only by guided tours on specific dates (2nd and 4th Saturday every month, and in combination with a ticket to the Museum of Via Ostiense also on the 1st and 3rd Saturday of every month).

They are posted at entrances to the Vatican City to provide security and protect the Pope. They wear very colourful clothing, similar to the uniforms worn by Renaissance-era soldiers. The Pontifical Swiss Guards is also the smallest and oldest standing army in the world, founded in 1506 by Pope Julius II. The origins of the Swiss guards, however, go back much further as the popes had regularly imported Swiss mercenaries during the 1400s.

Porta San Sebastiano is a gate in the amazingly well-preserved Aurelian Walls. Inside and upstairs is a museum dedicated to the construction of the walls and their recent restoration. You can take a walk along the top of the walls. At the museum you can also arrange to visit the Tomb of the Scipios (Sepolcro degli Scipiani) and a nearby Roman Columbarium (tomb for cremated remains), the entrance for which is 200 m back towards Rome along the Via Di Porta San Sebastiano. No wheelchair access.

Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.

This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.

A 19th-century addition to the square, made to balance the Fontana del Moro.

Ballroom-like church which crowns part of the Capitoline Hill. Don't be fooled by the plain stone exterior.

A strange building, constructed by Reginald Pole, an English cardinal and later Archbishop of Canterbury, allegedly on the spot where he was able to escape from assassins sent by the English King Henry VIII.

The Catacombs of Domitilla are considered to be the best preserved of all Roman catacombs. They are the only ones still to contain bones. Domitilla also has a subterranean basilica, much of which was reconstructed in 1870.

One of the oldest churches in the city. The nave is lined with a mismatched collection of columns taken from ancient Roman buildings. The apse is covered in gold mosaics from the 13th century, arguably the finest mosaics in the city. Impressive mosaics also on the front. According to legend the church was founded in 222, so it would be one of the most ancient churches in the city. Written records mention a church on this place in 337. What is visible today was built in the 12th century, by order of Pope Innocent III. The facade is decorated with mosaics representing the Virgin Mary and ten unidentified figures. Most probably these mosaics are the work of Petro Cavallini who created the mosaics of the lower apse dated 1290 representing scenes from the life of Mary. The mosaics of the upper apse in byzantine style are even older and date from 1140. The columns of the nave originate from the ancient Baths of Caracalla. The facade of Santa Maria in Trastevere is even more impressive at night when it is illuminated.

Designed by Bramante to mark the spot of St. Peter's martyrdom, this delightful miniature building is considered a masterpiece of Renaissance architecture. Open to the public.

Known properly as the Flavian Amphitheatre, this most famous of Roman landmarks takes its name from the giant statue of the emperor Nero that once stood near this location. The amphitheatre was capable of seating 50,000 spectators for animal fights and gladiatorial combats. It was a project started by the Emperor Vespasian in 72 and completed by his son Domitian sometime in the 80s. The Colosseum when completed measured 48 m high, 188 m in length, and 156 m in width. The wooden arena floor was 86 m by 54 m, and covered by sand.;Expect a long queue and an even longer wait. You can skip the queue if you decide to take a tour, but if you don't want a tour, you can STILL skip the queue. If you walk to the entrance for the Roman Forum, you can buy tickets there which allow you to bypass the queues. You can also buy tickets online. There are lots of people offering tours in English just outside the entrance to the Colosseum. Inside you can take a tour (English, Spanish, or German) every 30 minutes or so for an additional fee. The tours are given by knowledgeable archeologists, but they don't take you to any areas you couldn't visit on your own.

This strange-looking, but delightful, building has undergone several transformations since its original construction as a rustic hideaway from the main villa in the park. It underwent a significant redesign in the early 1900s and again in 1917. The emphasis of the museum is on stained glass. The twenty rooms include 54 pieces of stained glass replaced, after restoration, in their original positions, 18 pieces of stained glass acquired and displayed on separate frames, and 105 sketches and preparatory cartoons for stained glass in churches in Rome.