In the very center of Piazza Navona stands the famous Four Rivers Fountain, a striking masterpiece created by the artist Bernini. This grand fountain immediately attracts attention with its dramatic design and historical connections.
The fountain's design is more than just beautiful architecture. It incorporates an ancient Egyptian obelisk and represents four of the world's great rivers: the Ganges, the Nile, the Danube, and the Plata. Each river stands for a different continent known to people at the time—Asia, Africa, Europe, and the Americas.
Visitors often pause to admire the detailed sculptures around the fountain. Each figure is carefully crafted to symbolize the character and importance of the river it represents. The flowing water and the towering obelisk create a dramatic scene that tells a story of exploration and discovery.
Source - https://en.wikipedia.org/wiki/Fontana_dei_Quattro_Fiumi
Also based on a Michelangelo architectural plan, this compact gallery is well endowed in classical sculpture and paintings. Highlights include the small 1st-century-BC bronze Lo Spinario, a Greek statue of a little boy picking a thorn from his foot; the Lupa Capitolina (Capitoline Wolf), a rare Etruscan bronze statue probably dating from the 5th century BC; and (in the entrance courtyard), the massive head, hands, foot and kneecap from a colossal statue of Constantine the Great. The palace also contains a Pinacoteca (Picture Gallery) with paintings mainly from the 16th and 17th centuries - highlights include: Caravaggio's Fortune-Teller and his curious John the Baptist; The Holy Family, by Dosso Dossi; Romulus and Remus, by Rubens; and Titian's Baptism of Christ.
This archaeological site displays the thermal baths of the villa of the wealthy Herod Atticus. Also in the complex is a restored villa, until 2002 a private residence, that has an exterior completely covered with pieces from Roman ruins, including pipes used in the baths. There are some very helpful staff to show you around, although they only speak Italian. An interesting photographic exhibition in the house traces the development of the Appian Way over the last century. Almost opposite the entrance to the baths is a ruined tower known as the Torre di Capo di Bove.
Contains the tomb of Pope Hadrian IV, the last non-Italian pope before Pope John Paul I.
The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
Early Roman houses dating back to the 1st century, believed to be homes of early Christians. Well-preserved frescoes and a small museum.
This is a treasure-trove of art. There are a couple of paintings by Caravaggio: "The Crucifixion of Saint Peter" and "The Conversion of Saint Paul" (in a dim alcove to the left of the altar, both at right angles to the viewer, with a machine wanting €2 to switch on the lighting) together with a sculpture by Bernini, frescoes by Pinturicchio and mosaics by Raphael. Part of the Dan Brown tour, this church featured in Angels and Demons, although the Vatican did not allow filming inside.
This is the island located in the middle of the Tiber River (Il Fiume Tevere) that separates Central Rome and Trastevere. It boasts both a major hospital, called Fatebenefratelli, and a small synagogue that was secretly used in the Second World War when Rome's main synagogue nearby was closed down. It also has a café and gelateria on the Rome side. It is a nice way of getting to and from Trastevere. Be sure to get photos from Ponte Garibaldi as Isola Tiberina truly is beautiful. The island is 270 m long and up to 67 m broad. According to the legend envoys were sent to the temple of Asklepius in Epidauros in Greece in 291BC in order to get relief from an epidemic in Rome. The envoys brought one of the holy snakes back with them. The snake swam to the Tiber Island thus determining the place where a temple for Asklepius was built. The successor of the Asklepius sanctuary is the Church San Bartolomeo which was built by the German Emperor Otto III around the year 1000. The Ponte Rotto is what is left from the ancient Pons Aemilius, the oldest stone bridge over the Tiber erected around 180 BC. The bridge was partly destroyed during a flood in 1557, re-erected by Pope Gregor XIII and finally pulled down in 1598. In 62 BC the Senatorial road construction office replaced the wooden footbridge by the Ponte Fabricio.
The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.
Next door to Santa Croce. A collection of around 3000 pieces, although only a third of these are displayed.
Unusual and fascinating round church dedicated to St. Stephen. It is the national church of Hungary in Rome. Dating from the 5th Century this is believed to be the largest round church in the world. Charles Dickens described its wall paintings of martyrdom and butchery as "hideous". A good starting point to visit the attractions of the Celio Hill (see Rome/Aventino-Testaccio).
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
A great little cathedral to visit, lovingly looked after by Irish Dominicans. There is an excavated older church below the medieval church you enter and a Mithraeum (temple to Mithras, whose cult was very popular with Roman soldiers from the 1st to 4th century AD) below that. The only place in Rome to hear the underground river that flows beneath the city.
Caffarella Park covers an area of 339 ha and is part of the larger Appia Antica park. It contains both a working farm and numerous Roman ruins, some quite well preserved and is a great place for a stroll or cycle away from Rome’s traffic.
More modern than most Roman churches: it was not started until 1873. This is Rome’s Episcopalian church. Some very interesting artwork, particularly the mosaics by Edward Burne-Jones of the Pre-Raphaelite school.
The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s.