The Santuario della Madonna del Divino Amore has become a significant pilgrimage site for Catholics. Its fame comes from a painting of the Virgin Mary that many people believe has miraculous powers.
The sanctuary's special reputation began in 1740. According to tradition, a traveler found himself in serious danger when a pack of wild dogs attacked him. In desperation, he called out to the image of the Virgin Mary nearby. Miraculously, the dogs became calm, and the traveler was unharmed. This event was considered the first miracle associated with the site.
During the Second World War, the famous image was moved to the safety of Rome. Many believe that this act protected the city itself from destruction. Grateful for what was seen as the Virgin's intervention, the people of Rome made a vow to build a new sanctuary in her honor. The Santuario della Madonna del Divino Amore stands today as a symbol of that promise and continues to draw visitors and pilgrims from around the world.
Source - https://en.wikipedia.org/wiki/Santuario_della_Madonna_del_Divino_Amore
The renamed Rome Zoo, one of the oldest in Europe, founded in 1911. On the edge of the Borghese Gardens, a short, well-signposted walk from the Gallery. They try hard, but San Diego this isn't. If you are a regular zoo-goer you will be disappointed.
A 5th-century basilica, simply and attractively decorated. The wooden door, of which 18 carved panels of scenes from the Bible survive, is believed to date from the church's construction.
A 1st-century tomb surrounded by two farmhouses from the Middle Ages, one of which used to be a cheese store. Rather hidden behind a high wall, the tomb is rarely open to the public. You might be lucky on a Sunday: on the third Sunday of every month there is a guided tour at 11:00.
Although started in the 2nd century, San Callisto has had many more recent burials, including 16 popes. The burial arcades are almost 20 km long.
Home of the President of the Italian Republic, and the Quirinal Gardens. Built in 1573 as a papal summer residence, and has since also served as the residence for the pope and later for the king of Italy.
Permanent collection features paintings and drawings of Rome between the 18th and 20th centuries together with a fascinating black and white photo exhibition of Rome from 1950-80. Also offers rotating exhibitions, usually of the work of photographers.
Located a short walk west of the Colosseum, this well-preserved monumental arch was erected (soon after 315) to commemorate the victory of Constantine, the first Christian emperor, over his rival Maxentius at the Battle of the Milvian Bridge in 312. In general design, the Arch of Constantine imitates the century-earlier Arch of Septimius Severus (nearby in the Forum). The three arches are decorated utilizing mainly materials plundered from other imperial monuments by Trajan, Hadrian and Marcus Aurelius. The quality of its sculptural decoration, however, betrays the slow degradation that Classical Roman sculpture had experienced in the 3rd century AD.
The Ghetto lies between the island in the River Tiber and the Theatre of Marcellus and includes Rome’s synagogue. It was established in 1555 as a result of a Papal Bull by Pope Paul IV that required all Jews to live in the area, considered one of the least desirable quarters of the city, as it was subject to constant flooding by the river. The area was originally enclosed by walls and gates that were only open during the day. With the end of the Papal States in 1870, the requirement that Jews live in the Ghetto came to an end. The walls were torn down in 1888 and much of the ghetto was demolished. However, there is still much to see, including walls of buildings that incorporate Roman ruins, and there are several good Jewish restaurants.
A magnificent patrician house with beautiful gardens. It was built by order of Cardinal Alessando Albani in 1743-1763 in order to accommodate his collection of art. The collection was taken care of by the Winkelmann, adviser and friend of the cardinal. In Rome, Winkelmann wrote his "Geschichte der Kunst des Altertumns (HIstory of the Art of Antiquity)", which made him the founder of classical archaeology. The painted ceiling of the great hall depicting Mount Parnassus is by the German painter Anton Raphael Mengs who was considered as the greatest painter in Rome in the 18th century. A permission to visit is to be requested by email or fax from Principi Torlonia's administration where you'd need to indicate date and time desired, your name and number of people in your party (max. 10).
This museum is built on top of the excavation site of the Balbi Crypt, a building from the first century A.D. which underwent considerable modifications in the following centuries. Through the building's history, the museum gives us glimpses of what Roman life across the ages was like. Free visits of the ruins are possible. The Essedra ruins are only accessible on Saturdays and Sundays, at 10:45, 11:45, 12:45, 14:45 and 15:45.
This church, which was commissioned by Ferdinand and Isabella of Spain, marks the point where, according to tradition, St. Peter was crucified. Particularly interesting for Irish visitors as it contains the graves of three Gaelic Chiefs who fled Ireland in 1607.
A relaxing place to sit and recover from the exertions of sightseeing. Permanent collection plus annual competition.