The Santuario della Madonna del Divino Amore has become a significant pilgrimage site for Catholics. Its fame comes from a painting of the Virgin Mary that many people believe has miraculous powers.
The sanctuary's special reputation began in 1740. According to tradition, a traveler found himself in serious danger when a pack of wild dogs attacked him. In desperation, he called out to the image of the Virgin Mary nearby. Miraculously, the dogs became calm, and the traveler was unharmed. This event was considered the first miracle associated with the site.
During the Second World War, the famous image was moved to the safety of Rome. Many believe that this act protected the city itself from destruction. Grateful for what was seen as the Virgin's intervention, the people of Rome made a vow to build a new sanctuary in her honor. The Santuario della Madonna del Divino Amore stands today as a symbol of that promise and continues to draw visitors and pilgrims from around the world.
Source - https://en.wikipedia.org/wiki/Santuario_della_Madonna_del_Divino_Amore
Minor basilica in 17th-century baroque style with good art inside. In a smaller Italian city, this might be a prime attraction, but in Rome, with its abundance of great churches, this is merely a pleasant church of secondary interest to visit if you are in the area.
The palace was built by the architect Baldassare Peruzzi on behalf of the Massimo family. The former palace was destroyed during the pillage of Rome in 1527. The Massimo family can be traced back to Quintus Fabius Maximus who defeated Hannibal in the 3rd century BC. The building is open to the public on March 16, only in order to commemorate the miraculous reanimation of Paolo Massimo by St. Philip Neri in 1538.
Built in the 17th century to a design based on an architectural sketch by Michelangelo. Highlights include the ancient Colossus of Constantine statue (the Colosseum was probably named for another giant statue, the Colossus of Nero which stood near the Flavian Amphitheatre as the Colosseum was originally known), The Dying Gaul, a magnificent marble sculpture that copies a bronze Greek original of the 3rd century BC and the Capitoline Venus. It also contains the remarkable original gilt bronze equestrian statue of emperor Marcus Aurelius (the one in the piazza is a replica).
The Scala Sancta (Holy Stairs) is, according to Roman Catholic tradition, the staircase used by Jesus Christ to approach Pontius Pilate to be sentenced to death. Attracts numerous pilgrims who climb the stairs on their knees.
At the southern end of the Piazza, designed by Bernini but the main statue of the Moor was done by Giacomo della Porta and the other statues are 19th-century copies of the originals.
Underground burial place of an ancient Roman family and of seven early popes.
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.
Brand new museum designed to celebrate the art and architecture of the 21st century.
An underrated way to see fantastic art made after the Renaissance. Mainly Italian artists, notably De Chirico, but Cézanne, Degas, Kandinsky, Man Ray, Modigliani, Monet, Pollock and Van Gogh are also represented.
This palace of the 16th century was erected by the famous Medici family. It was the residence of Cardinals Giovanni and Giuliano Medici, later Pope Leo X. and Clement VII. Catherine de Medici, Pope Clement VII's niece lived here until her marriage in 1553 with Prince Henry, the son of King Francis I of France. The palace is named after Madama Margerita of Austria, the illegitimate daughter of Emperor Charles V. Since 1871 it has been the seat of the Italian Senate.
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple.
The most extensive collection of Etruscan art and artifacts anywhere. Fantastic collection and well worth the admission charge. A difficult museum to find, but a lovely display in a beautiful villa setting.