Perched atop the Capitoline Hill in Rome, Santa Maria in Aracoeli is a church that commands attention—not with its exterior, but with the splendor that lies within. At first glance, its plain stone façade may seem unremarkable, almost austere compared to the ornate basilicas scattered across the city. But step inside, and the atmosphere changes entirely.
Crossing the threshold, visitors are greeted with an interior that feels more like a grand ballroom than a traditional church. Glittering chandeliers hang from the high, coffered wooden ceiling, casting a warm glow over marble floors and richly decorated chapels. The nave is lined with twenty-two ancient columns, each one unique, hinting at the church’s long and layered history.
Santa Maria in Aracoeli dates back to the 6th century and is woven into the very fabric of Rome’s past. According to local legend, it was built on the site where Emperor Augustus had a vision of the Virgin Mary and the Christ Child, an event commemorated by the church’s name—“Aracoeli” translates to “Altar of Heaven.”
Among the church’s many treasures is the intricately carved wooden ceiling, added to commemorate the victory at the Battle of Lepanto. Visitors also flock to see the revered statue of the Santo Bambino, a much-loved figure during Christmastime, and the magnificent frescoes that adorn the chapels. Yet, perhaps the true magic of Santa Maria in Aracoeli lies in how it continually surprises: from the grand staircase that leads to its doors, to the opulent interior that belies its humble exterior, every step reveals a new layer of wonder.
So next time you find yourself wandering the Capitoline Hill, don’t be fooled by appearances. Santa Maria in Aracoeli is a testament to the age-old adage: never judge a book by its cover.
Source - https://en.wikipedia.org/wiki/Santa_Maria_in_Ara_Coeli
Designed by Bramante to mark the spot of St. Peter's martyrdom, this delightful miniature building is considered a masterpiece of Renaissance architecture. Open to the public.
This is the attractive park on the hillside directly west of the Colosseum. Visible ruins in the area come from the Baths of Trajan. These baths were built on the top of the ruins of Domus Aurea - the Golden House of Nero (the Colosseum was built on the drained site of Nero's lake). The area underneath the park contains an enormous area from Nero's villa. It was restored at great expense in the 1980s and 1990s, opened to the public, and then closed again after a few years when it began to leak!
Inaugurated in 217 AD and used until the 6th Century. The baths were big enough for 1600 bathers at a time. Impressive and well-preserved. Used for operas in summer months (see Opera di Roma for details) and was the location for the famous "three tenors" concert in July 1990, at the time of the World Cup (soccer).
This is not, contrary to popular belief, one of the original seven hills that Rome was founded on. It is the second highest after Monte Mario, though, and offers incredible panoramic views of the city as long as the authorities remember to prune the trees on the hillside (if they are too tall you can walk a few meters down the hill for views that are just as good). On the other side of the piazza there is also a nice view of the dome of St. Peter's. The Piazza and the street leading up the hill are dedicated to Giuseppe Garibaldi who led Italian troops against the French here in 1849. There are also several commemorative statues.
Brand new museum designed to celebrate the art and architecture of the 21st century.
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
Simple and elegant lines make up this building, whose construction began in 1480 for Count Girolamo Riario, nephew of Papa Sisto IV, and was taken up by architect Martino Longhi for the new owner, Cardinal Marco Sittico Altemps. Today it houses one of the branches of the National Museum of Rome, showcasing ancient and Renaissance sculptures, and the results of the 16th/17th-century fashion for 'completing' ancient sculptures missing heads or arms.
In the Middle Ages pilgrims on their way to St. Peter's had to pass through the Via dei Coronari in order to cross the Tiber at Ponte St. Angelo. The street got its name from the people who sold rosaries to the pilgrims. It follows the ancient Via Recta which led from what is today Piazza Colonna to the Tiber. In the 15th century Pope Sixtus IV initiated the construction of private buildings. Today, several houses dating back to the 15th and 16th century may be seen. House nr. 156/157 is said to have been the House of Fiametta, the mistress of Cesare Borgia.
This building housed the University of Rome from the middle of the 15th century until 1935. The splendid interior courtyard was created by Giacomo della Porta. The inside church of Sant'Ivo (see above) is one of the masterpieces of the architect Borromini.