Perched atop the Capitoline Hill in Rome, Santa Maria in Aracoeli is a church that commands attention—not with its exterior, but with the splendor that lies within. At first glance, its plain stone façade may seem unremarkable, almost austere compared to the ornate basilicas scattered across the city. But step inside, and the atmosphere changes entirely.
Crossing the threshold, visitors are greeted with an interior that feels more like a grand ballroom than a traditional church. Glittering chandeliers hang from the high, coffered wooden ceiling, casting a warm glow over marble floors and richly decorated chapels. The nave is lined with twenty-two ancient columns, each one unique, hinting at the church’s long and layered history.
Santa Maria in Aracoeli dates back to the 6th century and is woven into the very fabric of Rome’s past. According to local legend, it was built on the site where Emperor Augustus had a vision of the Virgin Mary and the Christ Child, an event commemorated by the church’s name—“Aracoeli” translates to “Altar of Heaven.”
Among the church’s many treasures is the intricately carved wooden ceiling, added to commemorate the victory at the Battle of Lepanto. Visitors also flock to see the revered statue of the Santo Bambino, a much-loved figure during Christmastime, and the magnificent frescoes that adorn the chapels. Yet, perhaps the true magic of Santa Maria in Aracoeli lies in how it continually surprises: from the grand staircase that leads to its doors, to the opulent interior that belies its humble exterior, every step reveals a new layer of wonder.
So next time you find yourself wandering the Capitoline Hill, don’t be fooled by appearances. Santa Maria in Aracoeli is a testament to the age-old adage: never judge a book by its cover.
Source - https://en.wikipedia.org/wiki/Santa_Maria_in_Ara_Coeli
Home of the Abbot Primate of the Benedictine Confederation and Benedictine monks studying in Rome. Visit the monastic produce shop and listen to the best Gregorian chant in Rome during Vespers (19:15 each evening).
Inaugurated in 217 AD and used until the 6th Century. The baths were big enough for 1600 bathers at a time. Impressive and well-preserved. Used for operas in summer months (see Opera di Roma for details) and was the location for the famous "three tenors" concert in July 1990, at the time of the World Cup (soccer).
A medieval church dating from the 6th century and home to the Bocca della Verità (Mouth of Truth). The Bocca della Verità at the entrance to the church is thought to be a 1st-century manhole cover. It is believed that if you put your hand in the mouth and tell a lie, the hand will be bitten off. Queues for the privilege of risking this can get rather long. Don't ignore the church, which is a gem, and has a separate entrance. Its mosaic floor in the Cosmatesque style is more rustic and less intricate than some others (Santa Maria in Trastevere, for example), but its simplicity gives it a solidity not found in the more ornate styles. S.M. in Cosmedin has a fine medieval choir enclosure and the tallest medieval belfry in Rome.
This is the attractive park on the hillside directly west of the Colosseum. Visible ruins in the area come from the Baths of Trajan. These baths were built on the top of the ruins of Domus Aurea - the Golden House of Nero (the Colosseum was built on the drained site of Nero's lake). The area underneath the park contains an enormous area from Nero's villa. It was restored at great expense in the 1980s and 1990s, opened to the public, and then closed again after a few years when it began to leak!
Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.
Baroque church more noted for its position at the top of the Spanish Steps than it is for the church. Backdrop for numerous movies including Audrey Hepburn and Gregory Peck in Roman Holiday.
A 19th-century addition to the square, made to balance the Fontana del Moro.
One of Bernini's masterpieces, an obelisk on the back of an elephant.
If stones could talk: these hallowed ruins were the most powerful seat of government in the world. To stand in the political, legal and religious centre of the whole Roman Empire brings shivers down one's spine. It is the best way of imagining the splendour and glory of ancient Rome. Located in a small valley between the Capitoline and Palatine hills, access to the Forum is by foot only, from an entrance on the Via dei Fori Imperiali. Wheelchair access is available for most of the Forum but be aware that the path is often bumpy due to it containing original stones from the ancient Roman period. The Forum is much less crowded than the Colosseum and, from a historical perspective, much more interesting. You can hire an audioguide for €5.5 from a small booth just above the Arch of Titus near the Colosseum. These audioguides contain an audio jack so that two people can easily share one. Built in 141 AD and dedicated to the Empress Faustina; after her husband emperor Antoninus Pius died in 161 AD the temple was rededicated to the couple. Completed in 179 BC. The 4th rebuilding of the meeting place for the Roman Senate, once converted into a church during the Middle Ages, but now restored since the 1930s. Erected in 203. You can see it close up from Via della Curia also (without entering the Forum). Finished in 29 BC, marks the spot of Caesar's spontaneous cremation and Mark Antony's funeral speech, made famous by Shakespeare in his play Julius Caesar ("Friends, Romans, Countrymen, lend me your ears ..."). Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year. The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.
Perhaps most famous for a large model of imperial Rome, but also has a large display of various aspects of ancient Rome, using plaster casts, models and reconstructions of works found in museums throughout the world.
Home of the President of the Italian Republic, and the Quirinal Gardens. Built in 1573 as a papal summer residence, and has since also served as the residence for the pope and later for the king of Italy.
The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.
Early Roman houses dating back to the 1st century, believed to be homes of early Christians. Well-preserved frescoes and a small museum.
Designed by Bramante to mark the spot of St. Peter's martyrdom, this delightful miniature building is considered a masterpiece of Renaissance architecture. Open to the public.
Church built on the site of three Roman pagan temples, which can be explored underground for a small fee paid at a desk near the church entrance.
The building is in one of the most hidden corners of the city center among Piazza Navona and Castel Sant'Angelo. It served as residence for the Orsini family. Nowadays it is private property and one can only glance at the courtyard and the amazing fountain inside, erected in 1618 by architect Antonio Casoni. However, the brief moment is worth it.