Stepping into the Roman Forum, the bustling center of ancient Rome, feels like traveling back in time. Nestled amid the ruins lies the imposing Temple of Saturn, an enduring symbol of Rome's glory and resilience. As I approached it, my imagination soared, trying to envision the grandeur that once stood where now only remnants remain.
The Temple of Saturn, one of the oldest sacred sites in the city, stands proudly with its eight surviving columns reaching into the sky. Historically, it was dedicated to Saturn, the god of wealth and agriculture, and was once home to an illustrious statue of the deity himself. Today, these columns serve as towering guardians of the past, silently watching over the tourists who flock to admire their splendor.
Visiting the site, I was captivated by the architectural prowess of the ancient Romans, who constructed this temple in 497 BC. Each weathered marble column told its own tale of the passage of time, enduring through centuries of wear, earthquakes, and the relentless force of nature.
Standing beneath the shadow of the columns, I couldn't help but ponder the rich history embedded within the stones. The Temple of Saturn once housed the Roman treasury, holding wealth that was pivotal in shaping the burgeoning empire. Back in its heyday, it was the site of the Saturnalia festival, a time of cheerful celebration and social inversion, reminding Romans to live freely and joyously.
This historical context adds a layer of depth to any visit, making it not just a walk among ruins, but a journey through a mosaic of stories that have shaped our world today.
To truly appreciate the Temple of Saturn, understanding its cultural significance is essential. The temple's legacy is woven into the fabric of Rome, representing resilience and the cyclical nature of time. In its decay, we see the slow yet inevitable transformation of civilizations, an ongoing dance between preservation and progress.
For anyone drawn to history or architecture, the allure of the Temple of Saturn is irresistible. It's a place where the whispers of the past blend harmoniously with the chatter of present-day visitors, creating a dynamic narrative that is both ancient and ever-evolving.
In reflecting on my journey, it became evident that the Temple of Saturn is more than just an archaeological wonder; it is a tangible connection to a time when the world was very different but also much the same. It's a must-visit for any traveler seeking to experience the profound tales enshrined in Rome's rich tapestry.
Whether you're a seasoned historian or a casual tourist, the magic of the Temple of Saturn lies in its ability to transport you to an era of gods and legends, making it an unforgettable stop on any Roman adventure.
Source - https://en.wikipedia.org/wiki/Temple_of_Saturn
They are posted at entrances to the Vatican City to provide security and protect the Pope. They wear very colourful clothing, similar to the uniforms worn by Renaissance-era soldiers. The Pontifical Swiss Guards is also the smallest and oldest standing army in the world, founded in 1506 by Pope Julius II. The origins of the Swiss guards, however, go back much further as the popes had regularly imported Swiss mercenaries during the 1400s.
This little church is hard to find but well worth the extra effort although it is often closed when you get there. One of Borromini's masterpieces. It is located only a block from Piazza Navona, but not usually visible from the street, as you must enter the courtyard of an old palazzo to reach the church. Sant'Ivo is a small church the dome of which is shaped like the Star of David, but with every other point rounded. The steeple seen from the outside looks like it has a staircase wrapped around it that ascends to heaven. As the church was commissioned by the Barberini family that produced a number of popes and whose family symbol was the bee—some say the steeple resembles the stinger of the insect.
This palace of the 16th century was erected by the famous Medici family. It was the residence of Cardinals Giovanni and Giuliano Medici, later Pope Leo X. and Clement VII. Catherine de Medici, Pope Clement VII's niece lived here until her marriage in 1553 with Prince Henry, the son of King Francis I of France. The palace is named after Madama Margerita of Austria, the illegitimate daughter of Emperor Charles V. Since 1871 it has been the seat of the Italian Senate.
Underground burial place of an ancient Roman family and of seven early popes.
Completed in 1762 to a design by Nicola Salvi, this spectacular Baroque fountain features a mythological sculptural composition of Neptune, god of the sea, flanked by two Tritons: one Triton labours to control a violent sea-horse, the other controls a pacified creature, both symbolising the dual nature of the world's oceans. The location of the Trevi fountain marks the terminus of the ancient Aqua Virgo aqueduct, completed in 19 BCE in order to supply the Baths of Agrippa, and is so named on account of its position at the junction of three roads (tre vie). The legend says that one who throws a coin in the fountain shall one day return to Rome. The coins in the fountain are regularly collected to finance charities. The fountain has been made even more famous by the 1954 film, Three Coins in the Fountain, and by a famous scene in Federico Fellini's film La Dolce Vita. According to popular superstition and custom, throwing coins with one's right hand over one's left shoulder into the Trevi Fountain is a practice endowed with good luck. Throwing one coin ensures that the thrower will return to Rome; throwing two coins will ensure that the thrower will fall in love with a beautiful Roman girl (or handsome boy); throwing three coins, finally, ensures that the thrower will marry that girl or boy in Rome itself. The fountain is one of Rome's most famous attractions, but the square isn't exactly as large as St. Peter's, therefore it might be packed with crowds almost like at a rock festival. For this reason it's reportedly also a pickpocket hotspot, so do watch your pockets and bags here!
Parco Savello is the name of the grounds and orange grove next to the Santa Sabina church at the top of the Aventino and also where you have one of the best views of the city. Families gather here to sit under the dozens of orange trees. The "Giardino degli Aranci" is also a well known spot for lovers at night. The best views are arguably from Janiculum hill, just across the Tevere (Tiber) river. Immediately below you, the Tiber snakes its way through the city, and directly beyond it you can see the lively medieval quarter of Trastevere. Beyond that is the majestic dome of St. Peter's Basilica, with the historic centre of Rome visible to the right.
On top of the Capitoline hill. The piazza was designed by Michelangelo. The Capitoline Museum is housed in the palaces flanking the piazza. You can walk behind the Palazzo Senatorio, where Rome's government meets, to a wonderful viewpoint which overlooks the entire Roman Forum. In the centre of the square you can admire an exact copy of the Statue of Marcus Aurelius on horseback; the original is kept in one of the two museums, to preserve it from pollution.
It was constructed to hold relics of the Passion of Jesus. They include two thorns of his crown, part of a nail and three small wooden pieces of the Cross. The authenticity of these relics is much disputed, however.
According to the legendary passio, two brothers, John and Paul, who were officials at the imperial court, suffered martyrdom in 362 in their home on the Caelian hill, during the reign of emperor Flavius Claudius Julianus. This basilica dedicated to these two Roman officers was erected starting from 398 and was used first as a domus ecclesiae by the Christian community.
More modern than most Roman churches: it was not started until 1873. This is Rome’s Episcopalian church. Some very interesting artwork, particularly the mosaics by Edward Burne-Jones of the Pre-Raphaelite school.
Next door to the Pyramid, this fine gate in the Aurelian Wall is named after St. Paul as the Via Ostiense leads to the basilica of St. Paul's Outside the Walls (see Rome/South).
This is not the real name of the church on the corner by the main entrance to San Callisto but it is universally known by this name. By legend it is located on the spot where Saint Peter had a vision of the risen Christ while fleeing persecution in Rome. According to the tradition, Peter asked Jesus, Domine, quo vadis? “Lord, where are you going?” The current church is from 1637. Inside is a copy of a stone said to contain the imprints of the feet of Jesus; the original is maintained in San Sebastiano, further along the Appian Way
Unusual and fascinating round church dedicated to St. Stephen. It is the national church of Hungary in Rome. Dating from the 5th Century this is believed to be the largest round church in the world. Charles Dickens described its wall paintings of martyrdom and butchery as "hideous". A good starting point to visit the attractions of the Celio Hill (see Rome/Aventino-Testaccio).
More of an enormous traffic circle than a piazza, but a good central location. The centerpiece is the enormous Vittorio Emanuele Monument (aka the Wedding Cake or the Typewriter) with the Capitoline hill next door. Mussolini used to harangue Romans from the first floor balcony of Palazzo Venezia (see under Museums), to the west of the square.