Stadio Olimpico

The building is in one of the most hidden corners of the city center among Piazza Navona and Castel Sant'Angelo. It served as residence for the Orsini family. Nowadays it is private property and one can only glance at the courtyard and the amazing fountain inside, erected in 1618 by architect Antonio Casoni. However, the brief moment is worth it.

A truly quiet oasis close to the hustle and bustle of EUR. There are three churches in this complex and the doors are open all day, unlike city churches. The monks produce a range of products such as liqueurs, chocolate and honey, as well as a cure for the illnesses Romans suffer when the Scirocco wind blows in from the Sahara. These are on sale at a shop at the Abbey.

This church was built next to the mausoleum of Santa Costanza in the 7th Century and is on top of catacombs. It is very unusual in that the floor level is at the level of the catacomb floor, and the street entrance is at the level of the second floor gallery. The body of St. Agnes lies in a silver sarcophagus. There are several stories about her death at the age of 13 in 304 AD. One is that the prefect Sempronius wanted her to marry his son, and condemned her to death when she refused. Roman law did not permit the execution of virgins, so he ordered her to be raped but her virginity was miraculously preserved. She was then condemned to be burnt at the stake but the wood would not burn. Another is that she was stripped naked by the Emperor Diocletian because of her refusal to marry but that her hair then grew rapidly to preserve her modesty.

The church was built by order of Pope Sixtus VI (della Rovere). The campanile was erected in 1504 by Bramante and the church has frescoes of the four sibyls by Raphael in its interior.

One of the most splendid (still private) Baroque grand palaces in Rome.

Borghese Gallery and Museum is a lovely display in a beautiful villa setting, which concentrates on the quality rather than the size of its collection. There are some very notable works by Antonio Canova and Gian Lorenzo Bernini here, Bernini's Apollo and Daphneis quite amazing. It also houses some of Caravaggio paintings, well worth the admission charge. Originally, the gallery was one of the most magnificent private art collections in the world. It was founded by Cardinal Scipione Borghese. At the beginning of the 19th century, Prince Camillo Borghese sold great parts of the collections to Paris where today they belong to the most valuable exhibits of the Louvre. Since 1902 the villa and the gallery are owned by the Italian state. The number of people admitted is limited to 360 every 2 hours, so it is best to make a well in advance for the time slot you want. Cameras and photography are allowed. Plan to arrive at the museum at least 15 minutes prior to your entry time, to obtain your ticket from Will Call and to deposit purses, strollers, backpacks, bottles, and other bulky items in the cloak room. If you are late for your reservation the museum may not allow you to use your ticket.

Known properly as the Flavian Amphitheatre, this most famous of Roman landmarks takes its name from the giant statue of the emperor Nero that once stood near this location. The amphitheatre was capable of seating 50,000 spectators for animal fights and gladiatorial combats. It was a project started by the Emperor Vespasian in 72 and completed by his son Domitian sometime in the 80s. The Colosseum when completed measured 48 m high, 188 m in length, and 156 m in width. The wooden arena floor was 86 m by 54 m, and covered by sand.;Expect a long queue and an even longer wait. You can skip the queue if you decide to take a tour, but if you don't want a tour, you can STILL skip the queue. If you walk to the entrance for the Roman Forum, you can buy tickets there which allow you to bypass the queues. You can also buy tickets online. There are lots of people offering tours in English just outside the entrance to the Colosseum. Inside you can take a tour (English, Spanish, or German) every 30 minutes or so for an additional fee. The tours are given by knowledgeable archeologists, but they don't take you to any areas you couldn't visit on your own.

Built in the 9th century, this ancient basilica crowns the top of the Esquiline Hill. Tons of gold decorate the interior together with impressive mosaics (particularly when the floodlights are turned on), and there is a museum on the premises. If you are in Rome on Corpus Christi (Corpus Domini), which is the Thursday after the 8th Sunday after Easter, an early-evening service is held in San Giovanni by the Pope followed by a procession along Via Merulana to Santa Maria. Good opportunity for a close up view of the Pope. This is a very large church with lots to see, as for example, the main part of the church has two layers of mosaics and paintings high on the walls, the altar and apse are spectacular, and then there are several more or less large chapels you won't want to miss, including the one with the amazing golden baptismal font. Allow at least an hour if not an hour and a half or more to visit the interior, even if you do not take any special tours, and also allow time to view the exterior from all sides. Overall, at least 2 hours would not be too much time to allot.

Romans and leaders of Rome's defeated enemies were imprisoned here where they either died of starvation or strangulation. According to legend, St. Peter was also imprisoned here.

This church can be an interesting deviation if you are passing through its neighbourhood. It is believed to be the grave of the Saints Ciro and Giovanni, killed during the time of the Emperor Diocletian. The original name was Abba Cyrus and through Appaciro and then Appacero it finally became Pacera, very close to today's Passera. The building is on top of a 3rd century building still visible in the lower floor and in the underground. The main part of the building dates back to the 9th century as do the frescoes on the higher floor. Some of the frescoes have been restored. Downstairs there is a small quadrangular room and the underground, where the remains of the two Saints are supposed to be. There are still visible 3rd century traces of Roman frescoes; in front of the stair you can enjoy a small bird, the Justice, and an athlete while in the vault some eight apex stars. Bus 128,780,781,775 (first stop in Via della Magliana).

The western end of the ancient Via Appia road connecting Rome to Brindisi in the heel of Italy, and as such the third world heritage site in Rome together with the Old Center and the Vatican. As such it's an important historical location, even if the remains of the gate aren't as impressive as the city's major sites. As Via Appia heads southeast out of Rome, and after a few kilometers the route is officially named Via Appia Antica and starts looking more historical: it gets narrow as a city street, the asphalt is replaced by a rock surface and the road is lined with parks and park-like areas and walled old buildings. This section has been described as the world's longest museum.

In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.

An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.

Where the building of the Italian Government, Palazzo Chigi is situated. Also there is a marvelous carved column—hence the name—dating back to Imperial Rome.

This building housed the University of Rome from the middle of the 15th century until 1935. The splendid interior courtyard was created by Giacomo della Porta. The inside church of Sant'Ivo (see above) is one of the masterpieces of the architect Borromini.

Perhaps the most fascinating building in Rome. The core of the structure began life as the mausoleum of Emperor Hadrian, built between 135 and 139 AD. Subsequent strongholds built on top of the mausoleum were in turn incorporated into a residence and castle by medieval Popes. The building was used as a prison until 1870 but now houses a museum. Opera buffs will be exhilarated to visit the balcony from which Tosca leaps to her death. Film buffs will recognise it as a setting from Angels and Demons.

This building was erected in the 16th century for Cardinal Girolamo Capodiferro. One century later it was acquired by another powerful Cardinal, Bernardino Spada, and was restored by Borromini, who created the forced perspective optical illusion in the arcaded courtyard.

A lovely, if somewhat run-down park (parts of it are blocked due to the poor state of the roads) with statues and a great view on the city.

This was the site of the slaughter in 1944 of 335 Italians, including many Jews from the Ghetto, in retaliation for a Partisan attack on German troops in Rome. The caves where the massacre took place are now a National Monument and Memorial Cemetery and can be visited daily.