In Rome, a museum stands out for its unique approach to contemporary creativity. The building itself is a striking example of modern architecture, designed with bold lines and sweeping curves that capture the imagination of all who visit. Dedicated to the art and architecture of the 21st century, this museum creates an inspiring space where new ideas and innovative designs take center stage.
The museum is more than just a place to look at art. It is a living showcase for current artistic trends and experimental projects. Visitors can explore exhibitions that feature the work of today’s artists, architects, and designers. Each exhibit is carefully curated to highlight the innovative thinking that defines modern culture.
The building’s open galleries and bright spaces invite guests to reflect on how art and architecture influence daily life. Events, workshops, and interactive installations often take place, encouraging people to engage directly with creative processes. This museum stands as a symbol of Rome’s commitment to embracing the future while building on its rich artistic heritage.
Source - https://en.wikipedia.org/wiki/MAXXI
Caffarella Park covers an area of 339 ha and is part of the larger Appia Antica park. It contains both a working farm and numerous Roman ruins, some quite well preserved and is a great place for a stroll or cycle away from Rome’s traffic.
According to an inscription Emperor Augustus dedicated the obelisk to the sun in the 11th year of his consulate (10BC), after he had annexed Egypt to Rome. The obelisk is 24 m high. It was erected in Heliopolis in Egypt and was dedicated to Pharao Sethos I (1313-1292 BC) and Pharoa Ramses II (1292-1275 BC). Augustus brought the obelisk to the Circus Maximus, where it was rediscovered in 1587, broken into three pieces and was relocated to Piazze del Popolo on the orders of Pope Sixtus V in 1589.
Baroque church more noted for its position at the top of the Spanish Steps than it is for the church. Backdrop for numerous movies including Audrey Hepburn and Gregory Peck in Roman Holiday.
One of Bernini's masterpieces, an obelisk on the back of an elephant.
A medieval church dating from the 6th century and home to the Bocca della Verità (Mouth of Truth). The Bocca della Verità at the entrance to the church is thought to be a 1st-century manhole cover. It is believed that if you put your hand in the mouth and tell a lie, the hand will be bitten off. Queues for the privilege of risking this can get rather long. Don't ignore the church, which is a gem, and has a separate entrance. Its mosaic floor in the Cosmatesque style is more rustic and less intricate than some others (Santa Maria in Trastevere, for example), but its simplicity gives it a solidity not found in the more ornate styles. S.M. in Cosmedin has a fine medieval choir enclosure and the tallest medieval belfry in Rome.
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
This building housed the University of Rome from the middle of the 15th century until 1935. The splendid interior courtyard was created by Giacomo della Porta. The inside church of Sant'Ivo (see above) is one of the masterpieces of the architect Borromini.
This is one of the two main Jesuit churches in Rome, the other being the nearby Sant'Ignazio. The interior is Baroque art on steroids. Simply astounding.
housed in the baroque palace Corsini where Christina, Queen of Sweden settled down in the last years of her life
This is the attractive park on the hillside directly west of the Colosseum. Visible ruins in the area come from the Baths of Trajan. These baths were built on the top of the ruins of Domus Aurea - the Golden House of Nero (the Colosseum was built on the drained site of Nero's lake). The area underneath the park contains an enormous area from Nero's villa. It was restored at great expense in the 1980s and 1990s, opened to the public, and then closed again after a few years when it began to leak!
The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.
Completed in 1762 to a design by Nicola Salvi, this spectacular Baroque fountain features a mythological sculptural composition of Neptune, god of the sea, flanked by two Tritons: one Triton labours to control a violent sea-horse, the other controls a pacified creature, both symbolising the dual nature of the world's oceans. The location of the Trevi fountain marks the terminus of the ancient Aqua Virgo aqueduct, completed in 19 BCE in order to supply the Baths of Agrippa, and is so named on account of its position at the junction of three roads (tre vie). The legend says that one who throws a coin in the fountain shall one day return to Rome. The coins in the fountain are regularly collected to finance charities. The fountain has been made even more famous by the 1954 film, Three Coins in the Fountain, and by a famous scene in Federico Fellini's film La Dolce Vita. According to popular superstition and custom, throwing coins with one's right hand over one's left shoulder into the Trevi Fountain is a practice endowed with good luck. Throwing one coin ensures that the thrower will return to Rome; throwing two coins will ensure that the thrower will fall in love with a beautiful Roman girl (or handsome boy); throwing three coins, finally, ensures that the thrower will marry that girl or boy in Rome itself. The fountain is one of Rome's most famous attractions, but the square isn't exactly as large as St. Peter's, therefore it might be packed with crowds almost like at a rock festival. For this reason it's reportedly also a pickpocket hotspot, so do watch your pockets and bags here!
Small collection of railway carriages and related stuff. Really just for those with special interest in the topic. Entrance through the station if the main entrance is closed.