The Baths of Caracalla, first opened to the public in 217 AD, stand as one of the grandest ancient thermal complexes ever built in Rome. These massive baths remained in operation until the 6th century, offering a social and relaxing space for Romans of all classes. The complex was large enough to accommodate up to 1,600 bathers at once, a testament to the scale and ambition of Roman engineering.
Remarkably well-preserved, the ruins of the Baths of Caracalla still showcase the grandeur of their original design. Today, the site continues to play an important role in Rome’s cultural life. In the summer months, the ancient baths transform into a spectacular stage for operatic performances, organized in conjunction with Opera di Roma. The impressive setting under the open sky adds a unique atmosphere to each event.
One of the most memorable moments in recent history took place here in July 1990. The Baths of Caracalla hosted the legendary “Three Tenors” concert—featuring Luciano Pavarotti, Plácido Domingo, and José Carreras—during the World Cup tournament. This world-famous performance helped bring new attention to the site, blending ancient heritage with modern music in a remarkable way.
Source - https://en.wikipedia.org/wiki/Baths_of_Caracalla
The Celian Hill is one of the seven hills of Rome. You immediately see the church of San Gregorio Magno. On this site monks were trained before setting off as missionaries to England at the end of the 6th Century. Further up the hill is Santi Giovanni e Paolo. At this point it is difficult to believe you are in the middle of a major city. This church was built in 398 over the home of two Roman soldiers, John and Paul, who were martyred for their Christian beliefs in 362. Excavations show that there were several burials on the site, a risky business as burials were illegal at that time. After the church you come to the back entrance of the Villa Celimontana park (jazz festival nightly in late June-August). The modern buildings before you reach the park are owned by Silvio Berlusconi’s television company. By the main entrance of the park note the boat-like fountain known as the “Navicella”. As you exit the main entrance to the left is the church of S. Maria in Domnica, which has some interesting mosaics. Next to this church is the Porta Esquilina, one of the gates from the original Servian walls of Rome. It dates back to the 4th century BC.
A very ancient church named after a saint who was in 1969 removed from the Roman Catholic calendar of saints for the lack of details of her life. But the church retains the name and is well worth visiting for an excellent 4th-century mosaic and attractive decorations on the facade. Visiting hours are short, but if you arrive close to 11:30, try talking to the attendant if you see him, and he might let you visit for a few minutes. The church is small, so 15 minutes should be long enough to see and absorb everything.
This church, which was commissioned by Ferdinand and Isabella of Spain, marks the point where, according to tradition, St. Peter was crucified. Particularly interesting for Irish visitors as it contains the graves of three Gaelic Chiefs who fled Ireland in 1607.
The most extensive collection of Etruscan art and artifacts anywhere. Fantastic collection and well worth the admission charge. A difficult museum to find, but a lovely display in a beautiful villa setting.
The museum is dedicated to Napoleon Bonaparte and his family. After Napoleon's death in 1821 the Pope gave permission to his family to settle down in Rome. His sister married Prince Camillo Borghese.
On the site of the Roman baths, this museum houses an enormous collection of statues, etc.
Built in 81 AD by the emperor Domitianus in dedication to his brother Titus, who died earlier that year and reigned as emperor from 79-81, overseeing the opening of the Colosseum in 80 and the eruption of Mt Vesuvius the previous year.
This archaeological site displays the thermal baths of the villa of the wealthy Herod Atticus. Also in the complex is a restored villa, until 2002 a private residence, that has an exterior completely covered with pieces from Roman ruins, including pipes used in the baths. There are some very helpful staff to show you around, although they only speak Italian. An interesting photographic exhibition in the house traces the development of the Appian Way over the last century. Almost opposite the entrance to the baths is a ruined tower known as the Torre di Capo di Bove.
Romans and leaders of Rome's defeated enemies were imprisoned here where they either died of starvation or strangulation. According to legend, St. Peter was also imprisoned here.
With its strange Liberty- style buildings with influence from the Art Nouveau of the 1920s this small bunch of blocks is one of the most interesting, and less known, landmarks of the city. A must see.
Borghese Gallery and Museum is a lovely display in a beautiful villa setting, which concentrates on the quality rather than the size of its collection. There are some very notable works by Antonio Canova and Gian Lorenzo Bernini here, Bernini's Apollo and Daphneis quite amazing. It also houses some of Caravaggio paintings, well worth the admission charge. Originally, the gallery was one of the most magnificent private art collections in the world. It was founded by Cardinal Scipione Borghese. At the beginning of the 19th century, Prince Camillo Borghese sold great parts of the collections to Paris where today they belong to the most valuable exhibits of the Louvre. Since 1902 the villa and the gallery are owned by the Italian state. The number of people admitted is limited to 360 every 2 hours, so it is best to make a well in advance for the time slot you want. Cameras and photography are allowed. Plan to arrive at the museum at least 15 minutes prior to your entry time, to obtain your ticket from Will Call and to deposit purses, strollers, backpacks, bottles, and other bulky items in the cloak room. If you are late for your reservation the museum may not allow you to use your ticket.
The enormous building at the southeast end of the Circus Maximus is the headquarters of the UN Food and Agriculture Organization (FAO). From its roof are undoubtedly the best views of Rome, but you will need to know someone who works there to get past the strict security.
An ethnographic collection of around 60,000 pieces from European indigenous cultures. Documents evolution from the Palaeolithic age to the Iron Age.
In addition to Santa Maria in Cosmedin there is a lot to be seen around this piazza. Opposite the church is the round temple dedicated to Hercules Invictus (the Unconquered Hercules), and not far from that the rectangular Fortuna Virilis, both constructed in the 1st Century. Opposite, to the back of the piazza is the Arch of Argentari and behind that the church of San Giorgio in Velabro, the front of which was repaired after being damaged by a terrorist bomb in July 1993.
The remains of the ancient Roman archives, where Cicero and Seneca did research. Visible from the Forum and accessible through the Capitoline Museum.