A solid concrete cuboid stands quietly in the park, simple and heavy with meaning. At first glance, it looks like a stark monument. Then the eye catches a single window set into its front face, drawing visitors closer.
Through this small opening, a short film plays on a loop, showing two men sharing a kiss. The intimate scene is brief, gentle, and deliberate. It challenges the cold surface of the structure with a moment of human tenderness, inviting reflection on love, dignity, and the right to be seen.
The film inside does not stay the same forever. Every two years, the video changes, bringing new faces and moments to the screen. Future sequences include women kissing, broadening the memorial’s portrayal of queer love. This ongoing renewal keeps the artwork active and responsive, reminding visitors that remembrance is not static—it grows, includes, and continues.
Source - https://en.wikipedia.org/wiki/Memorial_to_Homosexuals_Persecuted_Under_Nazism
A small but interesting collection of decorative arts from the Art Nouveau and Art Deco periods
150-200 m along the Wiener Straße (bypassing the fire house and the public swimming pool) from U-Bahn Görlitzer Bahnhof, the park is famous for the Turkish families barbecuing on summer weekends, failed contemporary art and relaxed atmosphere of students. It does have a reputation of being full of pickpockets and drug dealers though and the police makes regular visits to this place to check on the situation.
Take a stroll for a few kilometers along this canal which runs right through the heart of Kreuzberg. It's peaceful and mostly traffic-free, but full of life in summer. Some parts are lined with bars and restaurants with terraces. Sit on a bench or terrace and watch the world go by on a summer evening.
With the Kreuzberg, a hill in Kreuzberg 61, the Prussian National Monument by Schinkel and a waterfall. Superb panoramic views across south Berlin.
The town hall of Berlin is known as such because it is made of red brick, not due to its former political persuasion. There are nice Prussian rooms inside, which are worth a look.
Exhibition of digital interactive entertainment culture. You can actually play almost all of the exhibits making it a more "hands on" museum than most.
From 1941, 12,000 tons of concrete in a 15-m-high and 20-m-diameter cylinder were built to test the load-bearing capacity of the Berlin soils (turns out glacial sands are no good basis for gargantuan architecture) for Albert Speer's Germania buildings. Too massive for later blasting, this is one of the more bizarre remains of the Third Reich.
A remarkable medium-sized classical castle by the famous K.F. Schinkel built 1820 to 1824, also called "Humboldtschlösschen", because Alexander and Wilhelm von Humboldt (and their family) lived here once. Still privately owned.
The building of one of Berlin’s oldest breweries is a ravishingly beautiful and heritage-protected industrial monument.
This castle is one of Berlin's oldest castles and where Prince Carl used to reside. Be sure to check out Glienicke Bridge, the bridge that became renowned for the exchange of Western and Eastern secret agents. You can also visit Glienicke Park.
A man-made hill of about 120 m in the Grunewald, created after the Second World War from debris of the city. On top is the Field Station Berlin, a former US listening station. Inside the building complex you can see lots of graffiti art. The hill can be accessed without any restrictions and is free; however, the building complex is surrounded by fences and requires a ticket (tours are available as well).
This aeronautical experimental park on the grounds of Germany's first air field Johannisthal consists of a group of several individual technical monuments such as the walkable Großer Windkanal (High-speed wind channel, 1932–34), the Trudelturm (Fatty tower), a vertical wind tunnel for spinning tests (1934–36), the Schallgedämpfter Motorenprüfstand (Sound-insulated engine test bed, 1933–35) and the Isothermische Kugellabore (Adlershofer Busen, Isothermal spheric laboratories, 1959–1961), which are about 500 metres away from the other monuments.
Also known as "der hohle Zahn" (the Hollow Tooth), this church in Breitscheidplatz is a memorial to Kaiser Wilhelm, and one of Berlin's most famous landmarks. Thick walls and plain decor mark it as neo-Romanesque, but with what's left of the Gedächtniskirche, it's tough to distinguish it as any one style. Allied bombing left only one tower standing on 22 November 1943, but a new location for worship designed by Egon Eiermann was completed in December 1961 (it's the octagonal structure with blue stained glass windows). There is a small memorial museum beneath the tower filled with artifacts from the original church, which was built from 1891-95 to architect Franz Schwechten's specifications.Controversy arose after the war over the various options presented by the half-ruined cathedral - should it be torn down completely and rebuilt? Or should the destroyed sections be left standing as a memorial? The four major sections of the Kaiser-Wilhelm-Gedächtniskirche (central space, foyer, new tower and chapel) surround the ruined tower of the old church bridge and show the time gap between old and new. Mosaics and other remnants from the old church serve as a monument against war.
This museum is perhaps something you wouldn't expect in a major metropolis and truth be told it owes its existence in part to partition (when West Berlin schoolkids couldn't go to the surrounding Brandenburg countryside to experience rural life). Opened in 1975 it is an attempt to recreate as faithfully as feasible a medieval farming village from roughly the era of Berlin's founding (12th or 13th century). The village that existed at this place 800 years ago was not called "Düppel" back then as that name was only applied in the 1860s after the Prussian victory over Denmark at Dybbøl which was rendered into German as "Düppel" and applied to the area to honor a member of the Prussian royal family who owned land there.