Berlinische Galerie is a museum devoted to modern art, photography, and architecture, with a collection that centers on work created in Berlin. Housed in a former industrial building, the museum offers spacious galleries where paintings, installations, photographs, and design objects share a common stage. The focus on the city’s own creative output gives the collection a distinctive voice, tracing how artists have responded to Berlin’s rapid changes over the last century.
The collection spans movements that shaped the city’s cultural identity, from early modern experiments to postwar breakthroughs and contemporary practices. Expressionist canvases, Dada collages, and works from the New Objectivity movement reveal the restless spirit of the 1920s. Postwar pieces show a divided city’s tensions and hopes, while more recent works reflect reunification and the evolving urban landscape. This local lens connects artworks to specific neighborhoods, studios, and historic moments.
Photography holds a central place, charting Berlin’s streets, architecture, and people across decades. Documentary series, avant‑garde experiments, and portraiture capture the city’s shifting identity—from rubble and reconstruction to techno culture and creative studios. The museum’s photographic holdings highlight how cameras have recorded social change and forged new visual languages in Berlin.
Architecture displays explore bold ideas tested in the city’s fabric. Plans, models, and drawings introduce modernist housing concepts, postwar rebuilding, and contemporary redevelopment. Design objects and urban studies add context, showing how everyday life, public space, and technology interact in Berlin’s built environment.
Rotating exhibitions bring fresh takes on the collection and feature Berlin-based and international artists tied to the city. The building’s clean lines and high ceilings support large installations and multimedia works, while quieter rooms allow close viewing of drawings, prints, and photographs. Together, the displays create a dialogue between past and present, studio and street, intimate detail and sweeping cityscape.
Source - https://en.wikipedia.org/wiki/Berlinische_Galerie
A small but interesting collection of decorative arts from the Art Nouveau and Art Deco periods
The Gendarmenmarkt is a square in the Friedrichstadt with the Konzerthaus (concert hall) and in front of the statue of Germany's poet Friedrich Schiller, the Neue Kirche (New church) and the Französischer Dom (French cathedrals). Berlin’s Deutscher Dom on the magnificent Gendarmenmarkt square is not to be confused with the Berliner Dom. It was built in 1708. Since 1992 a German Parliament exhibition can be seen here entitled “Paths, Loosing Track and Detours” or the development of parliamentary democracy in Germany – ways and roundabouts. No religious services are held here. The French cathedral houses the Hugenottenmuseum. It represents the ongoing influence on Berlin by the Huguenots who emigrated from France after the revocation of the Edict of Nantes. Crown Prince Friedrich William encouraged them to settle here because most of them were skilled workers or otherwise useful to the kingdom. One memorable artwork, in room nine of the museum, pictures Crown Princess Dorothea exclaiming "But he's a refugee!" upon being presented a very valuable set of jewels by Pierre Fromery. The generally agreed-upon view of refugees as poor, without resources let alone diamonds, was blown apart by the talented French Protestants forced to leave their country due to religion. One of the most notable effects of having such a large French population was their influence on the infamous Berlin dialect. Berlinerisch words such as Kinkerlitzchen (from French "quincaillerie" - kitchen equipment) and Muckefuck (from French "mocca faux" - artificial coffee, though that etymology is not universally accepted) are unique to the area. The Französischen Dom (cathedral) itself was built to resemble the main church of the Huguenots in Charenton, France, destroyed in 1688. It has housed the museum since 1929. Closed till 2019
Berlin's oldest church (1230) is a 3-nave hall church. It is in the centre of an area destroyed by bombs in the war which was then turned into a faux "old town" by the East German authorities called Nikolaiviertel. The area is more a hodge-podge of relocated buildings than an authentic reproduction, and the newly-built 1988 apartments that attempt to "harmonize" with the older buildings are embarrassing. The church is one of the only structures that was renovated rather than rebuilt. It is best known for a sandstone sculpture called the Spandauer Madonna (1290), but there are other interesting pieces here. When the church was destroyed in 1938 and rebuilt in the 1970s, the communist officials intended to use it as a museum, which did not open until 1987. The museum includes sacred textiles and religious sculpture from the fourteenth to the sixteenth centuries. The Nikolaikirche is the showplace of the Nikolaiviertel, which isn't saying much.
This museum describes the procedures applied by the East German secret police. Every Friday to Monday, there is a guided tour in English at 15:00 (5€).
The longest stretch of the Berlin Wall still in existence, painted by artists in 1991 and restored in 2009, after years of decay. At Mühlenstraße, next to the river Spree. The murals are painted on the east side of the wall after the fall of Communism; so they are not from the Cold War, during which murals could only be painted on the west side. Make sure not to miss the famous mural of a car seemingly crashing through the wall with Leonid Brezhnev and Erich Honecker kissing above it. It is actually on the back side of the gallery (it is facing away from the street.) It is just inside the entrance of the Eastern Comfort Hostel, near the east end of the gallery.
Museum of Contemporary Art located in former Hamburger Bahnhof train station. Big halls filled with artworks made since 1960s. In 2004 Rieckhallen, former Lehrter Bahnhof, was opened and now provides exhibition space for the Friedrich Christian Flick Collection. Free public guided tours (in English): Sa and Su at 12:00.
This area was Gay Central during the Weimar Republic, and it is today. But of course all are welcome. There is a diverse mix of restaurants and stores, several of which are open till midnight or later every day. The U-Bahn station has a superstructure and towers that echo the appearance of the Art Nouveau Neues Schauspielhaus across the street, now the Metropol, where radical left-wing dramas used to be presented in the 20s and 30s, and it is lit in rainbow colors.
Built 1859-1866 this is one of the most architecturally stunning synagogues in Germany to survive both the Nazi era and the war.
From 1941, 12,000 tons of concrete in a 15-m-high and 20-m-diameter cylinder were built to test the load-bearing capacity of the Berlin soils (turns out glacial sands are no good basis for gargantuan architecture) for Albert Speer's Germania buildings. Too massive for later blasting, this is one of the more bizarre remains of the Third Reich.
The Gemäldegalerie contains an astounding array of paintings, including works by Rembrandt, Rubens, Botticelli, Raphael, Titian, Goya, Velasquez and Watteau. The collection contains works from the old Bodemuseum on Museumsinsel in the East, now closed, and the former Gemäldegalerie in Dahlem. Its strong points are German paintings of the 13-16th centuries, Netherlandish painting of the 15th and 16th centuries, Flemish paintings of the 17th century, and miniature paintings of the 16th-19th centuries. In the newer section of the museum, designed by architects Heinz Hilmer and Christoph Sattler, there is enough space to display 1,150 masterpieces in the main gallery and 350 in the studio gallery - of the almost 2,900 pieces in the European painting collections. Established in 1830, the newly built gallery from 1998 has about 7,000 sq m of exhibition space (a complete tour of the 72 rooms covers almost 2 km).
This imposing building houses the Federal German Parliament or "Bundestag" and was completed in 1894 to meet the need of the newly-unified German Empire of the Kaisers for a larger parliamentary building. The Reichstag was intended to resemble a Renaissance palace, and its architect, Paul Wallot, dedicated the building to the German people. The massive inscription in front still reads: "Dem Deutschen Volke" - 'For the German people'. The Nazi leader Adolf Hitler exploited the fire which gutted the Reichstag building in 1933 by blaming the Communists for the arson and for attempted revolution. There is good evidence to suggest, however, that his followers were actually responsible and that this was a manufactured crisis. The iconic photo symbolizing the Soviet victory over Nazi Germany shows a Soviet soldier planting the Soviet flag on top of the building and there are to this day graffiti left by Soviet soldiers on some walls of the Reichstag which were deliberately preserved by the new Germany as a memento of the war. It's perhaps the only national parliament to have traces left by a foreign army deliberately preserved. When German reunification became a reality, the new republic was proclaimed here at midnight on 2 October 1990. The Reichstag building is well-known in the art world thanks to Paris-based Bulgarian artist Christo's mammoth 'Wrapped Reichstag' project in 1995. The entire building was swathed in silver cloth for two weeks that summer.The Reichstag has undergone considerable restoration and alteration, including the addition of a spectacular glass dome designed by the British architect Norman Foster completed in 1999. You can visit the Reichstag building proper and even listen to a parliamentary debate but you need to book on their website sometimes weeks or even months in advance. Fortunately its much easier to visit the glass dome. You can reserve a visiting time and date on their website or in the small building across Scheidmannstrasse, except during the high season you should be able to arrange a time later the same day or the next day. Photo ID or passport is required to make the booking. A passsport is required during your visit. This is a very popular tourist attraction in Berlin and can get quite crowded however it is worth the effort. The helical path up the inside of the dome is a lot of fun and the 360 degree views at the top are splendid.
One of the oldest buildings in Charlottenburg and actually the reason for the whole city to be built.
This outdoor and indoor history museum documents the terror applied by the Nazi regime. It is on the site of buildings which during the Nazi regime from 1933 to 1945 were the headquarters of the Gestapo and the SS, the principal instruments of repression during the Nazi era.
Experience the Stasi Secret Police Prison first-hand. Tours are compulsory. Some of the tours are done by former inmates.
It was a museum of applied arts and a listed historical monument since 1966, and it is now a well-known Berlin exhibition hall.
A remarkable medium-sized classical castle by the famous K.F. Schinkel built 1820 to 1824, also called "Humboldtschlösschen", because Alexander and Wilhelm von Humboldt (and their family) lived here once. Still privately owned.