Berlinische Galerie is a museum devoted to modern art, photography, and architecture, with a collection that centers on work created in Berlin. Housed in a former industrial building, the museum offers spacious galleries where paintings, installations, photographs, and design objects share a common stage. The focus on the city’s own creative output gives the collection a distinctive voice, tracing how artists have responded to Berlin’s rapid changes over the last century.
The collection spans movements that shaped the city’s cultural identity, from early modern experiments to postwar breakthroughs and contemporary practices. Expressionist canvases, Dada collages, and works from the New Objectivity movement reveal the restless spirit of the 1920s. Postwar pieces show a divided city’s tensions and hopes, while more recent works reflect reunification and the evolving urban landscape. This local lens connects artworks to specific neighborhoods, studios, and historic moments.
Photography holds a central place, charting Berlin’s streets, architecture, and people across decades. Documentary series, avant‑garde experiments, and portraiture capture the city’s shifting identity—from rubble and reconstruction to techno culture and creative studios. The museum’s photographic holdings highlight how cameras have recorded social change and forged new visual languages in Berlin.
Architecture displays explore bold ideas tested in the city’s fabric. Plans, models, and drawings introduce modernist housing concepts, postwar rebuilding, and contemporary redevelopment. Design objects and urban studies add context, showing how everyday life, public space, and technology interact in Berlin’s built environment.
Rotating exhibitions bring fresh takes on the collection and feature Berlin-based and international artists tied to the city. The building’s clean lines and high ceilings support large installations and multimedia works, while quieter rooms allow close viewing of drawings, prints, and photographs. Together, the displays create a dialogue between past and present, studio and street, intimate detail and sweeping cityscape.
Source - https://en.wikipedia.org/wiki/Berlinische_Galerie
House museum on Max Liebermann, German painter and printmaker. Has about 15 Lieberman paintings.
A man-made hill of about 120 m in the Grunewald, created after the Second World War from debris of the city. On top is the Field Station Berlin, a former US listening station. Inside the building complex you can see lots of graffiti art. The hill can be accessed without any restrictions and is free; however, the building complex is surrounded by fences and requires a ticket (tours are available as well).
Again one of the world's most comprehensive ones. At the museum district of Dahlem.
The Bayerischer Platz is the centre of the Bayerisches Viertel ("Bavarian district", with many streets named after Bavarian cities), which was destroyed a lot more during World War II (about 60%). Somewhere around there Albert Einstein lived once. You’ll find several memorial signs providing information about the Nazi regime's persecution of gays and Jews.
150-200 m along the Wiener Straße (bypassing the fire house and the public swimming pool) from U-Bahn Görlitzer Bahnhof, the park is famous for the Turkish families barbecuing on summer weekends, failed contemporary art and relaxed atmosphere of students. It does have a reputation of being full of pickpockets and drug dealers though and the police makes regular visits to this place to check on the situation.
Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.
A small castle in late classical style. It was built 1868 by Martin Gropius (uncle of the Bauhaus-founder and other architects, the von Siemens family changed the castle a bit around 1900 and they enlarged the dimensions of the park, which is today renovated and nice to wander around when the sun is shining. Located within a few minutes' walking distance from Biesdorf station (take the S5 from the city centre) or Elsterwerdaer Platz station (U5).
It is the only hemp museum in Germany; you can see the history of hemp, the culture and use of it. You can see hemp grow. There is a cafe downstairs, with an open WiFi access. Everything going on here is legal - including the hemp growing under artificial light (a low THC strain grown with a special permit) - but they do not refrain from political commentary on the legal situation of cannabis in their exhibits.
Built by Hitler for the 1936 Olympic Games, this is one of the better examples of Nazi neoclassical architecture (laying claim to the legacy of Rome, fasces and all) and is still used for sporting events. At those Olympics, African-American athlete Jesse Owens won four gold medals, a party-spoiler for Aryan superiority. It's the home of soccer team Hertha BSC - they were relegated in 2023 and now play in 2. Bundesliga the second tier. In 2024 this stadium hosted games in the UEFA Euro Finals, including the final itself. For a glimpse of the Olympiastadion in its original state, seek out Leni Riefenstahl's movie Olympia - clips are shown in the Kinemathek and elsewhere.
The Gendarmenmarkt is a square in the Friedrichstadt with the Konzerthaus (concert hall) and in front of the statue of Germany's poet Friedrich Schiller, the Neue Kirche (New church) and the Französischer Dom (French cathedrals). Berlin’s Deutscher Dom on the magnificent Gendarmenmarkt square is not to be confused with the Berliner Dom. It was built in 1708. Since 1992 a German Parliament exhibition can be seen here entitled “Paths, Loosing Track and Detours” or the development of parliamentary democracy in Germany – ways and roundabouts. No religious services are held here. The French cathedral houses the Hugenottenmuseum. It represents the ongoing influence on Berlin by the Huguenots who emigrated from France after the revocation of the Edict of Nantes. Crown Prince Friedrich William encouraged them to settle here because most of them were skilled workers or otherwise useful to the kingdom. One memorable artwork, in room nine of the museum, pictures Crown Princess Dorothea exclaiming "But he's a refugee!" upon being presented a very valuable set of jewels by Pierre Fromery. The generally agreed-upon view of refugees as poor, without resources let alone diamonds, was blown apart by the talented French Protestants forced to leave their country due to religion. One of the most notable effects of having such a large French population was their influence on the infamous Berlin dialect. Berlinerisch words such as Kinkerlitzchen (from French "quincaillerie" - kitchen equipment) and Muckefuck (from French "mocca faux" - artificial coffee, though that etymology is not universally accepted) are unique to the area. The Französischen Dom (cathedral) itself was built to resemble the main church of the Huguenots in Charenton, France, destroyed in 1688. It has housed the museum since 1929. Closed till 2019
Designed by Hans Poelzig in 1929, it is the first self-contained broadcasting house in the world and it is still in use today.
One of the oldest buildings in Charlottenburg and actually the reason for the whole city to be built.