The main floor of the Altes Museum features the antiquities collection in an ongoing exhibit titled “Neue Antike im Alten Museum” (New Antiquities in the Old Museum). Entering from the Lustgarten—currently under reconstruction—visitors step directly into a domed rotunda. The space is decorated with red and white cameos in a Greek style and lined with statues of the gods, creating a dramatic introduction to the galleries.
From the rotunda, head to the back and turn left. Continue along the long gallery, then make another left into a small room at the end. This is where the Hildesheim silver collection is displayed.
Source - https://en.wikipedia.org/wiki/Altes_Museum
Not far away from Schloss Tegel (at the "große Malche") you can take a look at the oldest tree in Berlin, an oak which has been growing there since about 1192 (so it's actually older than Berlin itself). The name ("fat Mary") allegedly stems from the brother Humboldt who named the tree after their overweight cook.
A museum dedicated to everyday life in communist East Germany. The museum has very relaxed rules and you are allowed to touch and examine almost every object, which adds greatly to the experience.
House museum on Max Liebermann, German painter and printmaker. Has about 15 Lieberman paintings.
The Bayerischer Platz is the centre of the Bayerisches Viertel ("Bavarian district", with many streets named after Bavarian cities), which was destroyed a lot more during World War II (about 60%). Somewhere around there Albert Einstein lived once. You’ll find several memorial signs providing information about the Nazi regime's persecution of gays and Jews.
One of the oldest buildings in Charlottenburg and actually the reason for the whole city to be built.
A fortress built between 1560 and 1590 to Italian design on the site of a 12th-century castle. The Juliusturm housed part of the huge indemnity (in physical gold coins) France had to pay after the war of 1870/71 until what was left of it was returned to France after Germany's loss in World War I. The term "Juliusturm" remained in usage in German for a large "rainy day fund" into the 1960s. Museums housed within the citadel cover the history of the town of Spandau, monumental public art in Berlin, and artillery.
The only surviving Berlin city gate and a potent symbol of the city. This is the point where Straße des 17. Juni becomes Unter den Linden. The gate was designed by Carl Gotthard Langhans in 1791 and was intended to resemble the Acropolis in Athens. The Brandenburg Gate now symbolizes reunification, after dividing East and West Berlin for decades. This is the site of Reagan's "Mr. Gorbachev open this gate, Mr. Gorbachev tear down this wall" speech.
Small park in the heart of West Berlin. Great place to chill on a sunny day. There are many great cafés and restaurants nearby. Linger over a coffee here and watch people passing by.
A domed church at Bebelplatz/Unter den Linden, the oldest (mid-18th century) and one of the biggest Catholic churches in Berlin. Interior was redesigned in a modern style in the 1950s, but there are still many treasure chambers in the basement.
This abandoned amusement park with its iconic large Ferris wheel opened in the German Democratic Republic in 1969. After its closing in 2002 the rotting theme park and its apocalyptic atmosphere became a target of international media coverage, amongst others by the New York Times. In 2016 it was announced that the venue will be restored and reopened as an art and culture park.
A small castle in late classical style. It was built 1868 by Martin Gropius (uncle of the Bauhaus-founder and other architects, the von Siemens family changed the castle a bit around 1900 and they enlarged the dimensions of the park, which is today renovated and nice to wander around when the sun is shining. Located within a few minutes' walking distance from Biesdorf station (take the S5 from the city centre) or Elsterwerdaer Platz station (U5).
An eerie memorial to victims of the Nazi regime built on the place of a former execution room, where nearly 2900 people where put to death between 1933 and 1945.
Erected in 1818 to a classically-inspired design by Karl Friedrich Schinkel as a guardhouse for the imperial palace, since 1993 this compact building has housed a small, but extremely powerful war cenotaph, the Central Memorial of the Federal Republic of Germany, continuing its use under East German rule as the primary "Memorial to the Victims of Fascism and Militarism". The interior of the Doric column-fronted building is intentionally empty, but for a small but moving sculpture by Käthe Kollwitz depicting a mother cradling a dead child. The statue is positioned beneath a round hole in the ceiling, exposing the figures to the rain and snow.