Montparnasse Cemetery is a remarkable final resting place in Paris, known for its peaceful atmosphere and its impressive list of notable figures buried within its grounds.
The cemetery is the burial site of several influential French writers and philosophers. Jean-Paul Sartre and Simone de Beauvoir, both important existentialist thinkers, are laid to rest here. Their lives and work left a lasting impact on literature, philosophy, and social thought in the 20th century. Other renowned writers at Montparnasse include the poets Charles Baudelaire, Guy de Maupassant, Charles Sainte-Beuve, and Marguerite Duras, each celebrated for their unique voices and contributions to French poetry and fiction.
Montparnasse also serves as the final home for creative minds from the world of art and music. The cemetery is where Man Ray, the famous artist and photographer, is buried. Visitors can also find the graves of musicians Serge Gainsbourg, Camille Saint-Saëns, and César Franck, whose melodies continue to be cherished by music lovers around the world. Sculptors like Constantin Brancusi and Ossip Zadkine, known for their innovative work, are also among those commemorated here.
The founders of the Theatre of the Absurd, Samuel Beckett and Eugène Ionesco, have their graves in Montparnasse Cemetery as well. Their groundbreaking plays challenged traditional ideas and continue to influence modern theatre. Film and stage actors like Maria Montez and Jean Seberg are remembered for their performances and are also interred here.
The cemetery is not only a place for artists and writers. It is also the resting place for important figures from French history, such as Alfred Dreyfus, the army officer at the heart of a famous political scandal. The founder of the Larousse encyclopedia, Pierre Larousse, rests here, as does André Citroën, the visionary industrialist behind the Citroën car company. Each grave tells part of the story of modern French culture and history.
Source - https://en.wikipedia.org/wiki/Montparnasse_Cemetery
20th- and 21st-century art in a building designed by Frank Gehry
Ordered by Cardinal de Richelieu (1585-1642), King Louis XIII's prime Minister in 1629 (completed in 1636); originally called Palais Cardinal; it became Le Palais Royal when Anne d'Autriche, Louis XIII's wife, came to live here to get away from the Louvre palace. It eventually housed Louis XIV until the move to Versailles. It includes also a beautiful garden Les jardins du Palais Royal, enclosed by the buildings. It's been the theatre of one of the seminal events of the French Revolution (Camille Desmoulins made a famous declaration here in 1789). The Théatre Français nearby was built in 1716. There are numerous restaurants inside the garden , including famous Le Grand Véfour. There's also the controversial Colonnes de Buren, striped columns installed within the inside yard amid the 17th century architecture.
Reopened after extensive renovations, this small museum near the Louvre houses the Jean Walter and Paul Guillaume Collection, sold to the French Republic on very generous terms and numbering 143 paintings from the late 19th century and the first half of the 20th century (15 Cézannes, 24 Renoirs, 10 Matisses, 12 Picassos, 28 Derains, 22 Soutines). The collection joined the eight immense Water Lilies that Monet gave France in 1922 and which have been displayed since 1927 in two huge oval rooms purpose-built on the artist's instructions.
Private collection of French, Italian, Dutch masterpieces in a typical XIXth century mansion.
The early Gothic Cathédrale de Notre Dame (Our Lady) has a 12th century design but wasn't completed until the 14th. Still it is a good example of the development of the style, though the west or main portal is a bit unusual in its rigidity. A April 2019 fire caused severe damage, but after extensive renovation the cathedral was reopened to the public in December 2024.
A museum of contemporary art. It was founded in 1984 by the well-known jewel and watch manufacturer, Cartier. In 1994 it moved to the new building erected on plans of the architect Jean Nouvel.
If the queues at the Eiffel Tower are just too much for you and your time is limited, consider a trip up the Montparnasse Tower. This is an office building with an observation and shopping area on the 56th floor, where the elevators stop, and an open viewing area on the roof. Arguably the view is better than from the Eiffel Tower: you are not so high up so things are more visible, and you can see the Eiffel Tower!
The foundation opened its doors in May 2003. It preserves Henri Cartier-Bresson and Martine Franck’s archives. Exhibition of photographs, paintings, sculptings, and illustrations.
There are a number of famous occupants, but the real reason to visit this cemetery is to see the ornate tombstones, sculptures, and other sometimes macabre, sometimes touching memorials Parisians have left here for their dead.
Opened in 2006, this is the newest and the most modern of Paris' great museums, housing an outstanding collection of tribal art, with a particular emphasis on France's former (and present) territories in Oceania and Africa. The museum is large and you can easily spend half a day browsing, especially if you pause to explore the multimedia presentations.
A symbol of Paris and one of the most famous landmarks in the world. Built by Gustave Eiffel in 1887-1889, the tower was almost torn down in 1909 and only saved due to its use as a telegraphy antenna. The queues can be very long. The tower allows online reservations at its website. You can select a date and time frame. If you miss the time on your ticket, you have lost your money. The north, west, and east pillars have elevators that go to the first and second floors; the south pillar has stairs that can be climbed to the second floor. To reach the top floor, an additional elevator ride is required, and the wait for this can be very long as well. Disabled visitors are not allowed beyond the second floor due to safety concerns. Taking the Métro as far as Ecole Militiare and then strolling up the Champ de Mars is a lovely way to arrive at the tower. Another phenomenal approach is to exit the Metro at Trocadero and see the Eiffel Tower from the other side of the Ecole Militaire.
Famous people who stayed here include Marie de Rohan, intriguer during the Fronde; Jeanne Baptiste d'Albert de Luynes, future mistress of a duke of Savoy; Marie Angélique de Fontanges, mistress of Louis XIV, died here giving birth to his child who also died. Today its main cloister (illustration) forms part of the modern Hôpital Cochin.
The east wing of the Palais de Tokyo holds the modern art collection of the city of Paris, dating roughly from World War I to date (the older part of the collection is at the Petit Palais in the 8th), including around 10,000 works.
Paris's international exhibition centre (the 4th largest in Europe) has millions of visitors annually.
Part gallery - part restaurant - part nightclub, La Cite (Les Docks) is a modern building that is instantly recognisable due to being draped on one side with a large neon green shell covering the stairwells and roof the building. Roughly translated in English as The City of Fashion and Design, this is a trendy spot at the weekends and is used for event like Paris Design Week. The restaurant in the building is open all year round.
A must for anyone interested in the history of the American Revolution. This small cemetery includes three mass graves from the French Revolution, plus a section that includes many of France's most noble families that lost members during the French Revolution and consequently have a continuing right to be buried there. In the farthest right hand corner is the tomb of General Lafayette, the friend and fellow soldier of George Washington. Beside him is his beloved wife plus other members of her family, the de Noailles, who were almost completely wiped out during the French Revolution because of their closeness to the Court. Since 1834 the American flag has apparently flown continuously over his grave, even during the German occupation of Paris during World War II. Well worthy of a visit.